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Ursula K. Le-Guin

Ursula Kroeber Le Guin was an American author of novels, children’s books, and short stories, mainly in the genres of fantasy and science fiction. She also wrote poetry and essays. First published in the 1960s, her work has often depicted futuristic or imaginary alternative worlds in politics, the natural environment, gender, religion, sexuality and ethnography. She influenced such Booker Prize winners and other writers as Salman Rushdie and David Mitchell – and notable science fiction and fantasy writers including Neil Gaiman and Iain Banks. She won the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, each more than once. In 2014, she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. Le Guin resided in Portland, Oregon and died on January 22, 2018.


Rocannon’s World: Ursula K. Le Guin’s debut

Rocannon’s World by Ursula K. Le Guin

Rocannon’s World, published in 1966, is Ursula Le Guin’s debut novel and the first in her HAINISH CYCLE. The story describes how Rocannon, an ethnographer, became stranded on the planet he was charting when a spaceship from Faraday, a rogue planet that is an enemy to the League of All Worlds, blew up his spaceship and the rest of his crew. Rocannon thinks he’s trapped forever until he sees a helicopter and realizes that Faraday must have a secret base on the planet. If he can find it, he can use its ansible to communicate with the League, not only letting them know that he lives, but also the location of the secret enemy base. (Fun Fact: This is the book that one of Orson Scott Card’s characters in Ender’s Game refers to when he mentions that the word “... Read More

Planet of Exile: Enjoyable, but not the best place to start with Le Guin

Planet of Exile by Ursula K. Le Guin

Planet of Exile is a novel in Ursula Le Guin’s HAINISH CYCLE and one of the author’s first published books. In this story, a colony of humans has been stranded for many years on the planet Werel, which has such a long orbit around its sun that one year is like 60 Earth years. These humans, gently led by Jakob Agat, live in a city surrounded by a stone wall. Because of the conditions on Werel, especially the effect of its sun’s radiation on human genes, their colony is dwindling. The humans share the planet with two other humanoid species. They have no contact with the Gaal, a nomadic tribe, and they have a tense but sometimes cooperative relationship with the Tevarans.

The planet is moving into its harsh winter phase, which will last about 15 years. Usually when this happens the nomadic Gaal pass by the human city on their way south. But this yea... Read More

City of Illusions: Better than previous HAINISH CYCLE books

City of Illusions by Ursula K. Le Guin
“You go to the place of the lie to find out the truth?”

Ursula K. Le Guin’s HAINISH CYCLE continues with City of Illusions, which I liked better than its predecessors, Rocannon’s World and Planet of Exile. City of Illusions takes place on Earth sometimes in the far future after an alien invasion has killed off most of the people and has completely changed the Earth’s ecology, infrastructure, and geopolitical arrangement. There’s a large capital city run by an alien race called the Shing, but most of the humans are spread out and divided into small clusters in the hinterlands which have gone back to their natural state after Earth’s cities were destroyed. While there are futuristic technologies in the capital, the rest of the people live off the land without t... Read More

The Left Hand of Darkness: An important thought experiment

The Left Hand of Darkness by Ursula Le Guin

The Left Hand of Darkness (1969), part of THE HAINISH CYCLE, won both the Hugo and Nebula Awards for Best SF Novel, and is well known as one of the first books in the genre to intelligently explore the nature of gender and identity. Ursula K. LeGuin is a highly respected writer known for her anthropological and humanistic approach to SF, and her presence has attracted many mainstream readers and forced literary critics to take the genre more seriously. For that alone we owe her a great debt, and she has also written a series of critical essays entitled The Language of the Night: Essays on Fantasy and Science Fiction (1979). Her other masterpieces include The Dispossessed (1974), which won the Hu... Read More

