Next SFF Author: A.M. Stanley
Previous SFF Author: Michael A. Stackpole

Series: Stand-Alone

These are stand alone novels (not part of a series).



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The Midnight Bargain: A charming frolic of a book

The Midnight Bargain by C.L. Polk 

By the bottom of the second full page of text, when the protagonist of The Midnight Bargain (2020) walked into Harriman’s Bookshop, I was hooked. When Beatrice Clayborn entered the second-hand shop and I saw it through her eyes, the book claimed me, not unlike the way a spirit might claim a sorceress in Beatrice’s magical world.

It’s bargaining season, or marriage season in Beatrice’s world, and young women of the upper classes, like Beatrice, jostle and compete for the hand of a suitable husband.


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Theodore Savage: An absolutely splendid post-apocalyptic work

Theodore Savage by Cicely Hamilton

By the time WW1 ended in 1918, London-born Cicely Hamilton had already earned a name for herself as an advocate for both women’s rights and marriage equality. As one of Britain’s most vocal suffragettes, she’d campaigned for the right of women to vote; as a renowned playwright, she’d written socially biting works for the stage, and indeed, her suffrage dramas How the Vote Was Won (1909) and A Pageant of Great Women (1910) were both highly successful. But during the Great War,


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We Are Satellites: A science fiction novel that will stay in your head

We Are Satellites by Sarah Pinsker

Often in magical realism, a writer takes one little bit of magic and plunks it into an otherwise entirely realistic story, like adding a single drop of blue food dye into a glass of water that remains water, but water newly, wholly colored by that one tiny drop. In Sarah Pinsker’s novel, We Are Satellites (2021), we have what one might class science-fictional realism; she eschews building the usual futuristic world full of advances and instead offers up a single drop in the form of the Pilot,


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The Golem and the Jinni: A magical mural of the immigrant experience

The Golem and the Jinni by Helene Wecker

A Genie. A golem. Nineteenth-century New York City. Boy, did I want to love this book. Drawn by its come-hither characters, its promise of poetry, and by its dark side in the form of a truly nasty character, I really, really wanted to love it. And truth is, I liked The Golem and the Jinni, by Helene Wecker. But in the well-trod words of middle school, I didn’t “like like” it.


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This Virtual Night: An entertaining SF thriller

This Virtual Night by C.S. Friedman

C.S. Friedman’s This Virtual Night (2020) is billed as book two in her OUTWORLDS/ALIEN SHORES series but these novels are, so far, stand-alone stories set in the same universe. Thus, you don’t need to have read the first book, This Alien Shore (1998), though I’d recommend doing so anyway because it was fabulous. All you need to know about Friedman’s world is that, long ago, the humans who left Earth to colonize other galaxies evolved in ways that their fellow humans who remained on Earth find repulsive.


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Project Hail Mary: Mixed opinions

Project Hail Mary by Andy Weir

It’s alarming to wake up from a coma in completely unfamiliar surroundings, tethered to a bed by tubes and electrodes, with a computer voice quizzing you and robotic arms controlling your movements. It’s even more disturbing when you realize that you have no recollection of your name or your past life, and that there are two long-dead bodies in the room with you.

But gradually, through a series of flashback memories, Ryland Grace remembers that Earth is facing an extinction event: a Russian scientist discovered that a strange line has developed between the sun and Venus,


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The Stone From the Green Star: “Dark star crashes, pouring its light into ashes”

The Stone From the Green Star by Jack Williamson

As I mentioned recently in my review of Edmond Hamilton’s 1930 novel The Universe Wreckers, this Ohio-born author was just one of three writers who helped to popularize the genre now known as “space opera,” the other two being E.E. “Doc” Smith and Jack Williamson. I’d recently experienced Smith’s seminal six-book LENSMAN series, written between 1934 and ’48, but it had been a good number of years since I’d read anything by Williamson,


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Hench: A hilarious debut

Hench by Natalie Zina Walschots

Anna Tromedlov (try reading that backwards) works at a temp agency that supplies minions to evil villains. Her expertise is in data analysis so, typically, her jobs involve spreadsheets and reports and she gets to work from home. This fits her personality nicely, plus it’s the safest way to work for an evil villain.

When her best friend June encourages her to take an on-site job, Anna agrees that it might be good for her. She is just beginning to add new skills to her resume when there’s a conflict between her boss and a superhero and she gets badly injured by the hero.


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War of the Maps: A straightforward story in a fascinating world

War of the Maps by Paul McAuley

On an artificially created planet made up of numerous islands, a middle-aged man called the lucidor is stalking his prey. At first, we don’t know much about Remfrey He, the man the lucidor hunts, except that he’s an arrogant and corrupt man who, thanks to the lucidor’s detective work, was convicted and imprisoned years ago. But now he’s been set free because his skills will be helpful in fighting “the invasion,” a war with an unknown enemy which has brought genetically engineered monsters to the realm.


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Beowulf: He was the man!

Beowulf: A New Translation by Maria Dahvana Headley

A couple of years ago I read Maria Dahvana Headley’s The Mere Wife (2018) which was a finalist for the Locus Award in 2019. Set in a wealthy suburb, the story was a promoted as a “modern retelling of Beowulf” and told from the perspectives of the mothers. I admired this novel and was therefore eager to read Headley’s new translation of Beowulf which also happens to be a Locus Award finalist in the Horror category this year.


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Next SFF Author: A.M. Stanley
Previous SFF Author: Michael A. Stackpole

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