Previous SFF Author: Jack Vance
(1968- )
Jeff VanderMeer has won the World Fantasy Award. Besides writing novels and story collections, he also produces anthologies with his wife, the editor Ann VanderMeer. Learn more at Jeff VanderMeer’s website. The Ambergris website.
City of Saints and Madmen by Jeff VanderMeer
What a long strange trip City of Saints and Madmen is! Jeff VanderMeer’s first book about the city of Ambergris is a tour de force of imagination and style.
It’s a hard book to review, though. First of all, what is it? It’s not a novel. Is it a collection of short stories? Maybe, although some of the pieces included in City of Saints and Madmen are not stories, and in some cases,
Shriek: An Afterword by Jeff VanderMeer
Shriek: An Afterword is Jeff VanderMeer’s second novel set in his AMBERGRIS cosmology. There are a lot of elements with regards to the book that I want to talk about, so please bear with me.
The first is that this is a sequel, yet it’s not. I won’t talk about City of Saints and Madmen here, but suffice it to say, Shriek: An Afterword builds on the material presented in that novel.
Finch, by Jeff VanderMeer, is an intricate, immersive fantasy novel with grace notes of detective noir and even espionage thriller. VanderMeer’s setting, the city of Ambergris, is one he is very familiar with and he uses specific detail to paint the city, decaying rapidly under the assault of its fungal overlords, vividly for the reader.
John Finch was not born with that name, nor is he a detective by training. Heretic, the “gray cap” or fungus-based life form to whom Finch reports,
Veniss Underground by Jeff VanderMeer
Avoiding the trappings of fragile motifs, Jeff VanderMeer’s debut novella — err, novel — Veniss Underground shows every sign of a writer who is confident in his ability to put a fresh perspective on well-worn tropes. The framework of Veniss Underground is based on the myth of Orpheus and Eurydice, but the setting and imagery remain wholly original. Scenery twisted like cyberpunk on acid, its details macabre to the bone — a surreal dream — VanderMeer seems poised to make a place for himself in fantasy of the 21st century.
The Situation by Jeff Vandermeer
I’m a big fan of both Jeff VanderMeer and PS Publishing, so imagine my surprise when I found a copy of The Situation in my hard drive, a giveaway from Wired that I had downloaded but forgotten, mainly because it wasn’t in my immediate must-be-read-for-review-or-else-we’ll-send-ninjas queue. The first scene immediately hooked me, evoking a New Weird atmosphere as corporate drones created insects that crawled into your ears and conjured nightmares, all the while being quite readable instead of the overwhelming details that characterize China Mieville‘s NEW CROBUZON novels.
Strange Tales of Secret Lives by Jeff VanderMeer
I had absolutely no idea what to expect from Strange Tales of Secret Lives and this book certainly did surprise. Jeff VanderMeer explains the origins of Secret Lives in the introduction: this is a collection of various short stories of (hopefully) fictional what-ifs of real people: a researcher is really a king, a pharmacist plans to live the double-life of a detective, etc.
I’m not a fan of flash fiction and most of the stories here definitely fall under that category yet VanderMeer manages to write it with such imagination and gusto that it becomes palatable,
The Third Bear by Jeff Vandermeer
The Third Bear is an excellent collection of Jeff VanderMeer’s category-defying short fiction, filled with stories that are unique, mostly excellent, and often incredibly hard to describe. Asking someone who has read this book (say, a reviewer) what one of the stories is about could well get you a blank stare as a response, or a few mumbled words, or simply “you’ll have to read it for yourself.” Pinning these stories down in a few words is very hard,
Annihilation by Jeff VanderMeer
So yeah. That was strange. You should read it.
Here endeth the review.
Uh…. Seriously? Try again, please, Bill.
What? It’s Kat, our managing editor, sticking her bold red italic text into my review! Oh, alright. Start over:
Loren Eiseley, Charlotte Perking Gilman, Sigmund Freud, and Franz Kafka have a literary baby. And it’s adoooorable!
C’mon, Bill….
A biologist, an anthropologist, a surveyor, and a psychologist walk into a bio zone.
I just finished reading Jeff VanderMeer’s Authority, the second book in his SOUTHERN REACH trilogy. When I reviewed the first book, Annihilation, Kat (our tyrannical managing editor, in case you didn’t know) butted into my review because she didn’t like what I originally wrote and she made me change it. I’m expecting her to do the same thing here, so if you see any bold red text, that will be her. She likes to talk in bold red.