The Dispossessed: Not simply an anarchist utopia/capitalist dystopia

The Dispossessed by Ursula Le Guin

The Dispossessed is a perfectly achieved thought experiment, perhaps Ursula K. Le Guin’s greatest achievement, but there is little I can say that hasn’t been said more eloquently, forcefully, thoroughly, or knowledgeably by other reviewers. It transcends genre as a Novel of Ideas. It explores with great intelligence anarchism-socialism vs capitalism; freedom/slavery in terms of politics, economics, society, intellectual endeavor, and personal relationships; the struggle to perfect a scientific theory that unifies time and space; whether human nature inevitably corrupts all political ideals; whether political utopias can ever be achieved to a meaningful degree; whether only hardship and privation can support socialist sentiment; and whether we must therefore settle for capitalism and the pursui... Read More

The Word for World is Forest: A powerful, somewhat allegorical tale

The Word for World is Forest by Ursula K. Le Guin

Tor recently re-released the Hugo winner The Word for World is Forest by Ursula K. Le Guin in a lovely paperback edition, so I thought it finally was time to check out this famous short novel, originally published in the seventies.

The novel is part of Le Guin’s famous HAINISH CYCLE (see also, among others, The Left Hand of Darkness and The Dispossessed) but can be read completely separately, although being familiar with the larger story will give you a better understanding of the broader context and some of the technologies, such as NAFAL and the famous ansible. Earth-based humans have established a logging colony on the world of New Tahiti and are actively exploiting the pristine world and the indigenous humanoid population, called “creechies” by ... Read More

Four Ways to Forgiveness: Slavery, oppression, revolution, and redemption

Four Ways to Forgiveness by Ursula K. Le Guin

Ursula K. Le Guin is hardly afraid to tackle difficult topics. In fact, she delves into them with a fearless but controlled approach that forces us to look at painful subjects we may prefer not to. This time she is going straight for the jugular, exploring the sensitive subjects of freedom, slavery, oppression, sexual politics, and revolution. In the wrong hands this could easily become a heavy-handed polemic that might be unreadable.

However, Le Guin is far too skilled a writer to wield a cudgel — instead, she uses her scalpel to peel away layer after layer of ingrained societal norms as she explores just how human societies are affected by these topics, and leaving no side free of sin but shows how even the slavers victimize themselves as they indoctrinate their own children into the system. T... Read More

The Telling: I expect more from Le Guin

The Telling by Ursula K. Le Guin

Ursula K. Le Guinis an iconic voice whose books, like Left Hand of Darkness and The Word for World is Forest, made people rethink their assumptions of the society they lived in. She is intimidatingly intellectual but writes characters who are real and full of heart. She is a personal role model of mine, so it’s difficult to write a less-than-glowing review about The Telling, a late entry into Le Guin’s HAINISH CYCLE stories.

This slim novel is more of a philosophical study of the nature of fundamentalism than a complete story. Sutty is an Indo-Canadian language scholar who comes to the planet Aka to study its languages and literature. Space travel takes decades in planetary time; by the time Sutty arrives, sixty years after she left, she discovers a planet that has experienced a cultural revolution. E... Read More

A Wizard of Earthsea: An artistic, intimate drama

A Wizard of Earthsea by Ursula K. LeGuin

With the recent Sci- Fi Channel miniseries, there is bound to be renewed interest in Ursula Le Guin's classic first book in her Earthsea series, as there should be. This remains a classic fantasy for good reason. The world within which the characters move is fully developed, having a sense of past, present and future as well as a sense of a larger "there there", as opposed to some fantasies that feel like a Hollywood stage set, as if nothing exists beyond the narrow social/geographical worlds the characters move through. Such is not the case with Earthsea. One feels it is real from the start and the ensuing books in the series only deepen that feeling with regard to its social and political structures, its people, its mythic past.

The characters are equally strong, especially Ged, the young boy who grows to ad... Read More

The Tombs of Atuan: Strong second book

The Tombs of Atuan by Ursula Le Guin

The Tombs of Atuan is the second book in the Earthsea series that began with A Wizard of Earthsea. Wizard is a true classic, and it wouldn't be much criticism to say Atuan doesn't match it. It's true, but The Tombs of Atuan is still well worth the read, quite strong in its own right.

