Next SFF Author: Peter David
Previous SFF Author: James Dashner

SFF Author: Ellen Datlow

(1949- )
Ellen Datlow has been an editor for over thirty years, first in book publishing, but mostly editing short stories for OMNI Magazine and webzine, EVENT HORIZON, a webzine, and SCIFICTION, the fiction area of SCIFI.COM. She now edits original and reprint anthologies. Ellen Datlow is a born and bred New Yorker, although she travels a lot. Here’s Ellen Datlow’s website.
Click here for more work by Ellen Datlow.



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Magazine Monday: Nebula Nominated Novelettes

The novelettes nominated for the Nebula Award this year are so dissimilar that it’s going to be difficult for the judges to compare them and make a decision. Ranging from hard science fiction to the softest of fantasy, these stories are a testament to the breadth of the field. Ruth Arnell and I teamed up to take a look at the seven nominated stories.

One of the nominees is from the pages of AnalogEric James Stone’s “That Leviathan, Whom Thou Hast Made.” Its central character is Harry Malan,


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Magazine Monday: Cemetery Dance, Issue 66

No, it’s not a horrible magazine; it’s a horror magazine, and a fine one at that.  It’s only the Monday that’s horrible.

Cemetery Dance is published irregularly, usually three to four issues per year, and covers the entire field of horror, from film to comics to novels. It is heavy on the nonfiction, with excellent reviews and multiple interviews. There are six stories in this issue, all of them excellent. Issue 66 impressed me so much that I’ve already ordered the next, and am likely to subscribe.

The first story,


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Magazine Monday: Nightmare Magazine, Women Destroy Horror Issue

I wouldn’t normally review a magazine from last month, but the October issue of Nightmare Magazine is something special, and it’s still available. In this issue, Women Destroy Horror! Issue 25 is devoted to horror written by women, the result of a Kickstarter originally intended to help women destroy science fiction (in the June 2014 issue of Lightspeed Magazine) that met its stretch goals. (Full disclosure: I contributed to the Kickstarter.)

The guest fiction editor of this issue is Ellen Datlow, who is the foremost horror editor working today,


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Snow White, Blood Red: A bit too much gross-out

Snow White, Blood Red edited by Ellen Datlow and Terri Windling

Snow White, Blood Red was the first of Ellen Datlow and Terri Windling‘s adult fairy tale anthologies. The series later developed into a treasure trove of beauty, horror, humor, brightness, darkness, and above all, terrific writing. Here, though, many of the authors seem to have focused on the “adult” rather than on the “fairy tale,” on sex and gore rather than on the archetypal power of the tales.

Most of the stories in this collection are filled with visceral,


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Black Thorn, White Rose: So many wonderful stories

Black Thorn, White Rose edited by Ellen Datlow & Terri Windling

Black Thorn, White Rose is the second in Ellen Datlow and Terri Windling‘s series of adult fairy-tale anthologies. I’d have to say that this is my favorite of the bunch; most of the volumes are good, but this one has so many wonderful stories that have stayed with me for years. A few highlights:

“Stronger Than Time,” by Patricia C. Wrede , is a sad but hopeful take on “Sleeping Beauty,”


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Ruby Slippers, Golden Tears: Excellent anthology despite my twisted gut

Ruby Slippers, Golden Tears by Ellen Datlow & Terri Windling (eds.)

Ruby Slippers, Golden Tearsis the third in the series of fairy tale anthologies edited by Ellen Datlow and Terri Windling. It’s a very good collection; in quality it’s probably equal to its immediate predecessor, Black Thorn, White Rose, though I didn’t personally like it as much for reasons I’ll elaborate below.

My favorite of the stories is Ellen Steiber’s stunning novella “The Fox Wife.” Set in nineteenth-century Japan, it concerns a domineering husband and his young wife who shows signs of becoming a kitsune,


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Black Heart, Ivory Bones: All that’s best of dark and bright

Black Heart, Ivory Bones edited by Ellen Datlow and Terri Windling

Black Heart, Ivory Bones is the sixth and final entry in Ellen Datlow and Terri Windling’s series of fairy tale anthologies. Of the six, I’ve read four, and each has its own particular flavor, its own unique mood. While all of the books contain a mix of light and darkness, in this volume there seems to be more of a balance: “all that’s best of dark and bright,” if you will. The mood that Black Heart,


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The Green Man: Read it slowly

The Green Man edited by Ellen Datlow and Terri Windling

In fairy tales, whenever someone journeys into the forest, you just know something strange is about to occur and that the protagonist’s life is going to be changed forever. The same is true of the stories and poems featured in The Green Man: Tales from the Mythic Forest. With this collection, editors Ellen Datlow and Terri Windling kicked off a series of young adult anthologies, each devoted to a particular theme. Here, the theme is wild nature,


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Salon Fantastique: More uneven than most of Datlow and Windling’s anthologies

Salon Fantastique: Fifteen Original Tales of Fantasy by Ellen Datlow & Terri Windling

Ellen Datlow and Terri Windling are the two greatest short fiction editors of fantasy and horror of our time. Their annual collections of the Year’s Best Fantasy and Horror provided us, for 16 straight years, with the best short genre and slipstream fiction from all sources. Their anthologies have defined cutting edge fantasy.

Salon Fantastique is more uneven than most of Datlow and Windling’s collections.


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The Year’s Best Fantasy and Horror 2007

The Year’s Best Fantasy and Horror 2007

In many ways, The Year’s Best Fantasy and Horror 2007 anthology is a difficult book to review. For one thing, to me and a lot of my reading/writing circle, this is easily the definitive bible when it comes to short stories of the genre. For another, many of the stories that are included in this collection have been featured in other anthologies as well, so there’s an overlap in terms of stories featured. But I’ll try and talk about what makes this anthology unique from other similar anthologies.


