Previous SFF Author: Jess Lebow
Ann Leckie has published short stories in Subterranean Magazine, Strange Horizons, and Realms of Fantasy. Her story “Hesperia and Glory” was reprinted in Science Fiction: The Best of the Year, 2007 Edition edited by Rich Horton. Ann has worked as a waitress, a receptionist, a rodman on a land-surveying crew, and a recording engineer. She lives in St. Louis, Missouri, with her husband, children, and cats.
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In 2013, Ann Leckie published Ancillary Justice, the first book in her RADCH EMPIRE series. The book swept the 2014 awards, garnering a Nebula, an Arthur C Clarke and a Hugo award for best novel. In 2014, Leckie followed it up with Ancillary Sword, and the final book of the trilogy, Ancillary Mercy, came out this October, and landed on the New York Times best-seller list. Leckie keeps a busy schedule with writing, book promotion, managing a family, and occasionally beading.
Ancillary Justice by Ann Leckie
Breq used to be a spaceship, or at least a fragment of the spaceship known as Justice of Toren. The ship controlled innumerable human bodies, known variously as “ancillaries” to the people of the interstellar Radchaai Empire and as “corpse soldiers” to the cultures and planets the Empire has conquered. Those soldiers used to be regular, innocent human beings who, if sufficiently healthy, were slaved to one of the Radchaai ships, their personalities more or less overwritten to become part of one of the Empire’s many-bodied artificial intelligences.
Stefan Raets, Marion Deeds and Stuart Starosta´s rating: 4.5 | Ann Leckie | BSFA Award, Hugo Award, Nebula Award | SFF Reviews | 17 comments |
In Ancillary Justice, Leckie’s award-sweeping 2013 novel, we met Breq. Breq was a soldier, but before she was a soldier, she had been a ship, the Justice of Toren. Specifically, Breq was an ancillary, a human body whose personality has been erased, so that she could be a node of awareness for the ship’s AI. Justice of Toren comprised the ship itself and 2,000 human ancillaries in a distributed network. When Justice of Toren was destroyed in an act of treachery,
Marion Deeds and Stuart Starosta | Ann Leckie | BSFA Award | SFF Reviews | 8 comments |
I loved Ancillary Justice and Ancillary Sword, but as I got to the end of Ancillary Sword, I began to have some doubts. As good as the books were, and as good as Ann Leckie is, I didn’t see how she could possibly wrap up such an elaborate story. I should have had more faith! Ancillary Mercy completes Breq’s tale, resolves the story of the intelligent Ships and tells a bit more about what’s beyond the Ghost Gate,
Marion Deeds and Stuart Starosta | Ann Leckie | SFF Reviews | 9 comments |
Whether you’ve read Ann Leckie’s IMPERIAL RADCH trilogy or not (though I highly recommend you do, as it’s excellent), there’s plenty to enjoy about Provenance (2017), a new and stand-alone novel set within the reaches of Radchaai space. The Empire-shifting events of Ancillary Justice, Ancillary Sword, and Ancillary Mercy have an effect on the political schemes in progress within Provenance,
Jana Nyman, Kat Hooper and Marion Deeds´s rating: 4 | Ann Leckie | Audio | SFF Reviews | 4 comments |
The Raven Tower (2019) begins, as so many fantasy tales do, with a young man returning home to claim the powerful title and honor which are his birthright. Upon his arrival, he discovers that his father has gone missing and is presumed dead, while his uncle has taken the seat of power for himself with the promise that it will be given over to the young man when the time is deemed to be right (with the implicit understanding that the uncle will never do so).
Jana Nyman and Marion Deeds´s rating: 5 | Ann Leckie | Stand-Alone | SFF Reviews | 13 comments |
In 2009, fans of Realms of Fantasy, a full-size slick magazine, were dismayed to learn that its publisher, Sovereign Media, was shutting it down. Just not enough subscribers, Sovereign said; we can’t afford to keep going. But a savior came along in the form of Publisher Warren Lapine of Tir Na Nog Press, who purchased the magazine and kept it going with the same wonderful staff (including long-time editor Shawna McCarthy). Readers were delighted. Magazines are hardly ever saved, and even if they’re revived years later, they’re normally only shadows of their former selves.
Uncanny Magazine is a new bimonthly internet publication edited by Lynn M. Thomas and Michael Damian Thomas. The editors have explained their mission this way:
We chose the name Uncanny because we wanted a publication that has the feel of a contemporary magazine with a history — one that evolved from a fantastic pulp. Uncanny will bring the excitement and possibilities of the past, and the sensibilities and experimentation that the best of the present offers. . . . It’s our goal that Uncanny’s pages will be filled with gorgeous prose,
Forever Magazine is a new venture by Neil Clarke, editor of the esteemed Clarkesworld. He explains in the introduction to the first issue of the magazine that it is a monthly publication focused on previously published works, mostly from this (still new) century. Clarke is the entire staff of the magazine. The Kindle subscription price is currently $1.99 per month.
The first issue opens extremely well, with a novelette by Ken Liu, “The Regular,” about a serial killer who targets high-end prostitutes.
Phantoms of the Midway by Seanan McGuire (2019, anthologized in The Mythic Dream, edited by Dominik Parisien and Navah Wolfe). 2020 Locus award finalist (novelette).
Most kids dream of running away to join the carnival. Seventeen-year-old Aracely dreams of running away from the carnival. Her mother, Daisy, is the boss and the tattoo artist of the traveling fair,
Previous SFF Author: Jess Lebow
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