Previous SFF Author: Cixin Liu
Ken Liu has won the Nebula, Hugo, and World Fantasy Awards and been a finalist for the Sturgeon and the Locus Awards. His debut fantasy novel, THE GRACE OF KINGS, was published by Simon & Schuster’s Saga Press imprint in 2015. Saga will also release a collection of his short fiction. A programmer as well as a lawyer, Ken has published stories in F&SF, Asimov’s, Analog, Strange Horizons, Clarkesworld, and Lightspeed, among other places. Besides writing original fiction, he also translates fiction from Chinese into English. He lives in Massachusetts with his wife and daughters.
Click here for more stories by Ken Liu.
Today Ken Liu stops by to answer a few questions about his newest work The Grace of Kings, the first in a series of “Silkpunk” and an ambitiously structured novel that won me over for its change-of-pace narrative construction and original setting, as well for its somewhat rare focus on social and technological change in a fantasy world. We’ll be giving away a copy of The Grace of Kings to one random commenter with a U.S. address.
Bill Capossere: In my review,
Having recently finished Death’s End (see my review here), the epic finale of the THREE-BODY TRILOGY by Cixin Liu, which rose to prominence when the the first book The Three-Body Problem won the Hugo Award for Best SF Novel of 2015 (translated by Ken Liu), I was intrigued by the process of translating foreign SF works into English, and was excited that Ken Liu, also the acclaimed author of The Grace of Kings (first book of the DANDELION DYNASTY series),
The Very Best of Fantasy & Science Fiction, Volume 2 edited by Gordon Van Gelder
I read the first volume (The Very Best of Fantasy & Science Fiction: Sixtieth Anniversary Anthology, published 2009) before I tackled this one, published in 2014. It’s only been five years, but I detected a darkening of the tone. Maybe I’m imagining it, maybe it’s just me, but it seemed to me that the earlier volume contained stories that set out to go to strange places and, as a consequence, were sometimes disturbing,
The Grace of Kings, by Ken Liu, is a book that took a good deal warming up to for me, so much so that I considered giving it up multiple times through the first few hundred pages. Seriously considered giving it up. The episodic structure, which I’m generally not a fan of just as a matter of personal taste, was off-putting and distant, while both the characters and the plot felt more than a little flat. So the idea of continuing on for another 500 and then 400 pages in the same vein was not all that enticing.
The Paper Menagerie and Other Stories by Ken Liu
Ken Liu is a writer of many talents, all of which are on full display in his first short story collection, The Paper Menagerie and Other Stories. Each of the fifteen pieces presented here is well-executed; many don’t have happy endings (as much as I would like them to), though Liu makes the best choices possible for the tales he’s telling, and I will admit that the end results frequently left me crying or stunned.
The Hidden Girl and Other Stories by Ken Liu
I was a huge fan of Ken Liu’s first collection of short stories, The Paper Menagerie and Other Stories, giving it a five out of five and placing on my “best of” list that year. His newest collection, The Hidden Girl and Other Stories (2020), unfortunately didn’t hit the high notes as consistently as the first, though there are still several gems in the group.
Many of the stories are set in a time leading up to or following the singularity,
The May/June issue of Fantasy & Science Fiction is bookended with stories about music by two stalwarts of the field, Chet Williamson and Kate Wilhelm. Both demonstrate that they still wield a strong pen; both tales are excellent.
Chet Williamson’s “The Final Verse” is about two men who set out to find the final verses to a folk song called “Mother Come Quickly.” It’s supposed to be one of the best-known songs in popular music, performed by just about everyone of note,
For the second year in a row, Adam-Troy Castro has a short story nominated for the Nebula Award which I think the best of the nominees. “Her Husband’s Hands,” originally published in Lightspeed Magazine, posits a world in which medical technology is so advanced that virtually any bit of a soldier can be retrieved from the battleground and kept alive, complete with a memory recorded at some point before the attack that “killed” him or her. In Rebecca’s case, only her husband’s hands have survived. They have been fitted with light-sensitive apertures at the fingertips,
I do not envy the awards panel for the Nebula Awards this year. There are two excellent novellas equally deserving of the award in that category.
