Previous SFF Author: Kazu Kibuishi
(1964- )
Kathleen Tierney is a pseudonym for Caitlín R. Kiernan. Caitlín R. Kiernan was born near Dublin, Ireland, but has spent most of her life in the southeastern United States. In college, she studied zoology, geology, and palaeontology, and has been employed as a vertebrate palaeontologist and college-level biology instructor. She is a four-time nominee for the World Fantasy Award and a two-time nominee for the Shirley Jackson Award. Besides her speculative fiction, she publishes scientific papers and comic books. She fronted the goth-rock band Death’s Little Sister in the late 1990s. She lives in Providence, Rhode Island.
I’m trying to remember how long ago I first read Silk. It may have been as much as ten years ago, when the book was new. I can’t say for sure, but I can say that few books have stayed with me the way Silk has. Even when I’d forgotten the details of the plot, images remained: the horror of the climactic scene, the kudzu-strangled trees. A few years after reading Silk, I went on a road trip through the South,
Daughter of Hounds by Caitlin R. Kiernan
Always on the lookout for a new author to sink my teeth into, I decide to read Caitlín R. Kiernan when I came across her novel Daughter Of Hounds. Upon further research, I discovered that this was merely the newest entry involving psychic Deacon Silvey. Knowing that, I decided to check out Ms. Kiernan’s previous works first, starting with her sophomore effort Threshold. After completing the book, I admit I was torn. On the one hand,
The Red Tree by Caitlín R. Kiernan
What a strange book! Then again, I know never to expect the expected when reading Caitlín R. Kiernan.
The story centers on Sarah Crowe, a writer who moves to an isolated house in Rhode Island after her lover’s death. Beset by writer’s block, she finds herself unable to write the novel her contract demands, and instead becomes obsessed with an old manuscript she finds in the basement. This manuscript was written by a previous tenant of the house who died before he could complete it,
The Ammonite Violin and Others by Caitlín R. Kiernan
A while ago, I bought a number of books in a Subteranean Press clearance sale. Eleven books with a huge discount, but I didn’t know what I would be getting. As it happened, the package contained a lot of short fiction collections, mostly of authors whose work I’m not too familiar with. The Ammonite Violin and Others by Caitlín R. Kiernan was one of these. Kiernan was completely new to me, but The Ammonite Violin and Others turned out to be a beautifully written collection of very dark short stories.
Two Worlds and In Between: The Best of Caitlín R. Kiernan
Two Worlds and In Between: The Best of Caitlín R. Kiernan is a collection of Caitlín R. Kiernan’s works which span the years 1993-2004. In this collection there are 24 short stories, one poem, one novella, an introduction by the author, and a short afterword for each work. The stories are arranged in chronological order, letting the reader watch the progression of Kiernan’s style and the noticeable changes in her stories’ subject matter as she matures. Some of these stories are award winners and all have been published previously (though some have undergone extensive revisions since their original publication).
Confessions of a Five-Chambered Heart by Caitlín R. Kiernan
Caitlín R. Kiernan is a powerful writer, with a prodigious vocabulary, a mastery of prose and the ability to ground a sentence with a perfectly chosen detail. Confessions of a Five-Chambered Heart, published by Subterranean Press, contains 25 works by this accomplished stylist. Many of the works have graphic sexual imagery and intense sexual violence. In many cases that is the sole intent of the piece.
I have no complaints at all with the line-by-line prose, but the anthology is a mixed bag.
Blood Oranges by Kathleen Tierney
Tired of vampires? Or werewolves? Or girls who can dispatch the critters with no effort, swinging a stake through the heart as if it were a knife through butter? Yeah, me too. But give me a vampire who is a werewolf who is also a young female human hunter of vampires and werewolves, and we’re in business. Make her the unreliable, foul-mouthed narrator of her own story, and you’ve got Kathleen Tierney’s Siobhan Quinn in her first adventure, Blood Oranges.
Agents of Dreamland by Caitlín R. Kiernan
Caitlín R. Kiernan delivers another atmospheric, disturbing horror story with her novella Agents of Dreamland, published by Tor in 2017. Kiernan shifts between the tropes of secret agent thriller, creepy death-cult horror and Lovecraftian terror from space, as agents from two competing intelligence agencies try to parse a mass-murder atrocity that took place at Moonlight Ranch, on the banks of California’s Salton Sea.