The Tombs of Atuan is a near complete shift of character, setting, and style. Ged, the protagonist of Earthsea, is present, but mostly off-stage for much of the book, giving way to a young girl called Tenar. The setting, rather than an episodic tour of the Earthsea archipelago, is much more narrow, taking place on a single island, in mostly two very limited areas — Tenar's priestess palace and th... Read More

The Farthest Shore: One of the strongest books in the series

The Farthest Shore by Ursula Le Guin

The Farthest Shore is the third book in Ursula Le Guin's Earthsea series, and the concluding one for several decades. Since it's highly recommended to have read the first two, I'll work on the assumption that the reader has. If book one, Wizard of Earthsea has the most action/magic and book two, Tombs of Atuan, is the slowest and most introspective of the opening trilogy, then The Farthest Shore is a nicely-balanced blending of the styles.

We return to many of the basics from Wizard. Ged is once again the main character instead of a side character as in Atuan, the setting once again moves island to island throughout the archipelago rather than being limited to ... Read More

Tehanu: So much misery

Tehanu by Ursula Le Guin

Hmmm. Where to begin.

First, a confession: despite my high marks for this and other installments of the Earthsea series, I never really warmed up to Ursula Le Guin's masterworks. It's like appreciating a painting by Picasso: I know that it's a magnificent piece of art, but that doesn't mean I'd want it hanging on my living room wall. Likewise, I can recognize the craftsmanship and skill that went into creating The Earthsea Cycle; there's so much skill in the writing, in the detail, in the mythological resonances (everything from Carl Jung to Joseph Campbell). Le Guin also had a masterful grip on the nuances of her story, as in the subtle affinity Tenar shares with thistles. But something kept bothering me, and it wasn't until this forth novel Tehanu Read More

Tales from Earthsea: Fills in gaps in the EARTHSEA mythos

Tales from Earthsea by Ursula Le Guin

In 1972 Ursula Le Guin completed The Farthest Shore and felt the EARTHSEA series was finished at three books. However, in 1994 she published Tehanu:The Last Book of Earthsea in an attempt to revise the gender and social roles she’d laid out in that original trilogy. Based on the title, this too was supposed to be the be-all, end-all. Apparently not satisfying enough; 2001 saw Le Guin publishing two additional books in the EARTHSEA CYCLE, The Other Wind and Tales from Earthsea, that both complement and redress the original books. The former rounds out the entirety of Earthsea’s story into a nice whole, the latter is a collection of short stories that fills certain gaps Le Guin identified in Earthsea’s mythos. Here is a loose breakdown of those stories.

“The Finder” — The opening story in the collection tells of the boy Otter, his im... Read More

The Other Wind: Ends the EARTHSEA CYCLE

The Other Wind by Ursula Le Guin

At age 84, I think it’s safe to say that Ursula Le Guin will not be publishing additional books in the EARTHSEA CYCLE. The qualities of the last book to be published, The Other Wind, particularly the subtle and cathartic value of its denouement and the state in which the main characters are left, make the extension of the Cycle beyond six books unlikely. Walking away on a high note, the Cycle is here concluded in grand style.

Unlike the personal storylines of the original trilogy, The Other Wind sees the continuation of the pattern established by Tehanu and Tales from Earthsea: groups of characters take center stage rather than individuals. All of the characters who have appeared in previous novels are drawn together. Their purpose: to eradicate the larger ills plaguing the archipelago. The dragons are uneasy and are disappearing to the west amid... Read More

The Lathe of Heaven: Dreaming of Utopia

The Lathe of Heaven by Ursula K. LeGuin

When George Orr sleeps, he sometimes has “effective” dreams that alter reality. Believing that he has no right to effect such changes, George begins taking drugs to suppress the dreams. As the drugs lose their efficacy, George ups the dosage, exceeding legal limits. George is caught and ordered to choose between therapy and asylum. He chooses therapy and is sent to Dr. William Haber. When Haber realizes that George is not crazy and that these “effective” dreams indeed change reality, the psychiatrist decides to make the world a better place.

And why not? Overpopulated, polluted, radioactive, and starving – humanity’s near future is an age of terrible consequences. The world could use a dreamer, figures Haber, so he hypnotizes George to shape the future.

