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The Isle of Forgotten People: Yellow flowers in the yellow sea

The Isle of Forgotten People by Thompson Cross

For almost a decade now, the publisher known as Armchair Fiction has been a godsend of sorts for all readers of lost world/lost race fare. The company released its first such book in 2015 – Pierre Benoit’s 1919 classic Atlantida – and as of today, its Lost World – Lost Race Classics series stands at a very impressive 58 volumes, with no end in sight. I have recently written here of two of those 58 books – James De Mille’s excellent A Strange Manuscript Found in a Copper Cylinder (1888) and Will N.

Camp Damascus: Demonic possession meets summer camp horror

Camp Damascus by Chuck Tingle

Camp Damascus (2023) starts off as a demonic thriller and ends up as a plucky-kids-fight-humancentric-evil story, in Chuck Tingle’s first non-erotica novel. The author, who had a large audience on X/Twitter, came to the attention of many of us during the 2016 Hugo awards (all scandals aside, don’t say the Hugos never did anything nice for us). Previously known for men/men (or in some cases, men/dinosaur) erotica online, with Camp Damascus Tingle successfully makes the jump to horror,

A Strange Manuscript Found in a Copper Cylinder: Antarctic bizarros

A Strange Manuscript Found in a Copper Cylinder by James De Mille

As I believe I’ve mentioned elsewhere, British author H. Rider Haggard‘s back-to-back-to-back releases of King Solomon’s Mines, She, and Allan Quatermain from 1885 – 1887 served as a sort of triple shock wave on the worldwide literary community. From that point and for the next half a century, scores of imitators would come out with hundreds of works that attempted to emulate the so-called “Father of the Lost-Word Novel,” and with varying degrees of success.

Nick and the Glimmung: Likeable city!

Nick and the Glimmung by Philip K. Dick

In his 1969 novel Galactic Pot-Healer, cult author Philip K. Dick introduced his readers to a character named Glimmung: a semidivine being who calls ceramic repairman Joe Fernwright, among others, to Plowman’s Planet (aka Sirius 5) to help raise a sunken cathedral from the oceanic depths. Confusingly described by Dick as weighing 40,000 tons and, later, 80,000 tons, Glimmung was yet a truly fascinating creation. But as it turns out,

Cunning Folk: Life in the Era of Practical Magic

Cunning Folk: Life in the Era of Practical Magic by Tabitah Stanmore

Cunning Folk: Life in the Era of Practical Magic by Tabitah Stanmore, is a deeply researched exploration of a particular sort of magic in the medieval/early modern era. Full of illustrative anecdotes mostly from primary sources (particularly court cases), Stanmore does an excellent job in showing how “Our focus on witches and the sensationalism of witch trials makes us forget that there was a whole host of magical practitioners … not every person who practiced magic was a witch.” The specific cases are often fascinating,

June 24th, 2024. Bill Capossere´s rating: 4 | Non-fiction | SFF Reviews | 1 comment |

Translation State: Diplomacy is dangerous

Translation State by Ann Leckie

With Translation State, which was nominated for a Best Novel of 2023 Nebula Award, Ann Leckie brings us back to the universe adjacent to the Radchaai Empire, which is still embroiled in a civil war. This book directs its attention to the Presger Translators and their mysterious origin race, the Presger Themselves.

I liked Translation State, and about halfway through, one of the characters was suddenly in such jeopardy I could not put the book down.

June 3rd, 2024. Marion Deeds´s rating: 4 | Ann Leckie | SFF Reviews | no comments |

I’m Afraid You’ve Got Dragons: Quintessential Beagle

I’m Afraid You’ve Got Dragons by Peter S. Beagle

2023 was a good year for Peter Beagle fans (and who isn’t a Beagle fan?), with the publication of two retrospective short story collections — The Essential Peter S. Beagle Volumes I and II — and another book (The Way Home) combining two novellas, one a reprint and the other brand new. And now, just as the afterglow of all that may be starting to fade, 2024 says “hold my mead,” offering up a new novel,

May 30th, 2024. Bill Capossere´s rating: 4 | Peter S. Beagle | SFF Reviews | 2 comments |

Bird Box: Whatever you do, don’t look

Bird Box by Josh Malerman

Bird Box, published in 2014, was Josh Malerman’s first novel. Malerman came out of the music scene, breaking into fiction with this moody story of psychological horror. A woman and two four-year-olds take a journey down river, blindfolded, in a world where what you see can literally kill you.

In the opening sentences, Malorie decides that today’s the day. The big house is dark, every window and door covered. Even a trip out to the well,

The Silverblood Promise: A highly enjoyable stew of fantasy

The Silverblood Promise by James Logan

If any novel can make the case that a cliché is just a poorly executed trope, it’s James Logan’s debut novel The Silverblood Promise, the first in his THE LAST LEGACY series. Rakish, roguish noble? Check. Ancient civilization done in by some sort of cataclysm? Check. Scrappy, sassy street rat? Check. Mysterious, legendary thief? Mysterious, notorious criminal underground? Mysterious ancient artifacts? Unctuous, corrupt, greedy merchant-princes? Check, check, check, check. Heck, we’ve even got dying last words scrawled in one’s own blood (mysterious words,

May 17th, 2024. Bill Capossere´s rating: 4 | James Logan | SFF Reviews | 4 comments |

The Book That Broke the World: Enjoyable throughout its entire length

The Book That Broke the World by Mark Lawrence

It’s funny that as I was reading Mark Lawrence’s The Book That Broke the World (2024), I kept thinking how it was much more action/plot oriented than its predecessor, The Book That Wouldn’t Burn, which in my head I recalled as far more character and theme-driven. Then, in preparation for writing this review, I went back and read my review of book one and saw that I’d noted how the action “quickens at a relentlessly breathless rate.” So maybe it’s a balance thing?

April 30th, 2024. Bill Capossere´s rating: 4 | Mark Lawrence | SFF Reviews | 1 comment |

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