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SFF Author: Samuel R. Delany

Samuel R. Delany(1942- )
Samuel R. Delany is the winner of multiple Hugo and Nebula awards and one of science fiction’s most celebrated authors. Born and raised in New York City, Delany began writing in the early 1960s. His 1966 novel Babel-17 established his reputation, and over the next decade he became famous for his provocative futuristic explorations of race and sexual identity in the novels Nova (1969), Dhalgren (1975) and Triton (1976). His other works include the Neveryon series of novels (1979-87) and the novel Stars in My Pocket Like Grains of Sand (1984). He has also written frankly about his life as an African-American homosexual, and his non-fiction books include The Motion of Light and Water: Sex and Science Fiction Writing in the East Village, 1957-65 (1988) and Times Square Red, Times Square Blue (Sexual Culture) (1999).


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Babel-17: A dazzling new-wave SF space opera from the 1960s

Babel-17 by Samuel R. Delany

Babel-17 won the 1966 Nebula award for best novel, tying with Daniel Keyes’s Flowers for Algernon. Samuel Delany’s space opera novel is dated in many ways, but still holds up.

In the future, humans have colonized many star systems. Currently, the Alliance is engaged in a war with the Invaders, who, despite the name, are also human. The Alliance has intercepted many dispatches in a code they can’t break. They’ve labeled it Babel-17. Desperate, they turn to the inter-galactically renowned poet Rydra Wong to help them decipher it.


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Nova: A New-Wave Grail Quest space opera from the 1960s

Nova by Samuel R. Delany

Nova is Samuel “Chip” Delany‘s 1968 space opera with mythic/Grail Quest overtones. It is packed with different themes, subtexts, allegorical and cultural references, and literary experiments, and the young author (just 25 years old) is clearly a very talented, intelligent, and passionate writer.

But I didn’t enjoy it, sadly. While I thought Babel-17 was a very fast-paced, vivid and engaging space opera that centered on language and identity, Nova felt very turgid and forced.


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The Einstein Intersection: New Wave SF with style but story lacks discipline

The Einstein Intersection by Samuel R. Delany

It doesn’t get any more New Wave SF than this very slim 1968 Nebula-winning novel (157 pages), and it’s hard to imagine anything like this being written today. The Einstein Intersection is a mythical retelling of the Orpheus and Eurydice story in a far-future Earth populated by the mutated remnants of humanity. Being a Samuel R. Delany book, the writing is disjointed, jazzy, lyrical, playful, and tantalizing. The surface events are fairly obscure, but it’s clear that the real narrative is buried beneath,


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The Fall of the Towers: Early Delany shows promise

The Fall of the Towers by Samuel R. Delany

Not yet out of his teens, Samuel Delany had his first short stories published in science fiction magazines around 1962. Moving on to works of greater length, he shortly thereafter published two novellas, the second of which was called Captives of the Flame. Seeing the story’s greater potential, he expanded the novella (to Out of the Dead City) and tacked on two additional novels, The Towers of Toron and City of a Thousand Suns to create a series. 


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Triton: The Trouble with Triton; its main character, for starters

Triton by Samuel R. Delany

Samuel R. Delaney wrote Triton in 1974, but it was published in 1976, after his best-seller Dhalgren. Delany’s subtitle for this book was “An Amorphous Heterotopia,” and he stated at the time that the book was inspired by (or a response to) Ursula LeGuin’s “ambiguous utopia” The Dispossessed. Oh, how I wish that I had re-read that book instead of picking up this one.

Delany is a brilliant observer of humanity.


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SHORTS: Delany, Liu, VanderMeer, Robinson

There is so much free or inexpensive short fiction available on the internet these days. Here are a few stories we read this week that we wanted you to know about.

“Aye, and Gomorrah” by Samuel R. Delany (1967, free at Strange Horizons)

“Aye, and Gomorrah” was first published as the final story in the ground-breaking anthology Dangerous Visions (1967), edited by Harlan Ellison. It was also included in Samuel Delany‘s only major short-story collection Driftglass (1971) and an expanded edition titled Aye,


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SHORTS: 2018 Locus Award finalists

Today’s SHORTS column features all of the 2018 Locus Award finalists for short fiction. The Locus Award winners will be announced by Connie Willis during Locus Award weekend, June 22 – June 24, 2018.

NOVELLAS:

In Calabria by Peter S. Beagle (2017)

Claudio, a middle-aged curmudgeonly farmer living in a remote area of the Italian countryside, has been a standoffish loner since his wife left him decades ago. He’s satisfied with his current lifestyle,


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Next SFF Author: Mark Del-Franco
Previous SFF Author: Joseph Delaney

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