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The Coyote Road: Trickster Tales

The Coyote Road: Trickster Tales edited by Ellen Datlow and Terri Windling

The Coyote Road: Trickster Tales is another thematic fantasy anthology by the trio of Ellen Datlow, Terri Windling, and Charles Vess. Coyote Road features twenty-six pieces of fiction and poetry. Each story is preceded by art by Vess and ends with a short bio and afterword from the author. In the Introduction, Windling gives us an extensive account of trickster tales around the world.


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The Year’s Best Fantasy and Horror 2008

The Year’s Best Fantasy and Horror 2008

For me, The Year’s Best Fantasy and Horror 2008 has been a two-headed beast. On one hand, it’s an eagerly anticipated book by people involved in the industry, usually for the summation at the front of the book and the honorable mentions list at the back. The various editors are quite thorough and detailed when it comes to this part. The other aspect is, of course, the story/poetry selection, which is what will likely attract the casual reader.

So,


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Poe: 19 New Tales Inspired by Edgar Allan Poe

Poe: 19 New Tales Inspired by Edgar Allan Poe edited by Ellen Datlow

Whether you’re aligned with the literary academia or an unabashed genre reader, the name Edgar Allan Poe commands much respect. I think it’s only fitting that a modern anthology inspired by the author’s body of work should be released on his 200th anniversary. Kudos to Solaris Books for taking on the task of publishing such a book, which all comes together with the firm editorial direction of Ellen Datlow. Datlow, for me, has been an editor who’s less impressed with literary fireworks or verbal acrobatics but focuses more on the meat and bones of the story,


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Troll’s Eye View: A Book of Villainous Tales

Troll’s Eye View: A Book of Villainous Tales edited by Ellen Datlow and Terri Windling

Fairy tales were my first love when I was a child. My mother introduced me to the joys of stories with The Golden Book of Fairy Tales long before I learned how to read. My early reading included the first three volumes of The Junior Classics and Andrew Lang’s colorful fairy tale books. When Ellen Datlow and Terri Windling started editing anthologies of new takes on the old tales for adults with Snow White,


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The Faery Reel: Tales from the Twilight Realm

The Faery Reel: Tales from the Twilight Realm edited by Ellen Datlow & Terri Windling

The Faery Reel is an indispensable tome for anyone who has a mania for faeries. Aside from the short stories in this anthology, the comprehensive introduction of Terri Windling on the fey and the illustrations by Charles Vess are worth the price of admission in themselves. Moreover, the last few pages feature a Further Reading section on the topic of faeries. The typography of the book is appropriate to the faery theme and makes the text quite readable.


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Supernatural Noir: A Datlow anthology

Supernatural Noir edited by Ellen Datlow

Ellen Datlow suggests in her introduction to Supernatural Noir that noir fiction and supernatural fiction, with its roots in the gothic, have a lot in common. The main character in each tends to be a hard-living guy, usually down to his last flask of scotch, haunted by a sexy dame whose middle name is trouble. So it seemed natural to her to combine the two genres for an original anthology.

Despite my general rule that any anthology edited by Ellen Datlow is one I want to read,


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After: Like panning for gold

After: Nineteen Stories of Apocalypse and Dystopia by editors Ellen Datlow & Terri Windling

When I saw the new Datlow and Windling anthology After: Nineteen Stories of Apocalypse and Dystopia, I was so excited. I love YA fiction, I love dyslit, I love short story anthologies and I love Ellen Datlow and Terri Windling as editors, so I figured it was a match made in heaven. Unfortunately, my reading experience didn’t live up to my expectations.

After is an anthology of short stories set after.


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The Best Horror of the Year, Volume Four

The Best Horror of the Year, Volume Four edited by Ellen Datlow

Anything Ellen Datlow edits automatically finds a place on my list of books to read. For many years, this included the excellent anthology series The Year’s Best Fantasy and Horror, which Datlow coedited with Terri Windling. When that series disappeared, much to the dismay of fans of short fiction everywhere, Datlow undertook to publish The Year’s Best Horror, which has been published by the terrific smaller press,


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The Monstrous: You can’t go wrong with Datlow

The Monstrous edited by Ellen Datlow

Whenever I see Ellen Datlow’s name as editor on the cover of an anthology, I know I’m in good hands. Datlow has a made a thirty-plus year career of choosing good stories and developing collections that take different aims at the theme. The theme of The Monstrous is monsters, and Datlow makes sure to explore all facets of that word with this mostly-reprint anthology from Tachyon Press.

There are twenty stories in the book. One is original to the anthology.


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Nightmares: A New Decade of Modern Horror

Nightmares: A New Decade of Modern Horror edited by Ellen Datlow

This anthology comes after a similarly titled anthology, also edited by Ellen Datlow, called Darkness: Two Decades of Modern Horror which came out in March 2010. Datlow also edits an annual anthology of horror fiction (collaborating with other editors on those). It seems then that Nightmares: A New Decade of Modern Horror (which came out in October 2016) is informed by a great deal of knowledge in the field of speculative horror literature.


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World Fantasy Convention 2011: Day Three

I spent most of the morning today in the dealers’ room, which was a disaster for my wallet but a boon for my library. As has become my habit of late, I spent more time picking up titles from small presses, like Prime, Night Shade and EDGE, than from the big boys. Some of that was simply because the big boys weren’t there in force; even Tor, which hosted a party last night, didn’t have a table full of books. But mostly it was because I’m of the firm belief that the small presses are where it’s happening these days,


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Next SFF Author: Peter David
Previous SFF Author: James Dashner

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