By the end of the first week, the weather is warm and sunny, George wakes up to discover that he owns a cottage, ... Read More

The Eye of the Heron: A short but complex novel suitable for all ages

The Eye of the Heron by Ursula K. Le Guin

Starscape (Tom Doherty’s YA imprint) presents The Eye of the Heron as a book for ages 10 and above. While the story is straightforward enough, the philosophical ideas that underpin the story are quite complex, so The Eye of the Heron is quite an interesting read for the more mature reader as well. Le Guin does not waste any words in telling the story, she delivers a to-the-point but surprisingly complex novel. If you read it at age 10, you’ll probably see it in a different light now.

The Eye of the Heron is set on a planet that was fairly recently colonized. Le Guin doesn’t mention a year but sometime in the 22nd century seems reasonable. Two waves of colonists have settled a small area of the planet. One group consists of criminals from a nation that covers South America, sent on a one way trip to dispose ... Read More

Changing Planes: The perfect book to read in the airport

Changing Planes by Ursula K. Le Guin

Airports are horrible places — the boring waits, the noisy rush, the germy stale air, the ugly utilitarian décor, the nasty food. That is, until Sita Dulip, while waiting for her delayed flight from Chicago to Denver and noticing that “the airport offers nothing to any human being except access to the interval between planes,” developed a technique to change planes inside the airport. She discovered that in the airport the traveler is uncomfortable, displaced, and already between planes and can therefore easily slip into other planes of existence while waiting for a flight.

Sita Dulip’s technique has now been publicized and travelers everywhere are using it to alleviate airport boredom. Changing Planes is a collection of fifteen of their stories. A few of the stories are mainly anthropological or linguistic explorations of imaginary cultures, but read... Read More

Gifts: Le Guin’s usual mastery of story and style

Gifts by Ursula Le Guin

There are lots of reasons to like a good Le Guin novel — her spare prose, her sharpness of description, her ease of storytelling, but in simple terms, when Le Guin writes well (nearly always), it boils down to the fact that reading becomes bare unadorned pleasure. Pleasure at its purest and simplest. And that is the gift of this book.

The backstory is pretty simple — families living in the Uplands have hereditary magical abilities or "gifts" (one type to a family) that can and usually are employed to harm: gifts of "unmaking" (killing/destroying), of "calling" (calling animals — used to call them to be killed), of "twisting" (maiming things and people), of "wasting" (cursing with a slowly fatal illness). The clans feud back and forth over land, cattle, etc. yet must also stay on terms to keep interbreeding as the gifts are strongest when bred true through the family. The description ... Read More

Voices: Lots to think about

Voices by Ursula Le Guin

In this story of the Western Shore, we meet Memer, a 17 year old girl — a "siege-brat" — who lives in the occupied land of Ansul, a city of people who used to be peaceful, prosperous, and educated but who were overtaken 17 years ago by the illiterate Alds who consider all writing to be demonic. All of the Ansul literature, history, and other books were drowned... except for a small collection of books that has been saved and hidden in a secret room in the house of Galvamand and can only be accessed by the last two people in the Galva household — Sulter Galva (the Waylord) and Memer, whose mother was a Galva.

One day, the Maker and orator Orrec, and his wife Gry, (from Gifts) come to town, stay at Galvamand, and recite to the people of Ansul and their Ald overlord, the Gand Ioratth. When Orrec recites ancient ep... Read More

Powers: The best in the series

Powers by Ursula Le Guin

Powers is the third and, in my opinion, the best of the Annals of the Western Shore novels. In this book, we meet Gavir, a slave in the City State of Etra. Gavir was born in the marshes but was stolen, along with his sister, by slavers and brought to Etra. He has the power to clearly remember things he has seen before and even some events that have not yet happened to him. This gift is not uncommon in the marshes, but the people of Etra fear powers, so his sister tells him not to speak of it. His memory, however, is prized by the household who owns him and he is being trained to be the teacher of the households' children. He is well treated (except by another slave who holds a grudge against him), well educated, and happy.

But things go awry and Gavir ends up on a journey in which he encounters different people, idea... Read More

Lavinia: A voice and a story for Lavinia

Lavinia by Ursula Le Guin

"It's not death that allows us to understand one another, but poetry."

