Previous SFF Author: Mathias Malzieu
Nick co-edited the magazine Clarkesworld for two years, which was nominated for the Hugo and World Fantasy awards. Stories from Clarkesworld have been collected in a pair of anthologies. Nick’s own short stories have appeared in literary journals such as Mississippi Review online, subTERRAIN, and Per Contra, slicks including Razor and Spex, and fantasy and horror magazines and anthologies including New Dark Voices 2, Poe’s Lighthouse, ChiZine, and Lovecraft Unbound. His fiction has been nominated for the Bram Stoker awards three times, the International Horror Guild Award, and Germany’s Kurd-Laßwitz Preis. His reportage and essays have appeared in the Village Voice, The Smart Set, H+, Clamor, In These Times, various anthologies. With Kap Su Seol he translated and edited the first English edition of a firsthand account of South Korea’s Kwangju massacre–Kwangju Diary (UCLA Asian Pacific, 1999). Nick now lives in the California Bay Area, where he is editor of tradebooks for VIZ Media and edits both Japanese science fiction novels in translation and books associated with Oscar-winning filmmaker Hayao Miyazaki’s Studio Ghibli.
Click here for more by Nick Mamatas.
I Am Providence by Nick Mamatas
“On any other weekend, my body would have been discovered more quickly.”
Panos Panossian is not the kind of a guy to let the mere fact that he is dead stop him from narrating; even if his first-person narration starts after he’s been killed, and is a faceless corpse in a cabinet in the morgue. That quote is the opening sentence in I Am Providence, a multi-genrebending novel by Nick Mamatas.
The People’s Republic of Everything by Nick Mamatas
I don’t know if I simply wasn’t in the right mood for Nick Mamatas’ short-story collection The People’s Republic of Everything (2018), or if I’m not the right audience for his preferred themes and overall style, but this book and I just could not mesh.
There was one story, “Tom Silex, Spirit-Smasher,” which gripped my attention and had everything I look for in short fiction. The story focuses on Rosa Martinez, whose elderly grandmother might — through quirks of legality regarding her first marriage and the question of ownership of her first husband’s pulp publications — own the rights to a series of stories revolving around psychopomp Tom Silex.
I don’t always agree with Nick Mamatas or his views on humanity, but I think he is one of the most interesting writers working right now, and Sabbath (2019), while it’s strange, is definitely interesting. The story behind the story is interesting and a little strange too. Sabbath (2019) is a novelization of a graphic novel called Sabbath: All Your Sins Reborn, by Matthew Tomao, which does not seem to be well known or much admired on the internet.
The Planetbreaker’s Son by Nick Mamatas
PM Press’s Outspoken Authors imprint published The Planetbreaker’s Son (2021) by Nick Mamatas. The slim book includes the titular novella, the SF story “Ring, Ring, Ring, Ring, Ring, Ring, Ring,” a personal essay called “The Term Paper Artist,” and an interview with Mamatas hosted by Terry Bisson.
Honestly, the quirky interview with these two guys was worth the price of the book for me.
In a brief statement at the beginning of “Ring,
Crossed Genres, a magazine published online, digitally and in print, has a unique approach to genre fiction: every month it chooses a genre and requires that the stories it publishes that month combine the chosen genre with some aspect of science fiction or fantasy. Issue 27 offers a mash-up of science fiction and fantasy with tragedy. Surprisingly, none of the five short stories uses the traditional tragic element of a hero with a fatal flaw, which would seem tailor-made for SF and fantasy. Instead, the writers simply write stories that end in sadness.