I wouldn’t be surprised to find that Jeff VanderMeer’s first two books in his SOUTHERN REACH series, Annihilation and Authority, end up on my top ten list for the year, so it was with great excitement and high expectations that I opened up Acceptance, the third and final book of the trilogy. Having finished, I can’t honestly say those expectations were wholly met, though my lack of satisfaction has less to do with any real complaints about the novel itself and more about the question I had at the end,
These f—-ing people complaining about this f—-ing book. What the f—-ing f? Sure it’s f—ing weird, sure you don’t get any f—-ing answers, but if you f—-ing read the first three f—-ing books, what the f—- did you expect? Goodnight f—-ing Moon? The Very F—-ing Hungry Caterpillar? If you’re gonna f—-ing buy a Jeff Vanderf—-ingMeer book, then you better expect a f—-ing Vanderf—ker.
Sorry, sorry. Got a little too immersed in the final section of Absolution, and I’ve seemingly picked up the voice of that section’s narrator,
Amorphous shapeshifting blobs, winged children, and giant flying bears, oh my. Jeff VanderMeer’s Borne (2017) is a lyrical and lovely novel whose stylistic aplomb, weird inventiveness, and great heart more than compensate for what might have ordinarily been noted as flaws in the book. Sure, there are issues, but I loved nearly every minute of Borne, and if it hadn’t come in the same month I’d finished the exceptional City of Miracles and A Gentleman in Moscow,
Dead Astronauts by Jeff VanderMeer
Jeff VanderMeer has been on a hell of a roll lately. His SOUTHERN REACH trilogy is on my personal list of best series in the past quarter-century, Borne (I argued) was both an imperfect book and a great one, and now his newest, Dead Astronauts — set in the same multi-verse of Borne — is quite possibly my favorite book by him yet.
That said,
Hummingbird Salamander by Jeff VanderMeer
Hummingbird Salamander (2021) is Jeff VanderMeer’s newest work, and it may also be his most accessible. Certainly it’s his least strange, though admittedly with VanderMeer that’s not saying much. Though if he’s working in more familiarly popular territory — the thriller novel — there’s no doubt VanderMeer puts his own stamp on the genre, whether he’s working within its tropes or subverting them.
Chapter One opens ominously enough, as any good thriller should — “Assume I’m dead by the time you read this” — and ends even more so — “I’m here to show you how the world ends.” The stakes have clearly been set.
I am happy to report that Weird Tales has grown weirder since Ann VanderMeer has taken the helm as Editor-in-Chief. This is to be expected of the co-anthologist (with her husband, Jeff VanderMeer) of The New Weird, an collection of tales essential to the library of everyone who loves the truly strange; and the co-anthologist of an enormous anthology due out sometime soon from Atlantic called The Weird. While we all wait for this last book (I with bated breath),
There is so much free or inexpensive short fiction available on the internet these days. Here are a few stories we read this week that we wanted you to know about.
“Aye, and Gomorrah” by Samuel R. Delany (1967, free at Strange Horizons)
“Aye, and Gomorrah” was first published as the final story in the ground-breaking anthology Dangerous Visions (1967), edited by Harlan Ellison. It was also included in Samuel Delany‘s only major short-story collection Driftglass (1971) and an expanded edition titled Aye,
Our exploration of free and inexpensive short fiction available on the internet. Here are a few stories we’ve read that we wanted you to know about.
“Welcome to Your Authentic Indian ExperienceTM” by Rebecca Roanhorse (2017, free at Apex Magazine, $2.99 Kindle magazine issue)
Accolades have been pouring down on this 2017 SF short story, which won both the Hugo and Nebula awards, and is also a Sturgeon Award nominee, a Locus Recommended Short Story, a Apex Magazine Reader’s Choice Winner. Additionally, Rebecca Roanhorse won the Hugo’s John W.
SHORTS is a column exploring some of the free and inexpensive short fiction available on the internet. Here are a few stories we’ve read that we wanted you to know about.
“For He Can Creep” by Siobhan Carroll (2019, free at Tor.com, 99c on Kindle)
This short story, told entirely from a cat’s point of view, is a must-read for feline fans! Jeoffry the cat belongs to a mad poet who is confined to an insane asylum in 18th century Great Britain. Jeoffry regularly battles the imps and demons who torment the inmates at the asylum.
Feeling Very Strange: The Slipstream Anthology edited by James Patrick Kelly & John Kessel
Is there really any difference between post-modernism, interstitial fiction, slipstream and New Weird? Does anyone know? James Patrick Kelly and John Kessel try to outline the boundaries of slipstream with their anthology, Feeling Very Strange: The Slipstream Anthology, particularly by including a learned introduction and excerpts from a discussion that took place on the subject on a blog a few years ago. Ultimately, like so many things literary,
Best American Fantasy by Jeff VanderMeer (ed.)
