Next SFF Author: Tim Horvath

Previous SFF Author: Anthony Horowitz

Series: Horror

Dark Visions: A Collection of Modern Horror, Volume I

Dark Visions: A Collection of Modern Horror, Volume 1 edited by Anthony Rivera & Sharon Lawson

Dark Visions: A Collection of Modern Horror, Volume One, is a publication of Grey Matter Press, a small publisher of all genres of horror. The anthology has no theme — something of a rarity these days, when most anthologies are restricted to a particular type of monster (zombie, werewolf, vampire; you know the drill). Few of the writers who contributed stories to this anthology are known to me, though there are a few big names.

Wild Fell: One of the best books of 2013

Wild Fell by Michael Rowe

Wild Fell begins in the small town of Alvina, Ontario, in 1960, when Sean Schwartz asks his high school sweetheart, Brenda Egan, if she believes in ghosts. Whether he’s trying to scare her into cuddling closer, looking for some excitement to end the summer before school begins again, or is entirely sincere in his question, his question is a prelude to asking Brenda if she’ll cross a mile of Devil’s Lake to Blackmore Island to explore the remains of a mansion called Wild Fell.

The House of Souls: The Best of Arthur Machen

The House of Souls: The Best of Arthur Machen by Arthur Machen

I had been wanting to check out Arthur Machen’s 1906 collection of short stories, entitled The House of Souls, for quite some time; ever since I had read two highly laudatory pieces written about this work and its author. The first was H.P. Lovecraft‘s comments in his widely referred to essay “Supernatural Horror in Literature,” in which he claims “Of living creators of cosmic fear raised to its most artistic pitch, few if any can hope to equal the versatile Arthur Machen.”

Magazine Monday: Beware the Dark, Issue 1

Beware the Dark is a new horror and dark art magazine currently scheduled to be published three times per year. A new horror magazine is always good news, as there seems to be much more horror being written than there are outlets in which to publish it (which explains why Beware the Dark is presently closed to submissions). This magazine suggests, however, that the reason there are so few outlets is that there is little good horror being written. I’m hoping that further editions of the magazine improve on the first,

Some of Your Blood: A very sad book

Some of Your Blood by Theodore Sturgeon

In the 1978 horror movie Martin, writer/director George A. Romero presented us with a young man who enjoys killing people and drinking their blood, but who may or may not be a so-called “vampire”; the film is wonderfully ambiguous all the way down the line on that score. Seventeen years before Martin skulked through the dreary suburbs of Pittsburgh, however, another unconventional vampire was given to the world, in the pages of Theodore Sturgeon’s Some of Your Blood.

The Night Boat: A fine piece of horror fiction

The Night Boat by Robert R. McCammon

The Night Boat was Robert R. McCammon’s third published novel, first appearing in 1980. Now Subterranean Press has brought it back as a (sold out) limited edition, and also made it available in e-book format for the first time. It betrays some of the faults of a then-new writer, but also has considerable power in its portrayal of Nazi submariners, as terrifying 35 years after the end of World War II as they were in the days when they lurked in the deep waters of the Atlantic Ocean — if not more so.

Parasite: Different opinions

Parasite by Mira Grant

Mira Grant is the science fiction side of Seanan McGuire, the fantasy writer responsible for the OCTOBER DAYE and INCRYPTID fantasy series. Her last outing was the NEWSFLESH trilogy, which I loved (especially the first book, Feed). Now she’s published the first novel in the PARASITOLOGY duology, Parasite. And it’s a doozy.

Parasitology opens with the transcription of a video recording.

Magazine Monday: Nightmare, October 2013

Nightmare is celebrating its first anniversary with Issue 13, and it starts off with a humdinger of a story by Norman Partridge called “10/31: Bloody Mary.” The use of the date is a deliberate reminder of 9/11, and connotes a catastrophe of equal or greater weight. On 10/31 — this year, next year, last year, we’re never told — all of the monsters became real. Somehow, on Halloween, “werewolves and witches, mummies and zombies, and other nameless things the boy would rather never see” become real. The boy (the protagonist of the story) hides during the day,

Magazine Monday: Black Static, Issue 36

“No Kill, No Pay” by Jacob A. Boyd gets the September/October issue of Black Static off to a roaring start. Howard is a member of a high-pressure sales firm of some sort (we never get the details) that is ruled by five partners. This year, Howard has been invited to join the five in a hunt they take in the Yukon each year. They give Howard no details except that the hunt ends after the first kill. Howard believes that if he can prove himself in the hunt, he will be made a partner.

Extremities: A horror collection

Extremities by David Lubar

On the back of my copy of Extremities, a new collection of horror by David Lubar, the author bluntly states, “This is not a book for children. Let me clear about that.” Because much of his other work is so clearly aimed at children, I can see why Lubar feels the need to highlight this. Especially as there are some references to drugs and some graphic violence. But while I agree the book isn’t for “children,” I wouldn’t recommend it for anyone much older thirteen or fourteen,

Next SFF Author: Tim Horvath

Previous SFF Author: Anthony Horowitz

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