Next SFF Author: Ben Aaronovitch

Author: Jesse Hudson

The Shockwave Rider: An important SF work from a lesser known writer

The Shockwave Rider by John Brunner

Something of a Dr. Jekyll and Mr. Hyde, John Brunner is one of the more intriguing though lesser recognized figures in science fiction history. Much the same as Robert Silverberg, he cut a path for himself in genre writing that is essentially pulp sci-fi but later began introducing novels of significantly greater depth to his oeuvre. Stand on Zanzibar, The Sheep Look Up, and The Jagged Orbit are some of the most important novels the field has produced.

The Jagged Orbit: A dark, unsettling read

The Jagged Orbit by John Brunner

The 1950s and 60s was a time in the US rife with social tension and conflict. With unpopular wars being fought on foreign soil, blood was also being shed on American streets as ethnic, gender, and counter-culture concerns often turned to violence. Partially a reaction to these social issues, the New Wave science fiction movement, spearheaded by such writers as Ursula Le Guin, Samuel Delany, Robert Silverberg, Barry Malzberg, Joanna Russ, and others shifted the genre’s gears,

Stand on Zanzibar: It’s time for everybody to read it

Stand on Zanzibar by John Brunner

George Orwell and Aldous Huxley were two writers who initially established themselves not only in the world of realist fiction, but also as effective observers on society. As a result, their later novels Nineteen Eighty-four and Brave New World are heralded as two of the greatest science fiction novels ever written, with literary purists even willing to make allowances despite the sci-fi leanings. Perhaps it is John Brunner’s misfortune that his career was established in the world of science fiction.

The High Crusade: Science fantasy silliness

The High Crusade by Poul Anderson

In his wonderful breakdown of the genre in The Strategies of Fantasy, Brian Atterbery devotes an entire chapter to the sub-genre of science fantasy, stating that of the “works that mingle the rhetoric of science fiction with that of fantasy, nearly all can be classed as either humorous or mythological.” Though citing a scene from A Princess of Mars wherein love develops between a human male and an egg-laying Martian,

The Unlimited Dream Company: More art than story

The Unlimited Dream Company by J.G. Ballard

Looking at the spread of colors, shapes, and lines smeared across the canvas that is J.G. Ballard’s 1979 The Unlimited Dream Company, it’s easy to get lost in the details, the view to the whole submerged. Superficially disorienting to say the least, the narrative packs a bewildering visual punch while beneath the surface lurk the powers of nature, myth, and beast — the book is certainly art more than story. Surreal is only the beginning of the description.

Tau Zero: A mythological journey in hard SF form

Tau Zero by Poul Anderson

Poul Anderson is, and mayhap always will be, the speculative fiction writer who most integrates myth and legend into fantasy and science fiction. The former is relatively easy given that myth and legend are typically already half fantasy, the latter is the more difficult given that one of the aims of science fiction is believable futuristic extrapolation. Failing spectacularly with The High Crusade (a novel that sees Medieval knights take a space ship to another planet to fight blue-skinned aliens), his 1970 Tau Zero is a more subtle mix.

Non-Stop: A classic that is vivid, brisk, entertaining

Non-Stop by Brian W. Aldiss

Number 33 of the Science Fiction Masterworks series, Brian Aldiss’ 1958 Non-Stop is indeed a classic of the genre (variant title: Starship). Standing well the test of time, the story is vivid, brisk, and entertaining — facets complemented nicely by intelligent commentary and worthwhile purpose. With Aldiss examining human nature in unusual circumstances to say the least, the underlying assumptions nevertheless exist closer to reality than the majority of sci-fi. Readily enjoyable on the surface, there remain several thought-provoking undercurrents waiting for the reader to explore.

Helliconia Winter: Deserves the BSFA award it won

Helliconia Winter by Brian W. Aldiss

Like an architect seeing a cathedral they’ve designed have the steeple raised, or an engineer watching the bowsprit attached to a ship they’ve built, so too must Aldiss have felt writing the final chapter of Helliconia Winter (1985). The orbits within orbits, themes revolving around themes, and characters caught in the cycle of life, come to an end. But only on the page.

The series has covered millennia. The third and final book, Helliconia Winter,

Helliconia Summer: The big ideas punch deep

Helliconia Summer by Brian W. Aldiss

The shape of Brian Aldiss’s SF Masterwork HELLICONIA could be said to be parabolic. If Helliconia Spring is the slow, curving entry point, then Helliconia Summer, the middle volume, is the zenith story-wise. Or at least that’s the feel two-thirds of the way through the series. As Aldiss is trying to paint a historical and evolutionary picture of humanity’s existence on a distant planet, Helliconia Summer’s narrative does not pick up where the first volume left off,

July 14th, 2016. Jesse Hudson´s rating: 4 | Brian W. Aldiss | SFF Reviews | 1 comment |

Helliconia Spring: A battle for survival on a fantastic planet

Helliconia Spring by Brian W. Aldiss

What if the planets orbited not only the sun, but the whole solar system orbited another, even larger sun? Cycles within cycles is the basic premise of Brian Aldiss’s HELLICONIA trilogy, of which the first installment is Helliconia Spring (1983). A planet of the fantastic, Helliconia is home to a diverse variety of imaginative flora and fauna a la Jack Vance. The sentient life, however, bears comparison to our own. Struggling Darwinian style, humans and a species called Phagors inhabit the planet,

Next SFF Author: Ben Aaronovitch

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