The first thing that stands out is that if I merely stuck to looking for fantasy stories from the usual sources, I probably wouldn’t have come across many of the short stories in this anthology. And that I think is the strength of Best American Fantasy — that it reprints stories some genre readers were never aware of. That’s not to say this doesn’t have its fair share of “expected” stories but for the most part, it’s been a real treat.
The Solaris Book of New Fantasy by George Mann (ed.)
I’m pretty much a novice when it comes to short fiction. Because of my lack of experience in this area, I hope that you will bear with me as I try to provide a thoughtful and comprehensive analysis of The Solaris Book of New Fantasy, even if I don’t always succeed. The plan is to first look at each short story individually providing synopses and commentary, followed by my evaluation of the compilation as a whole. So, let’s look at the stories:
1) “Who Slays the Gyant,
Fast Ships, Black Sails edited by Jeff and Ann Vandermeer
I was never a big fan of pirates (ninjas, on the other hand…) but nonetheless, the very word evokes adventure and the high seas. Fast Ships, Black Sails doesn’t really stray far from that expectation and delivers eighteen stories marked with action, treachery, and a sense of wonder.
A good chunk of the stories revolve around traditional concepts of a pirate, with only a few exceptions, such as “Boojum” by Elizabeth Bear &
Steampunk edited by Ann and Jeff Vandermeer
Steampunk is an anthology of, well, steampunk stories, edited by Ann and Jeff VanderMeer. If you hurry, you can still get to this first anthology before the second one, Steampunk II: Steampunk Reloaded, appears in mid November. Based on the quality of the stories in this collection, I heartily recommend checking it out, especially if you’ve been a bit bemused (or possibly amused) by all the people wearing odd Victorian costumes at SFF conventions nowadays,
The New Weird by Ann and Jeff VanderMeer
It’s easy to imagine two different readers reacting in opposite ways to The New Weird. One might find it delightfully odd; the other might find it as terrifying as Kafka on LSD. And a third might find it delightfully odd because it’s as terrifying as Kafka on LSD. Certainly, no one is likely to find it boring.
The New Weird is a well-organized anthology, with a short, useful introduction; a section entitled “Stimuli,” containing older selections (though not very old;
Songs of the Dying Earth: Stories in Honor of Jack Vance edited by George R.R. Martin & Gardner Dozois
Songs of the Dying Earth: Stories in Honor of Jack Vance is the best anthology I’ve ever read. These stories will be enjoyed by any SFF reader, but they’ll be ten times more fun if you’ve read Jack Vance’s The Dying Earth, because they are all written in honor of that fantastic work. Each tale is written in the style of Vance,
Steampunk II: Steampunk Reloaded edited by Ann and Jeff VanderMeer
Steampunk II: Steampunk Reloaded is the second steampunk anthology edited by Ann and Jeff VanderMeer, following 2008’s first installment. It contains about twice as many stories as its predecessor, but unlike the first collection the quality is more uneven here, resulting in a less impressive but still fascinating anthology that should please fans of the genre.
While the first anthology only contained one story I was less than happy with, there are at least four or five in Steampunk II: Steampunk Reloaded that I could have done without.
The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff VanderMeer
I haven’t actually read every page of The Weird: A Compendium of Strange and Dark Stories, yet I’m giving it my highest recommendation. Edited by Ann and Jeff VanderMeer, Master and Mistress of Weird, The Weird is 1126 pages long and should really be considered a textbook of weird fiction. It contains 110 carefully chosen stories spanning more than 100 years of weird fiction.
Mixed Up edited by Nick Mamatas & Molly Tanzer
Mixed Up (2017) is an anthology of cocktail-themed flash fiction and cocktail recipes, edited by Nick Mamatas and Molly Tanzer. The stories, like the drink recipes, are grouped by type and theme. I thought the editors took the most liberal view of “flash” here, because I think some of these works might run to 1200 words or slightly over, and I think of flash as topping out at 1,000 words. I don’t think there is a hard and fast threshold,
Read Part 1 and Part 2.
Lunch on Friday included a presentation by the scholar guest of honor, Jeffrey Jerome Cohen. His talk was entitled “Undead,” and was a meditation on the meaning of that word — or, in other words, on zombies. Undead does not, Cohen noted, mean that the undead thing is alive; it is a restless state from which monsters arise. What is behind the shift in our literature from ghosts to zombies? Zombies pose no challenge to our minds, as ghosts do, but just want to eat our brains,
Previous SFF Author: Jack Vance
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