Next SFF Author: Tim Horvath
Previous SFF Author: Anthony Horowitz

Series: Horror


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The Babadook: The horror from Down Under

The Babadook directed by Jennifer Kent

When the Australian horror film The Babadook was released here in the U.S. in November 2014, 10 months after its premiere at the Sundance Film Festival, it was moderately successful at the box office and received almost universal praise from the critics. Somehow, I managed to miss the film back then (I happen to miss most new releases, actually, in my quest to see as many great classic/old films on the big screen as possible at NYC’s several revival houses), but have wanted to see it ever since,


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Whoever Slew Auntie Roo?: Psycho biddy, qu’est-ce que c’est?

Whoever Slew Auntie Roo? directed by Curtis Harrington

Ever since the Brothers Grimm recorded the fairy tale forever known afterward as “Hansel and Gretel,” way back in 1812, its story has been well known to successive generations. We have heard the story since childhood: how the two poor children are lured into the witch’s gingerbread house and trapped therein, only to be fed all kinds of goodies by the evil witch to fatten them up, and of how the two kids ultimately turn the tables on the evil crone, stealing her treasure and burning her alive in her own oven.


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The Entity: A nerve-racking horror wringer

The Entity directed by Sidney J. Furie

According to the Department of Justice’s National Crime Victimization Survey of 2016, a full 80 percent of all rapes in the U.S.A. go unreported. When asked to account for this staggering statistic, 20 percent of all victims surveyed said that the reason for this lack of reporting was a fear of retaliation; 13 percent said they felt the police would be ineffective at helping them; another 13 percent said that it was a personal matter that they wished to keep private; 8 percent seemed to feel that it was no big deal (!);


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Demons and Demons 2: Show me Demoni!

Demons and Demons 2 directed by Lamberto Bava

Originally released in October 1985 under the Italian title Demoni, Lamberto Bava’s fifth film enjoyed a marginal success in the director’s native Italy, and the following year was released in the U.S. under the title Demons. The film was popular enough to spawn a sequel, 1986’s Demoni 2, which was very much in keeping with its predecessor; a perfect follow-up, really. Here are some brief thoughts on both of these cult items, for your one-stop Demons shopping … just in case you are thinking to yourself now “Show me Demoni!”

DEMONS

Old-fashioned horror fans who still esteem such cinematic virtues as characterization,


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White Zombie: The original zombie film

White Zombie directed by Victor Halperin

As I mentioned in my recent review of the 1936 nonthriller Revolt of the Zombies, this film was a belated follow-up of sorts (it is hardly a sequel, as many claim) to 1932’s White Zombie, the original zombie picture, but whereas that original had been an artfully constructed wonder, the latter film was something of a labor to sit through; a movie about the revivified living dead featuring terrible editing, laughable thesping, risible special effects and, worst of all,


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The Only Good Indians: Read it with all the lights on

The Only Good Indians by Stephen Graham Jones

When I was a kid growing up in Montana, hunting was a steadfast part of my family’s life. Elk, deer (mulies and white-tails), antelope, pheasant — if you wanted to eat it, you had to go out into the snow-covered woods before the break of dawn and hope that you would find something early enough that you wouldn’t have to spend the rest of the day dragging the cleaned carcass back to your truck. There were rules, of course: respect nature to the point of veneration;


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The Couch: A chip off the ol’ Bloch

The Couch directed by Owen Crump

In November 1960, filmgoers were presented with a very unique film, Girl of the Night. In it, we meet a call girl/prostitute named Bobbie Williams, played by the great Anne Francis in the screen role that she would go on to cite as her personal favorite of all her many performances. We learn about Bobbie via her visits to the psychiatrist (Lloyd Nolan) who is treating her, and these intimate encounters are alternated with glimpses of the young woman’s sordid daily life. Flash forward around 15 months,


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Love Me Deadly: Daddy’s girl meets the Deadheads

Love Me Deadly directed by Jacques Lacerte

When C. M. Eddy, Jr.’s infamous short story “The Loved Dead” first appeared in the April/May/June 1924 issue of Weird Tales magazine, with its necrophilic protagonist, it so shocked and scandalized readers that — or so it is told — sales of the beleaguered pulp magazine rose dramatically, thus rescuing it from financial failure. The better part of a century later, the subject of necrophilia is no less taboo and discomfiting. I have reviewed several films on various film sites that I have almost been embarrassed to admit having watched (such as The Worm Eaters,


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The It’s Alive Trilogy: Mama’s little bundle of Hell

It’s Alive Trilogy directed by Larry Cohen

The birth of a child is usually the high point of any parent’s life; one of the most blessed moments that he or she could ever imagine. The blessed newborn is a little adorable bundle from heaven, one that is showered with instant and eternal love by the doting mother and father. But what if that newborn is not all that one could have hoped for … is, in fact, a killer mutant monstrosity, with a very nasty and homicidal temper, to boot? That was the premise of Larry Cohen’s ingenious 1974 offering It’s Alive!,


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Allison V. Harding: The Forgotten Queen of Horror

Allison V. Harding: The Forgotten Queen of Horror by Allison V. Harding

Unless you are an aficionado of the famous pulp magazine Weird Tales, or have read some of the many anthology collections derived from its pages, the chances are good that you are not familiar with the author Allison V. Harding. This reader had previously encountered the author in the 1988 collection Weird Tales: The Magazine That Never Dies, which contained what is probably Harding’s most famous story,


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Next SFF Author: Tim Horvath
Previous SFF Author: Anthony Horowitz

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