The first of the novellas I refer to is “The Man Who Ended History: A Documentary” by Ken Liu. This story concerns the Pingfang District in China and the infamous Unit 731 maintained there by the Japanese for biological and chemical weapons research before and during World War II. I had never heard of Unit 731 before reading this novella, and was shocked to learn of its existence and the role of the United States in hushing it up after the war in order to profit from the research.
The novella is the ideal length for a science fiction story. It’s long enough to allow a reader to become immersed in a scene and involved with the characters; and it’s short enough to allow a reader to suspend disbelief as to the more unscientific or strange aspects of a story without questioning them too closely. Kate Wilhelm’s “The Fullness of Time,” which forms the backbone of the July/August issue of The Magazine of Fantasy & Science Fiction, is a fine illustration of the strengths of the novella form.
Apex Magazine is an online magazine I’ve reviewed once before, stating some reservations about the change in editorial command. I’m happy to report that the summer’s issues indicate that the magazine is as strong as ever. The June, July and August issues contain something to satisfy nearly every fantasy reader.
The August issue opens with the stunning “Waiting for Beauty” by Marie Brennan. This twist on the classic fairy tale “The Beauty and the Beast” will stop your breath. The devotion of the Beast to his Beauty is transcendent and sad.
The latest issue of F&SF is stuffed with good reading. I can’t pick a favorite, as I often do; many of the stories hit that sweet spot. Robert Reed’s short story, “Among Us,” is a good example: it’s about the Neighbors, creatures who look exactly like humans but are not, though they may not know that themselves. The narrator studies the Neighbors in every way possible — almost. There comes a moment when he is not willing to let research take its course, and whether that proves something to him, to the researchers,
The April/May 2013 issue of Asimov’s leads off with a difficult but exciting novella by Neal Asher entitled “The Other Gun.” It portrays a complicated universe in which humanity has found itself at war with a race called the prador, which is ruthless, merciless and completely uninterested in compromise. It has already exterminated several species when it runs into humans, and a survivor of one of those wars, a member of a hive species, has allied itself with humans. The narrator of this tale is a parasitologist and bio-synthesist who was working on a biological weapon to be used against the prador when he was reassigned to work for the Client,
Helena Bell’s “Robot” is one of three nominated stories that originally appeared in Clarkesworld. It is a bitter story of a woman abandoned to the ministrations of a robot when she becomes ill. It is told in the second person as a list of commands and instructions by the woman to the robot. As much as the robot seems to be a blessing to this woman, she speaks to it as if she hates and resents it, even as she is forced to rely upon it as her disease — and the robot — eat her alive.
Issue 84 of Clarkesworld begins with “Mar Pacifico” by Greg Mellor, which I found to be one of the two best stories in this issue. It’s hard to resist a story that starts, “A pale dawn spread across the Pacific as my dead mother emerged from the waves.” The first person narrator’s mother is formed by a bloom of algeron. Algeron developed from nanotech built by humans “to bring the carbon cycles back into balance and enhance the power of the oceans to absorb more carbon from the polluted air.” But as it evolved,
The most recent two issues of Apex Magazine give us a chance to say goodbye to one editor and hello to the next, and offer an interesting contrast between two strong voices.
Issue 55 is Lynne M. Thomas’s last issue of the 26 she has edited. It is a strong issue, with stories that are beautifully angry — at disease, at societal expectations, at clichés.
The first story, “What You’ve Been Missing” by Maria Dahvana Headley, is about the losses everyone suffers when a man is stricken with Alzheimer’s Disease.
Uncanny Magazine is a new bimonthly internet publication edited by Lynn M. Thomas and Michael Damian Thomas. The editors have explained their mission this way:
We chose the name Uncanny because we wanted a publication that has the feel of a contemporary magazine with a history — one that evolved from a fantastic pulp. Uncanny will bring the excitement and possibilities of the past, and the sensibilities and experimentation that the best of the present offers. . . . It’s our goal that Uncanny’s pages will be filled with gorgeous prose,
The February 2015 issue of Clarkesworld Magazine opens with “The Last Surviving Gondola Widow” by Kristine Kathryn Rusch. The first person narrator of the story is a woman living in Chicago who works as a Pinkerton (that is, a detective employed by the Pinkerton Agency, established in 1850 as one of the first such agencies) who was on Michigan Avenue the day the Gondolas came in from the South to rain hell down on the city. Now it appears that the widow of one of the Gondolas — for that’s how the engineers who piloted them were named,
Forever Magazine is a new venture by Neil Clarke, editor of the esteemed Clarkesworld. He explains in the introduction to the first issue of the magazine that it is a monthly publication focused on previously published works, mostly from this (still new) century. Clarke is the entire staff of the magazine. The Kindle subscription price is currently $1.99 per month.