Lavinia, wife of Aeneas, is silent in Virgil's Aeneid. In the novel Lavinia, Ursula Le Guin gives a voice and a story to this nearly obscure figure.

I loved the prose from page one. Le Guin's skill with the English language is unquestionable. Here's a sample from early in the novel:
Like Spartan Helen, I caused a war. She caused hers by letting men who wanted her take her. I caused mine because I wouldn't be given, wouldn't be taken, but chose my man and my fate. The man was famous, the fate obscure; not a bad balance.
The concept behind Lavinia is more complicated than you might think. It can on one level be read as a reexamination of myth from the female perspective,... Read More

The Wild Girls: Wraps you in silken words and then breaks your heart

The Wild Girls by Ursula K Leguin

“When her mother went to embrace her, Tudju made the gesture that put her aside.”

Some topics carry inevitability in their DNA. When you read about Titanic, or the 1918 influenza pandemic, you know what’s going to happen. In Ursula LeGuin’s novelette The Wild Girls we have a good idea how it’s going to end. We don’t want to believe, but we know.

In the opening paragraphs, Bela ten Belen takes five companions and a male slave and leaves his City home to raid a nearby nomadic village. Bela is hunting for a “Dirt” girl to capture and raise to be his wife. He and his friends slaughter the unarmed adults in the village and take the children. Bela seizes a little girl, and soon discovers that her older sister, who was not captured, has followed them, not to attempt a rescue but simply to be with her sister.

The “Crown,” who live in... Read More

The Unreal and the Real, Vol 1: Where on Earth

The Unreal and the Real, Volume One: Where on Earth by Ursula K. Le Guin

Having just read two long, dense space opera epics, I was in the mood for shorter work, and who better than Ursula K. Le Guin, one of the giants of the sci-fi/fantasy field, and a respected American novelist who has transcended genre and literary categories. I discovered two volumes of her stories available on Audible, with Volume One: Where on Earth (2012) set on Earth in what I would categorize as “literary realism” style, though in Le Guin’s introduction she challenges the convenient and inaccurate labels we apply, and the preconceptions and biases that accompany them.

Nevertheless, it’s undeniable that this first volume will be of less interest to dedicated fans of science fiction, fantasy, or “speculative fiction, or “genre fic... Read More

The Unreal and the Real, Vol 2: Outer Space, Inner Lands

The Unreal and the Real, Volume Two: Outer Space, Inner Lands by Ursula K. Le Guin

This is essential reading (or listening) for all fans of SF who want to see why Ursula K. Le Guin is one of the giants of the SF/fantasy field. Volume Two: Outer Space, Inner Lands contains a host of impressive stories, both her famous award-winners and lesser-known gems. All of them are intelligent, thought-provoking, understated, and beautifully written. It’s hard to underestimate the influence she has had on the genre, fans, and how much respect she has gained in the greater literary world. I can’t wait to see the upcoming documentary about her life and legacy being produced by Arwen Curry called Worlds of Ursula K. Le Guin scheduled for completion by 2017.

As we journey through the various i... Read More

The Unreal and the Real: Omnibus of anthropological SF and literary tales

The Unreal and the Real: The Selected Short Stories by Ursula K. Le Guin

Everyone with even a passing knowledge of SF/Fantasy will likely have heard of Ursula K. Le Guin, one of the giants of the field whose work has transcended genre and literary categories. Her SFF works have ranged from mythical fantasy such as the EARTHSEA CYCLE to brilliant studies of gender, identity, and political ideologies like The Left Hand of Darkness and The Dispossessed. She proudly identifies herself as a SF writer, but one whose intellectual rigor and literary ambitions have forced mainstr... Read More

The Found and the Lost: Masterful stories by one of the genre’s greats

The Found and the Lost: The Collected Novellas of Ursula K. Le Guin by Ursula K. Le Guin

The Found and the Lost is the companion volume to The Unreal and the Real: The Selected Short Stories by Ursula K. Le Guin, a hefty 816-page book or 34-hour audiobook collection of Ursula K. Le Guin’s novellas. It contains most of the stories that make up Four Ways to Forgiveness (1995) a set of linked stories in her HAINISH CYCLE about the two worlds of Werel and Yeowe, and explores the themes of slavery, oppression, revolution, and redemption. It also contains several stories set in her EARTHSEA CYCLE Read More

