Next SFF Author: Tim Horvath
Previous SFF Author: Anthony Horowitz

Series: Horror


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A Quartet Of Grisly Gialli

Jump-started by Mario Bava’s 1962 film The Evil Eye, also known as The Girl Who Knew Too Much, the cinematic genre known as the giallo would slowly gather steam as the ‘60s progressed. And by the time the early ‘70s rolled around, it had already evolved into a well-defined art form. Typified by gruesome and shocking murders usually perpetrated by a masked and/or gloved killer, catchy scores, scenic locales and, more often than not, impossibly complex story lines, the genre proved so very popular that over 150 such films were produced in that decade alone,


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Hysteria: An American amnesiac In London

Hysteria directed by Freddie Francis

As I believe I have mentioned here before, during the 1960s, Hammer Film Productions in England did not only excel at the horror, science fiction and period action movies for which it is best remembered today, but at the psychological thriller, as well. Previously, this viewer had watched and hugely enjoyed such Hammer thrillers as The Snorkel (1958), Maniac (1962) and Nightmare (1964), and so it was with great anticipation that I sat down the other day,


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The Maniac: Carrying a (blow)torch for his lady love

The Maniac directed by Michael Carreras

Up until recently, I had been aware of only two films with the title Maniac: the 1934 camp classic directed by Dwain Esper and the repugnant 1980 picture with Joe Spinell as a deranged mannequin lover. The existence of the British The Maniac, a 1963 product from the great Hammer Studios, thus came as a nice surprise for me.

Part of the Hammer “Icons of Suspense” six-film box set, the picture shares a DVD with the studio’s 1958 film The Snorkel,


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The World of the Vampires: Murcielago-Chica

The World of the Vampires directed by Alfonso Corona Blake

1961 was still another interesting year for the Mexican horror film, as that country’s so-called Golden Age of Horror continued apace. The year saw the release of the intriguingly titled offering The Curse of Nostradamus, as well as the third, fourth and fifth films in the Santo series – Santo vs. the Zombies, Santo vs. the King of Crime and Santo in the Hotel of Death – a series that would go on till 1976 and comprise over 50 films (!) detailing the adventures of the luchador wrestler turned cinematic crime-fighting superhero.


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The Haunting of Julia: The least of Mia’s big three horrors, but still fun

The Haunting of Julia directed by Richard Loncraine

You’ve got to feel a little sorry for the characters that Los Angeles-born actress Mia Farrow portrayed in her three big horror outings of the late 1960s to mid-‘70s. Her Rosemary Woodhouse, in the 1968 classic Rosemary’s Baby – surely one of the classiest fright fests of that great decade – was not only set up by her husband and later knocked up by Old Scratch himself, but was later the unwitting deliverer of the son of Satan. In 1971’s See No Evil,


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The Snorkel: Mandy, as candy, is dandy

The Snorkel directed by Guy Green

A little-known picture sporting an amusing title, The Snorkel yet reveals itself to be an excellent suspenser; a genuine sleeper that may be finding some latter-day acclaim thanks to the great-looking print in the Hammer “Icons of Suspense” DVD box set. Released in 1958 by Hammer Studios, shortly after the famed British filmmaking independent began its reign of the Gothic horror niche with that year’s The Curse of Frankenstein, the picture is a tale of murder and suspense without being an actual mystery.


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The Secrets of Insects: A retrospective of Kadrey short fiction

The Secrets of Insects by Richard Kadrey

Before he published the SANDMAN SLIM series, Richard Kadrey published short fiction in various markets. Several of those stories have been collected in his latest book, 2023’s The Secret of Insects. The earliest story in here, “Horse Latitudes,” appeared in Omni in 1992. The most recent story, “Candy Among the Jades,” is original to this collection. The Secrets of Insects is a retrospective of Kadrey’s short fiction.

I’ll provide the Table of Contents,


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Bridge: The multiverse but with parasites and serial killers

Bridge by Lauren Beukes

A quick glance at the jacket copy of Lauren Beukes’s 2023 weird thriller Bridge might make the reader think of the Best Picture winner, Everything Everywhere All at Once. After all, this is a mother-daughter story set in the multiverse. Beukes weaves into her story a few elements EEAAO didn’t have, like a parasite and a serial killer, or more accurately a collective of serial killers. The core of the book is a mother-daughter story, but it is filled with chills,


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The Devil of Pei-Ling: You can’t keep a good Satanist down!

The Devil of Pei-Ling by Herbert Asbury

In 2002, Martin Scorsese brought to the big screen his 18th film as a director, Gangs of New York. The picture was based on a nonfiction book by one Herbert Asbury, namely The Gangs of New York: An Informal History of the New York Underworld, but the screenwriters played so loosely with the facts in Asbury’s book that the film was famously Oscar nominated for a Best Original Screenplay award,


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30 Days of Night: A modern classic horror comic book

30 Days of Night by Steve Niles (story) and Ben Templesmith (art)

30 Days of Night is an excellent horror comic by Steve Niles with quite creepy art by Ben Templesmith. After a short introduction by Clive Barker, we are taken to Barrow, Alaska on November 17, 2001, the last day the sun shines before there are thirty days of night, which, if you think about it, would be just about perfect for you if you were a vampire with some serious allergies to the sun!


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Next SFF Author: Tim Horvath
Previous SFF Author: Anthony Horowitz

We have reviewed 8292 fantasy, science fiction, and horror books, audiobooks, magazines, comics, and films.

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