1924 | Fantasy Literature: Fantasy and Science Fiction Book and Audiobook Reviews

Order [book in series=yearoffirstbook.book# (eg 2014.01), stand-alone or one-author collection=3333.pubyear, multi-author anthology=5555.pubyear, SFM/MM=5000, interview=1111]: 1924

The Valley of Eyes Unseen: A very fine novel in a sloppy presentation

The Valley of Eyes Unseen by Gilbert Collins

In 1933, English author James Hilton, at age 33, released his 13th novel, entitled Lost Horizon, in which a British diplomat named Conway, along with a few others, crash-lands in Tibet and discovers the lost people of Shangri-La. In the lamasery there, the process of aging had slowed down considerably, and indeed, the High Lama was ultimately revealed to be well over 200 years old! Hilton’s book was a tremendous success, was famously brought to the screen in 1937 with Ronald Colman starring as Conway,

The Sea Demons: When Ira Met Ida

The Sea Demons by Victor Rousseau

In his 1896 short story entitled “The Sea Raiders,” British author H. G. Wells wrote of a newly discovered race of giant cephalopods, Haploteuthis ferox, that suddenly takes to terrorizing and devouring some unfortunate residents on the Devonshire coast. It is a wonderful tale, really, expertly written by the legendary author in an almost documentary manner. But this, of course, was hardly the first time that an English writer would give us a tale of oceanic monstrosities rising up from the deep.

Thus Far: Like it! Orr not.

Thus Far by J.C. Snaith

Once again, I find myself indebted to the fine folks at the publisher Armchair Fiction, for alerting me about a book whose existence I probably would never have learned of without their assistance; hardly the first time that this has happened. The novel in question in this instance bears the curious title Thus Far, which was initially released in 1925 by both the British publisher Hodder & Stoughton and the American publisher D. Appleton & Co., and then sank into virtual oblivion for a full 96 years,

The King of Elfland’s Daughter: Haunting and Lyrical

The King of Elfland’s Daughter by Lord Dunsany

After reading about Lord Dunsany’s The King of Elfland’s Daughter I went in search of it and found it at my university library. Reading it was quite a different experience for me, but people who aren’t prepared for the style of writing like I was might be disappointed, confused or scorning of the slow, dream-like pace, archetype characters and poetical language. This might be especially true of fans of typical fantasy genre books (authors such as David Eddings or Terry Brooks) where a fantasy universe is deemed to be good only if it has a solid backing and an exhaustive array of facts and figures to add realism to the stories.

Uncanny Stories: Not withholding affection

Uncanny Stories by May Sinclair

This is not the first time that I am going to say some nice things about London-based publisher Wordsworth Editions, and, more particularly, its Tales of Mystery & the Supernatural division, which, over the years, has brought forth dozens of reasonably priced books by many well-known writers, as well as many lesser-knowns. Previously, I have written here of two Wordsworth volumes by some (to me) known authors, Ambrose Bierce (Terror By Night – Classic Ghost & Horror Stories) and Robert E.

The Purple Sapphire: The great race

The Purple Sapphire by John Taine

In the Rare Book Room in NYC bookstore extraordinaire The Strand there has resided, for quite some time now, a volume that I have greatly wanted to acquire. The book in question is Scottish author John Taine’s very first novel, The Purple Sapphire, which was first released by E. P. Dutton & Co. as a hardcover in 1924 … the same year that Dutton released Russian author Yevgeny Zamyatin’s now-classic dystopian book We.

Heu-Heu, or The Monster: Another great Quatermain tale

Heu-Heu, or The Monster by H. Rider Haggard

Heu-Heu, or The Monster is one of the 14 novels that the great H. Rider Haggard wrote that deals with the life of Allan Quatermain, an English hunter in South Africa. This is a stand-alone novel. Unlike the first two novels in the series, King Solomon’s Mines and its sequel, Allan Quatermain; the so-called Zulu trilogy (Marie,

We: An early dystopian masterpiece from Russia

We by Yevgeny Zamyatin

Yevgeny Zamyatin’s We is widely recognized as a direct influence on George Orwell when composing his dystopian masterpiece Nineteen Eighty-Four, and there are certainly strong signs of influence in Aldous Huxley’s Brave New World as well. Zamyatin edited Russian translations of works of Jack London and H.G. Wells, and We can be viewed as a reaction against the optimistic scientific socialist utopias promoted by Wells.

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Order [book in series=yearoffirstbook.book# (eg 2014.01), stand-alone or one-author collection=3333.pubyear, multi-author anthology=5555.pubyear, SFM/MM=5000, interview=1111]: 1924

The Valley of Eyes Unseen: A very fine novel in a sloppy presentation

The Sea Demons: When Ira Met Ida

Thus Far: Like it! Orr not.

The King of Elfland’s Daughter: Haunting and Lyrical

Uncanny Stories: Not withholding affection

The Purple Sapphire: The great race

Heu-Heu, or The Monster: Another great Quatermain tale

We: An early dystopian masterpiece from Russia

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