Previous SFF Author: Tim Maughan
James Maxey’s stories have appeared in a score of anthologies and magazines. The best of his short fiction is now available in the collection There is No Wheel. He continues to write about ghosts and pirates, also spaceships, monkeys, and circus freaks and other geeky delights. You can keep up with the author at James Maxey’s blog.
In James Maxey‘s Bitterwood, dragons rule the planet and humans are their slaves. These dragons are not your average fantasy dragons because they have formed a community and culture and are ruled by a king. Not your typical fire-breathing, treasure hoarding dragon, right?
The premise for Bitterwood is good, but the writing just felt uneven. There were times when the characters felt shallow and too contrived and the storyline seemed to be out of control — too many highs and lows.
John Hulet and Robert Thompson´s rating: 3 | James Maxey | SFF Reviews | no comments |
Crossed Genres, a magazine published online, digitally and in print, has a unique approach to genre fiction: every month it chooses a genre and requires that the stories it publishes that month combine the chosen genre with some aspect of science fiction or fantasy. Issue 27 offers a mash-up of science fiction and fantasy with tragedy. Surprisingly, none of the five short stories uses the traditional tragic element of a hero with a fatal flaw, which would seem tailor-made for SF and fantasy. Instead, the writers simply write stories that end in sadness.
The Solaris Book of New Fantasy by George Mann (ed.)
I’m pretty much a novice when it comes to short fiction. Because of my lack of experience in this area, I hope that you will bear with me as I try to provide a thoughtful and comprehensive analysis of The Solaris Book of New Fantasy, even if I don’t always succeed. The plan is to first look at each short story individually providing synopses and commentary, followed by my evaluation of the compilation as a whole. So, let’s look at the stories:
1) “Who Slays the Gyant,
Superheroes — and supervillains — have always been problematic. They are usually all but impossible to kill, but have a single vulnerability that everyone seems to know about, and to aim for, a tradition that goes all the way back to Achilles (who was invulnerable because he was dipped in the River Styx as a baby — except for the ankle by which his mother held him when doing the dipping). Even after death, they always seem to come back in some form or another; Superman, for instance,
Previous SFF Author: Tim Maughan
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What a fascinating exploration of Edwige Fenech's contribution to giallo films! Her charisma and the unique blend of suspense and…
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Hahaha! You might like the one "Shocktober" scene near the end!
For some strange reason, I get the feeling I might like this one! 😁
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