No Time to Spare: More LeGuin is always a pleasure

No Time to Spare by Ursula K. LeGuin

I’ve said for, well, what seems like forever now, that Ursula K. LeGuin is a national treasure. And so when she comes out with a collection drawn from her blog, I’m all in, even though normally I’d run like crazy from any such compendium. In fact, I’ve used the “sounds like a blog” line as criticism (the negative sort) of other collections of essays. And yes, there are several pieces about cats in No Time to Spare (2017), seemingly a required subject for anyone posting online. But I’ll accept the occasional cat essay if it comes stringing a bunch of other LeGuin essays along behind it.

LeGuin was inspired to begin her blog by reading Jose Saramago’s own, written when he was 85/86 and published as The Notebook. She calls her own attempts ... Read More

SHORTS: Bolander, Goss, Le Guin, Liu, Ford, Jemisin

SHORTS is our regular short fiction review column (previously SFM or Short Fiction Monday). In today's column we review several more of the 2019 Locus award nominees in the short fiction categories.

No Flight Without the Shatter by Brooke Bolander (2018, free at; 99c Kindle version). 2019 Locus award nominee (novelette).

No Flight Without the Shatter brings together Linnea and her Aunties Ben, Dora, and Martha at the end of the world. Linnea is recogni... Read More

The Oxford Book of Science Fiction Stories: Humane science fiction

The Oxford Book of Science Fiction Stories edited by Tom Shippey

I read Tom Shippey's other excellent collection, The Oxford Book of Fantasy Stories some time ago, so it was only a matter of time before I sought out this one. Like its stablemate, The Oxford Book of Science Fiction Stories consists of a chronological collection of stories from a variety of authors with an introduction by the editor. I was struck by the idea of "fabril" literature, which is discussed in the introduction: a form of literature in which the "smith" is central. Certainly, a great deal of early science fiction in particular involves a clever engineer solving some sort of problem, and I'm sure many careers in engineering and the sciences have been launched in this way. I'd say that there is some tendency, though, as the genre matures, for technology to become the problem and human factors the solutio... Read More

The Very Best of Fantasy & Science Fiction: Sixtieth Anniversary Anthology

The Very Best of Fantasy & Science Fiction: Sixtieth Anniversary Anthology by Gordon Van Gelder (ed.)

The Very Best of Fantasy & Science Fiction: Sixtieth Anniversary Anthology is an excellent collection of 23 stories picked from the treasure trove of short fiction that's been published in the eponymous magazine over the past 60 years. Editor Gordon Van Gelder — also the editor of the magazine since 1997 — has done an admirable job, picking stories that illustrate the diversity of both the genre and the magazine. As such, this is a great anthology for SF&F fans as well as newcomers looking for a taste.

The line-up of authors in this collection looks like a veritable Who's Who of speculative fiction: Ray Bradbury, Read More

Wings of Fire: I thought I didn’t like dragons

Wings of Fire edited by Jonathan Strahan & Marianne S. Jablon

I don't like dragons.

This is probably not the first sentence you'd expect to find in a review of Wings of Fire, an anthology devoted exclusively to dragon stories, but I thought it best to get it out of the way right from the start.

There's nothing inherently wrong with dragons. They're just terribly overused, one of those tired genre mainstays that people who typically don't read a lot of fantasy will expect in a fantasy novel because they were practically unavoidable for a long time. To this day, I confess to having to suppress a mental groan whenever I encounter them.

For a long time, I actively avoided reading any fantasy novel with the word dragon in the title. Granted, I made several exceptions to this rule in the past, most notably The King's Dragon by Read More

The Secret History of Fantasy: Stories that redefine the genre

The Secret History of Fantasy edited by Peter S. Beagle

The basic premise of the SECRET HISTORY anthologies (there's also a science fiction one, The Secret History of Science Fiction, which I haven't read) is that there's a type of writing that got missed or buried because other things were more popular, more commercial, or dodged the spec-fic labeling. Certainly that's the thrust of Peter S. Beagle's introduction, and the two other non-fiction pieces by Ursula K. Le Guin and editor David G. Hartwell.

