Tim Horvath has an amazing imagination. He can take his work in academe (as a writing teacher) and turn it into a story about a dying department of umbrology, the study of shadows, complete with all the political scheming for promotion and infighting about ancient scholars (Galileo or Socrates?) you might expect in such a story. But then he can also imbue it with poetry when describing a lunar eclipse, or with whimsy, as in relating his experiences watching shadows on a ski slope, or even the nature of love (“she told me once she preferred rainy days because on them I looked at her more directly”).
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