Next SFF Author: A.M. Stanley

Previous SFF Author: Michael A. Stackpole

Series: Stand-Alone

These are stand alone novels (not part of a series).

Thistlefoot: I can’t wait to read it again

Thistlefoot by GennaRose Nethercott

2023’s Thistlefoot, by GennaRose Nethercott, is one of my favorite reads of 2024. This literary fantasy draws from Jewish and Eastern European folktales, with a concretely modern setting, a gloss of mythic American West (hobos and tumbleweeds), and sentences that sing with poetry.

Isaac Yaga is a street performer and a con artist. He can impersonate almost anyone, and he is always on the run, either from the people whose pockets he’s picked, or from his own guilty memories, accompanied only by a small black cat named Hubcap.

The Glorious Pool: Bottoms up!

The Glorious Pool by Thorne Smith

In Ron Howard’s 1985 film Cocoon, a group of seniors becomes rejuvenated as a result of taking a dip in a swimming pool whose waters had been infused with “life force” by some extraterrestrial visitors. But as it turns out, this was not the first time that some aged adults had discovered a Fountain of Youth of sorts in such a place. Thus, over half a century earlier, we find a similar setup – although with a completely different explanation – in Thorne Smith’s remarkably madcap fantasy The Glorious Pool.

Darkwater Hall: A compelling and thought-provoking story

Darkwater Hall by Catherine Fisher

I must have read this book for the first time over twenty years ago, and though I had forgotten the title, author and much of the story, a few little details stuck with me: the evocative atmosphere it conjured, the central premise that concerned a young girl striking a deal with the devil, and something about a stairwell that ran up and down time.

Then, one day while perusing the library catalogue in search of another book entirely, the cover art for Darkwater Hall (2011) stirred something in my memory.

Weyward: Three women, magic, and a tale elegantly told

Weyward by Emilia Hart

Weyward, by Emilia Hart, (2023), is women’s fiction with magic. The stories of three different women in three different eras wrestling not only with their connection to nature, but with the restrictions and exploitations of society, are captivating, and it’s all delivered with beautiful descriptions and flowing language.

I’m going to go down a rabbit hole here. I recently had to make a long drive (2 ½ hours each way) and used most of that time to chew over why I categorize this as “women’s fiction with magic” rather than “fantasy.” Here’s what I’ve decided;

A Sorceress Comes to Call: A charming love story interrupted with sorcery and murder

A Sorceress Comes to Call by T. Kingfisher

A Sorceress Comes to Call, T. Kingfisher’s most recent 2024 novel, is a magical regency-style romance, with lengthy interruptions by the machinations of a cruel, selfish sorceress, attacks by her demonic familiar, and the occasional murder.

I don’t think I’ve read anything by Kingfisher that I didn’t love, and this book is no different, although the questions I had with this one surfaced while I was reading and not afterward. To focus on what worked best,

One Hundred Shadows: A haunting novella told in simple, spare prose

One Hundred Shadows by Hwang Jungeun (translated by Jung Yewon)

One Hundred Shadows (2024) by Hwan Jungeun (translated by Jung Yewon) is a haunting novella told in simple, spare prose. But don’t let that simplicity, and the surface gentleness of the style, fool you. This is a story that is sharp in its criticism of Korean society (really, capitalist society in general) even as it is tender toward its characters, one that is thoughtful and moving even as it is spartan in its dialogue and language. It’s the kind of book that passes quickly in terms of reading experience but lingers in the mind for some time after you’ve turned the last page.

The Drowning House: Priest is the empress of the cursed house story

The Drowning House by Cherie Priest

Cherie Priest should be crowned the queen of cursed houses. First there was Maplecroft, her Lizzie Borden/Lovecraftian suspense novel with the atmospheric house there, then The Family Plot with the old house steeped in family evil. With 2024’s The Drowning House, Priest gives us not one but two cursed houses… and one makes an appearance in a way I’ve never seen before.

In the middle of a wild early-autumn storm,

Bury Your Gays: Delivers on Hollywood Horror

Bury Your Gays by Chuck Tingle

2024’s Bury Your Gays didn’t grab me the way Camp Damascus did, but it definitely pulled me in. It’s a different brand of horror that worked convincingly, and I did love Misha, the main character, a Hollywood writer who is the name in queer horror. Tingle creates a world where what happens in the boardroom is every bit as creepy and terrifying as what happens in a dark alley or deserted city park.

As the story opens,

Snow Rubies: Baz Kill

Snow Rubies by Ganpat

As you might have noticed, thanks to the publishing company known as Armchair Fiction, I have lately been on something of a reading binge when it comes to lost-race fare. Just recently, I wrote here of three books in Armchair’s ongoing Lost World – Lost Race Classics series, which currently stands at a most impressive 58 titles. Those novels were James De Mille’s A Strange Manuscript Found in a Copper Cylinder (1888),

Horror Movie: A “cursed film” and a cursed narrator

Horror Movie by Paul Tremblay

2024’s Horror Movie is the first Paul Tremblay book I’ve read. Having finished this disturbing, baffling and freaky tour de force, I will now seek out his other works.

Haunted films or cursed films are nothing new in the horror subgenre or even in pop-culture folklore. Tremblay takes this time-honored trope and runs with it. The book makes its way through three storylines; a present tense storyline narrated by our first-person narrator; his recollections on that time in 1993 when he was part of an independent film called Horror Movie (that was never completed);

Next SFF Author: A.M. Stanley

Previous SFF Author: Michael A. Stackpole

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