Kiernan gets style points for including the Salton Sea. It’s a perfect metaphor for the idea of poisoned dreams and it functions well in this short work as an isolated place where a charismatic cult leader prepares his followers to be,
“The Melusine (1898)” by Caitlin R. Kiernan is this week’s offering by Subterranean Online. It is a wonderful story, written with an unearthly beauty. Kiernan imagines a steampunk circus that comes to town advertising its name in letters five-stories high, “shaped from out of nothing but the billowing clouds of red dust raised by those rolling broad steel and vulcanized rims.” The circus is made of automaton mastodonts and living elephants, and no one can tell if the acrobats are mechanical or real. It promises miracles.
Cala Monroe Weatherall is “a learned woman of industry and science” who comes to the circus in answer to a secret cry,
I am happy to report that Weird Tales has grown weirder since Ann VanderMeer has taken the helm as Editor-in-Chief. This is to be expected of the co-anthologist (with her husband, Jeff VanderMeer) of The New Weird, an collection of tales essential to the library of everyone who loves the truly strange; and the co-anthologist of an enormous anthology due out sometime soon from Atlantic called The Weird. While we all wait for this last book (I with bated breath),
The spring issue of Subterranean is exceptionally strong, even for a publication known for its excellent fiction. The six long pieces in this issue seem to be somewhat thematically linked, most of them having taken some form of art as their theme.
In “Painted Birds and Shivered Bones” by Kat Howard, an artist named Maeve has gone for a walk, seeking both fresh air and perspective, when she sees a naked man crouched beside a cathedral. She reaches into her purse for her phone, but when she looks up again,
Nightmare Magazine has been very good from its first issue, but the May 2013 issue, the eighth, is extraordinary.
The magazine opens with “Centipede Heartbeat” by Caspian Gray. Lisa believes that centipedes have invaded the home she shares with Joette, her lover. Worse, she believes that the centipedes have actually invaded Joette: “Each time Lisa rested her head against Joette’s breats, she heard the centipedes. In between heartbeats there was the tiny sound of hundreds of chitinous footsteps against bone, of miniature mandibles tearing at organs.” It’s a horrible situation, especially because Joette refuses to admit what is happening — or is Lisa insane?
The Spring 2014 issue of Subterranean Magazine is as strong as this magazine ever is, and that’s saying a lot. Kat Howard’s story, “Hath No Fury,” stands out as a memorable work about the old gods in the modern age. It is a story about women who are victimized by men, and the women who refuse to allow those victims to go unavenged. Based loosely on the myth of Medea and Jason, the story is told in the first person by one of the Erinyes — the Furies — who in Howard’s contemporary New York are charged with avenging women murdered by husbands,
To the dismay of all lovers of great speculative short fiction, the Summer issue of Subterranean Magazine is its last. This magazine was notable not just for the quality of its fiction, but for its willingness to publish short fiction at the novelette and novella lengths. The Summer issue ably demonstrates just what we’re going to be missing.
The magazine begins with Caitlín R. Kiernan’s “Pushing the Sky Away (Death of a Blasphemer).” The first person narrator is in desperate straits, her water and morphine gone, lost in a building of endless hallways,
Swords & Dark Magic: The New Sword & Sorcery edited by Jonathan Strahan & Lou Anders
Swords & Dark Magic: The New Sword & Sorcery is a book I’ve been eagerly anticipating ever since it was first announced in 2009. I was particularly excited about the anthology’s impressive list of contributors which includes several authors I enjoy reading like Glen Cook, Greg Keyes, Scott Lynch, Joe Abercrombie, Garth Nix, Tim Lebbon, Caitlin R.
Steampunk II: Steampunk Reloaded edited by Ann and Jeff VanderMeer
Steampunk II: Steampunk Reloaded is the second steampunk anthology edited by Ann and Jeff VanderMeer, following 2008’s first installment. It contains about twice as many stories as its predecessor, but unlike the first collection the quality is more uneven here, resulting in a less impressive but still fascinating anthology that should please fans of the genre.