The first issue opens extremely well, with a novelette by Ken Liu, “The Regular,” about a serial killer who targets high-end prostitutes.
No, you have not jumped forward in time two days; it’s still Saturday. But the Nebula Awards will be handed out tonight, so this special edition of Magazine Monday discusses the nominated novellas.
The late, lamented Subterranean Magazine first published Rachel Swirsky’s “Grand Jeté.” The story is about Mara, a 12-year-old child who is dying of cancer, her father, who loves her very much, and the android Mara’s father has built that mimics Mara in every way, right down to her thoughts and feelings. It is an amazing technological accomplishment that Mara’s father sees as a gift to his daughter.
There is so much free or inexpensive short fiction available on the internet these days. Here are a few stories we read this week that we wanted you to know about.
“Folding Beijing” by Hao Jingfang (translated by Ken Liu) (2015, free at Uncanny Magazine)
Hao Jingfang’s novella “Folding Beijing” stayed with me long after I finished reading it. It wasn’t just the images of her fantastic city, where buildings fold down into cubes and once a day the entire city revolves like a tossed coin.
These are a few of the online short works we read this week. Our themes this week are libraries and books, mixed with some poison and zombies. As long as we keep the zombies and the poison out of the libraries, it’s all good.
The Fairy Library by Tim Pratt (2013, free on Apex, Kindle magazine issue, also included in Antiquities and Tangibles and Other Stories by Tim Pratt)
When I realized I had,
There is so much free or inexpensive short fiction available on the internet these days. Here are a few stories we read this week that we wanted you to know about.
Folding Beijing by Hao Jingfang, translated by Ken Liu (2015, free at Uncanny Magazine, $3.99 Kindle magazine issue). Nominated for 2016 Hugo award (novelette).
Lao Dao, a humble man who works in a waste processing plant in “Third Space” Beijing, sorting recyclable trash,
“Mono No Aware” by Ken Liu (2012, originally published in The Future is Japanese anthology, reprinted 2013 and free online at Lightspeed, $3.99 Kindle magazine issue). 2013 Hugo award (short story)
Hiroto Shimizu is a twenty-five year old man living on a generation spaceship that left Earth when Hiroto was eight years old,
Sharing our finds in free and inexpensive short fiction available on the internet.
“The Likely Lad” by Kage Baker (2002, Asimov’s Science Fiction, Starship Sofa podcast #23)
Kage Baker is one of my favorite authors. I love her sense of humor and sardonic voice. She’s at it again in “The Likely Lad,” a funny novelette that you can find in print in Asimov’s Volume 26(9) or free in audio format from Starship Sofa’s podcast #23 (which I listened to and recommend).
“Story of Your Life” by Ted Chiang (1998, originally anthologized in Starlight 2, reprinted in Stories of Your Life and Others). 2000 Nebula award winner (novella) and 1999 Sturgeon award winner.
Being more of a fantasy lover than a sci-fi fan, I still hadn’t read the short-story superstar Ted Chiang.
Today’s SHORTS column features all of the 2018 Locus Award finalists for short fiction. The Locus Award winners will be announced by Connie Willis during Locus Award weekend, June 22 – June 24, 2018.
NOVELLAS:
In Calabria by Peter S. Beagle (2017)
Claudio, a middle-aged curmudgeonly farmer living in a remote area of the Italian countryside, has been a standoffish loner since his wife left him decades ago. He’s satisfied with his current lifestyle,
SHORTS is our regular short fiction review column (previously SFM or Short Fiction Monday). In today’s column we review several more of the 2019 Locus award nominees in the short fiction categories.
No Flight Without the Shatter by Brooke Bolander (2018, free at Tor.com; 99c Kindle version). 2019 Locus award nominee (novelette).
No Flight Without the Shatter brings together Linnea and her Aunties Ben, Dora, and Martha at the end of the world. Linnea is recognizably human,
SHORTS: Our column exploring free and inexpensive short fiction available on the internet. This week’s post reviews several more of the current crop of Locus Award nominees in the short fiction categories.