Bull Spec is a print and electronic science fiction and fantasy glossy magazine named for its home of Durham, North Carolina. The word “Bull” seems to have become associated with Durham because of a tobacco factory in the city, which itself took the name from the picture of a bull that appeared on the label of a mustard that the tobacco factory owner believed was manufactured in Durham, England; it’s all very complicated, but at least we know that the magazine’s name is based on where it is published. The publisher, Samuel Montgomery-Blinn,
Clarkesworld Magazine is a monthly electronic publication with a strong focus on science fiction, though it also publishes fantasy. In addition, it has an unusual emphasis on nonfiction. The September issue, No. 72, contains three stories, all of which are science fiction, two nonfiction articles, and an interview.
“The Found Girl,” by David Klecha and Tobias S. Buckell, opens this issue. It is about those left behind when the mass of humankind upload themselves into a digital, immortal existence. Unfortunately, many of those are children,
“The Cask of Amontillado” by Edgar Allan Poe (1846, free at Project Gutenberg)
Our narrator Montresor, an Italian nobleman, explains ― in a suspiciously vague way ― how his friend Fortunato has mortally offended and insulted him. Montresor sets himself on a course of implacable revenge … but he wants to do so in a way that Fortunato understands that Montresor is the source of revenge,
Our weekly exploration of free and inexpensive short fiction available on the internet. Here are a few stories we’ve read recently that we wanted you to know about.
“Second Person, Present Tense” by Daryl Gregory (2005, free in print and audio at Clarkesworld, November 2017 issue; originally published in Asimov’s Science Fiction, September 2005 issue)
I love what Daryl Gregory does with drugs. “Second Person, Present Tense” is about the parents of a girl who died after overdosing on a drug called “Zen” or “Zombie.” Unable to cope with their loss,
Spicy Slipstream Stories edited by Nick Namatas & Jay Lake
Slipstream, for me, is a type of fiction that is bizarre and confusing and defies expectations. That’s not a bad thing, mind you, but to quote a passage from the introduction of the book, “You don’t write slipstream, you read it.” And so it was a big surprise when I started reading the stories in this anthology. They’re actually — gasp — readable, or at least accessible to lay people without needing literary degrees or geeky credentials. In fact, the selections impressed me because they all stood out,
Supernatural Noir edited by Ellen Datlow
Ellen Datlow suggests in her introduction to Supernatural Noir that noir fiction and supernatural fiction, with its roots in the gothic, have a lot in common. The main character in each tends to be a hard-living guy, usually down to his last flask of scotch, haunted by a sexy dame whose middle name is trouble. So it seemed natural to her to combine the two genres for an original anthology.
Despite my general rule that any anthology edited by Ellen Datlow is one I want to read,
Schemers by Robin D. Laws (editor)
Schemers is a collection of short stories by an excellent list of authors: Jesse Bullington, Tobias Buckell, Ekaterina Sedia, Jonathan L. Howard, Nick Mamatas, Elizabeth A. Vaughan, Tania Hershman, Kyla Lee Ward, Robyn Seale, Laura Lush, Molly Tanzer, John Helfers, Gareth Ryder-Hanrahan, and Kathryn Kuitenbrouwer. These are stories of complex plans and gut wrenching betrayals. It is a great theme for a collection of short stories.
The Mammoth Book of Dieselpunk edited by Sean Wallace
The Mammoth Book of Dieselpunk lives up to its name, with 21 works of fiction ranging from short stories to novellas. “Dieselpunk” is the term the coined for concepts that grew out of steampunk but have left the Victorian era behind and are now, for the most part, set in the time period between the two world wars. There are exceptions in this anthology; one story takes places during WWII and one during the American Occupation of Japan.
What you get here,
Mixed Up edited by Nick Mamatas & Molly Tanzer
Mixed Up (2017) is an anthology of cocktail-themed flash fiction and cocktail recipes, edited by Nick Mamatas and Molly Tanzer. The stories, like the drink recipes, are grouped by type and theme. I thought the editors took the most liberal view of “flash” here, because I think some of these works might run to 1200 words or slightly over, and I think of flash as topping out at 1,000 words. I don’t think there is a hard and fast threshold,
Previous SFF Author: Mathias Malzieu
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