Hench by Natalie Zina Walschots
Anna Tromedlov (try reading that backwards) works at a temp agency that supplies minions to evil villains. Her expertise is in data analysis so, typically, her jobs involve spreadsheets and reports and she gets to work from home. This fits her personality nicely, plus it’s the safest way to work for an evil villain.
When her best friend June encourages her to take an on-site job, Anna agrees that it might be good for her. She is just beginning to add new skills to her resume when there’s a conflict between her boss and a superhero and she gets badly injured by the hero. Irate, she begins calculating the actual cost of superhero encounters. This is a life-changing event that sparks a whole new career for Anna.
I loved Hench (2020), the Locus-nominated debut novel of Natalie Zina Walschots, from the first paragraph. This fast-moving story is amusing, witty, and hilariously deadpan. It’s funny to visit the corporate offices of evil villains where they have to deal with everyday office issues like needing Human Resources and IT support. I laughed out loud many times such as when a supervillain gently asks Anna to attend conflict resolution training. These office scenes were the best part of Hench.

Natalie Zina Walschots
Though morally challenged, Anna is my kind of hero — I can relate to someone who loves data and weaponizes spreadsheets instead of swords. I liked her ideas for enhancing her supervillain’s brand and I thought her utilitarian justifications for her activity, though wrong, actually made sense (sort of).
Walschots’ prose is perfect – economical, vivid, and smooth. Particularly impressive, or maybe just funny, is Anna’s character development. At the end, she’s a completely different person in how she looks, thinks, and acts. I foresaw some of these changes and wondered how Walschots was planning to get us there. She does so with plausibility while also poking fun at supervillain tropes.
The audiobook edition of Hench is published by HarperAudio. Alex McKenna, the narrator, is well cast. She gets Anna’s sarcasm and snark just right, and I loved how she portrayed the villains, though I didn’t like the voices she chose to use for a couple of the side characters (such as Greg, the IT support minion).
Recent Discussion