In the case of fantasy, this type of wri... Read More

Brave New Worlds: Dystopian Stories

Brave New Worlds: Dystopian Stories edited by John Joseph Adams

Even people who don’t usually read science fiction will often be familiar with a few classic titles in the “dystopian SF” sub-genre. After all, 1984, Fahrenheit 451, and of course the famous Aldous Huxley novel Brave New World are some of the few SF titles that have entered the mainstream literary canon to such an extent that they’ve become assigned school reading for many students. However, novel-length dystopian SF didn’t stop with those venerable classics, and can even be said to be thriving at the moment. See, for example, the recent success of Paolo Bacigalupi’s debut The Windup Girl ... Read More

Epic: Legends of Fantasy: Lives up to its title

Epic: Legends of Fantasy by John Joseph Adams (editor)

Epic: Legends of Fantasy, edited by John Joseph Adams, is an anthology of stories written by some of the biggest names in epic fantasy. The book clocks in at over 600 pages not just because it’s very difficult to tell short epic stories (though some of these authors do manage to pull it off) but because here the authors are not just telling epic legends, they are legends in and of themselves. George R.R. Martin, Patrick Rothfuss, Robin Hobb, Paolo Bacigalupi, Brandon Sanderson, Ursula K. LeGuin, Kate Elliott, Orson Scott Card, Tad Williams, Aliette de Bodard, Michael Moorcock, Melanie Rawn, Mary Robinette Kowal, N.K. Jemisin, Carrie Vaughn, Trudi Canavan,  and Juliet Marillier all contributed stories to this volume.

Epic: Legends of Fantasy opens with a novella by Robin Ho... Read More

Why You Should Read… Ursula K LeGuin

I am pleased to welcome Mark Barrowcliffe today - M D Lachlan (author of Wolfsangel) - to talk about one of his favourite authors. Mark's website can be found here, and he posts on Twitter as @mdlachlan. His article is about Ursula K LeGuin.

I’m going to confess – I haven’t read that much of the author I’m recommending here, although I was until recently under the impression I had read more. So this comes as a recommendation to myself – one that I intend to follow – as well as to you.

They say the books you read earliest are the ones that stay with you longest and this was certainly the ca... Read More

More books by Ursula LeGuin

Ursula LeGuin MalafrenaMalafrena — (1979) Publisher: Malafrena is not a real place. Itale never dreamed of love, nor Piera of him. Estenskar did not live, only his poems. Only the dreams of themselves are real, only their youth, only the wind called Freedom that swept through their lives like a storm unforgettable. A novel set in the imaginary nation of Orsinia in the early nineteenth century.

Ursula Le Guin The Beginning Place ThresholdThe Beginning Place (Threshold) — (1980) Publisher: A magical place across a creek provides sanctuary for two young people in flight from the banality of their daily lives, until their paradise turns into a hell on Earth that threatens to destroy them.

Ursula Le Guin Always Coming HomeAlways Coming Home — (1985) Publisher: A complex interweaving of the story and fable, poem and artwork, brings to life the culture of Kesh, a peaceful people of the far future who inhabit a place called the Valley on the Northern Pacific coast.

Ursula LeGuin A Ride on the Red Mare's BackA Ride on the Red Mare’s Back — (1992) Ages 4-10. Publisher: With the aid of her magic wooden horse, a brave girl travels to the High House in the mountains to rescue her kidnapped brother from the trolls.

fantasy book reviews science fiction book reviewsOuter Space, Inner Lands — (2012) Publisher: Outer Space, Inner Lands includes many of the best known Ursula K. Le Guin nonrealistic stories (such as “The Ones Who Walk Away from Omelas,” “Semley’s Necklace,” and “She Unnames Them”) which have shaped the way many readers see the world. She gives voice to the voiceless, hope to the outsider, and speaks truth to power—all the time maintaining her independence and sense of humor. Companion volume Where on Earth explores Le Guin’s satirical, risky, political and experimental earthbound stories. Both volumes include new introductions by the author.

Story collections:

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