While the first anthology only contained one story I was less than happy with, there are at least four or five in Steampunk II: Steampunk Reloaded that I could have done without.
Brave New Worlds: Dystopian Stories edited by John Joseph Adams
Even people who don’t usually read science fiction will often be familiar with a few classic titles in the “dystopian SF” sub-genre. After all, 1984, Fahrenheit 451, and of course the famous Aldous Huxley novel Brave New World are some of the few SF titles that have entered the mainstream literary canon to such an extent that they’ve become assigned school reading for many students.
Subterranean: Tales of Dark Fantasy 2 edited by William Schafer
EDITOR INFORMATION: William K. Schafer is the head editor at Subterranean Press, which was founded in 1995. Schafer’s bibliography includes Embrace the Mutation: Fiction Inspired by the Art of J.K. Potter and the first Tales of Dark Fantasy anthology.
ABOUT SUBTERRANEAN: TALES OF DARK FANTASY 2: Subterranean: Tales of Dark Fantasy — published in 2008 to widespread critical and popular acclaim — provided a unique showcase for some of our finest practitioners of dark,
Supernatural Noir edited by Ellen Datlow
Ellen Datlow suggests in her introduction to Supernatural Noir that noir fiction and supernatural fiction, with its roots in the gothic, have a lot in common. The main character in each tends to be a hard-living guy, usually down to his last flask of scotch, haunted by a sexy dame whose middle name is trouble. So it seemed natural to her to combine the two genres for an original anthology.
Despite my general rule that any anthology edited by Ellen Datlow is one I want to read,
The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff VanderMeer
I haven’t actually read every page of The Weird: A Compendium of Strange and Dark Stories, yet I’m giving it my highest recommendation. Edited by Ann and Jeff VanderMeer, Master and Mistress of Weird, The Weird is 1126 pages long and should really be considered a textbook of weird fiction. It contains 110 carefully chosen stories spanning more than 100 years of weird fiction.
After: Nineteen Stories of Apocalypse and Dystopia by editors Ellen Datlow & Terri Windling
When I saw the new Datlow and Windling anthology After: Nineteen Stories of Apocalypse and Dystopia, I was so excited. I love YA fiction, I love dyslit, I love short story anthologies and I love Ellen Datlow and Terri Windling as editors, so I figured it was a match made in heaven. Unfortunately, my reading experience didn’t live up to my expectations.
After is an anthology of short stories set after.
Magic City: Recent Spells edited by Paula Guran
Things you should know:
1. This is a reprint anthology. If you read a lot of anthologies in the field, you will probably have read some of these before. I had read three, though two of them were among the best ones, and I enjoyed reading them again.
2. It still has some worthwhile stuff in it, especially if you’re a fan of the big names in urban fantasy (Jim Butcher, Carrie Vaughn, Patricia Briggs) and haven’t read these stories before.
The Monstrous edited by Ellen Datlow
Whenever I see Ellen Datlow’s name as editor on the cover of an anthology, I know I’m in good hands. Datlow has a made a thirty-plus year career of choosing good stories and developing collections that take different aims at the theme. The theme of The Monstrous is monsters, and Datlow makes sure to explore all facets of that word with this mostly-reprint anthology from Tachyon Press.
There are twenty stories in the book. One is original to the anthology.
Nightmares: A New Decade of Modern Horror edited by Ellen Datlow
This anthology comes after a similarly titled anthology, also edited by Ellen Datlow, called Darkness: Two Decades of Modern Horror which came out in March 2010. Datlow also edits an annual anthology of horror fiction (collaborating with other editors on those). It seems then that Nightmares: A New Decade of Modern Horror (which came out in October 2016) is informed by a great deal of knowledge in the field of speculative horror literature.
Previous SFF Author: Kazu Kibuishi
What a fascinating exploration of Edwige Fenech's contributions to the giallo genre! I love how the post highlights her unique…
Pretty challenging book. Cut by half, speed up the cadence. Trying to figure out the plot, the main point of…
Thanks for the kind words, Marion! Coming as they are from a professional writer, they are much appreciated!
Wonderful review, Sandy.
The "body count" bothered me a bit less because being dead seemed more like an inconvenience than anything else... unlike…