“A Brief Lesson in Native American Astronomy” by Rebecca Roanhorse (2019, anthologized in The Mythic Dream, edited by Dominik Parisien and Navah Wolfe). 2020 Locus award finalist (short story).
In the future, people’s memories can be stored and preserved even after they’ve died, and other people can inject them like drugs.
This week’s SHORTS column features some of the 2021 Locus and Hugo award finalists in the novelette and short story categories.
“Wait for Night” by Stephen Graham Jones (2020, free at Tor.com)
Chessup is a day laborer working as part of a crew outside of Boulder, Colorado, helping to clean up a creek that was filled with trash in the aftermath of a flood. At the end of the day, looking to borrow a battery from the crew’s bulldozer to jumpstart his old car, Chessup finds something very old tangled up in the roots of a tree that the bulldozer had pulled down.
In this week’s SHORTS column we wrap up our reviews of most of the 2021 Locus and Hugo award finalists in the novelette and short story categories.
“50 Things Every AI Working with Humans Should Know” by Ken Liu (2020, free at Uncanny magazine)
One eventually gets the list the titles implies, but first the story opens with an obituary of the list’s author — “WHEEP-3 (‘Dr. Weep’), probably the most renowned AI AI-critic of the last two decades.” The obit explains how WHEEP was created/trained by Dr.
Brave New Worlds: Dystopian Stories edited by John Joseph Adams
Even people who don’t usually read science fiction will often be familiar with a few classic titles in the “dystopian SF” sub-genre. After all, 1984, Fahrenheit 451, and of course the famous Aldous Huxley novel Brave New World are some of the few SF titles that have entered the mainstream literary canon to such an extent that they’ve become assigned school reading for many students.
Oz Reimagined edited by John Joseph Adams
Oz Reimagined is a collection of tales whose characters return as often, if not more often, to the “idea” of Oz as opposed to the actual Oz many of us read about as kids (or adults) and even more of us saw in the famed MGM version of the film. As its editors, John Joseph Adams and Douglas Cohen, say in their introduction: “You might not even find yourself in Oz, though in spirit, all these stories take place in Oz,
The Year’s Best Science Fiction & Fantasy 2014 edited by Rich Horton
I’ve been reading a lot of anthologies lately, including another of the several “Year’s Best” collections (the Jonathan Strahan one). I was pleased to find that, unlike some of the others, this one matched my tastes fairly well for the most part.
I enjoy stories in which capable, likeable or sympathetic characters, confronted by challenges, confront them right back and bring the situation to some sort of meaningful conclusion. I was worried when I read the editor’s introduction and saw him praising Lightspeed and Clarkesworld magazines,
Invisible Planets: Contemporary Chinese Science Fiction in Translation edited and translated by Ken Liu
Invisible Planets is an interesting and varied anthology of thirteen speculative short fiction stories and three essays by seven contemporary Chinese authors, translated into English by Ken Liu. As Liu mentions in the Introduction, several of these stories have won U.S. awards (most notably the 2016 Hugo Award for best novelette, given to Hao Jingfang’s Folding Beijing) and have been included in “Year’s Best” anthologies.
Terry Weyna and I attended the 2013 Nebula Awards Weekend in San Jose, California last week. The event focused mostly on the Saturday awards banquet, and programming was rather light, but I did attend a panel called “Writing the Other,” subtitled, “How do we write about what we cannot know?”
“Writing the Other” looked like the staff of a think-tank. Saladin Ahmed (Throne of the Crescent Moon), Kim Stanley Robinson, (2312, which won the Nebula), Ken Liu (“Paper Menagerie”) and Aliette de Bodard (who would win for the novelette “Immersion”) made up the panel.
The 48th Annual Nebula Awards weekend was held by the Science Fiction and Fantasy Writers of America at the San Jose Convention Center in northern California from May 17 through 19, 2013. Terry Weyna and I, who both live in Northern California and both are aspiring writers, decided to see what a bunch of published writers get up to when they party together.
Marion Deeds: I think what surprised me most is how light on programming the weekend was. I thought there would be sessions about the nuts and bolts of a writing career,
Previous SFF Author: Cixin Liu
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