Next SFF Author: Douglas Hulick
Previous SFF Author: Matthew Hughes

Series: Hugo Award


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The Voice from the Edge Volume 4: The Deathbird & Other Stories

The Voice from the Edge Volume 4: The Deathbird & Other Stories by Harlan Ellison

The Deathbird & Other Stories: The Voice from the Edge Vol. 4 is the fourth installment in Harlan Ellison’s 5-volume THE VOICE FROM THE EDGE series. He’s a born storyteller, without question the most passionate, intense and brilliant audiobook narrator I’ve ever experienced. He captures the characters’ quirks and attitudes, and narrates with masterful pacing and tone. This is the ideal showcase for him to read his favorite stories from a career spanning over 60 years.


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The Voice From the Edge Volume 2: Midnight in the Sunken Cathedral

The Voice From the Edge, Vol 2: Midnight in the Sunken Cathedral by Harlan Ellison

As much as I dislike the man personally, I have to say that Harlan Ellison writes great stories. Even the stories that I don’t like — because they’re violent, gory, gross, or full of others varieties of ugliness — are good stories. And if there’s anything that Harlan Ellison does better than write great stories, it’s narrate them. He’s a superb story teller. That’s why I’ve picked up all of his Voice From The Edge recordings at Audible.com.


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The Voice From the Edge Volume 1: I Have No Mouth and I Must Scream

I Have No Mouth and I Must Scream: The Voice From the Edge Vol. 1 by Harlan Ellison

Probably everyone who knows anything about Harlan Ellison knows he’s a jerk (please don’t sue me, Mr. Ellison). I had to consciously put aside my personal opinion of the man while listening to him narrate his audiobook I Have No Mouth and I Must Scream: The Voice From the Edge Vol. 1. I was disgusted by some of these stories, but I have to admit that even though I suspect Ellison delights in trying to shock the reader with his various forms of odiousness (mostly having to do with sex),


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Women Destroy Science Fiction! The Stories: Special audiobook edition

Women Destroy Science Fiction! Lightspeed Magazine Special Issue: The Stories edited by Christie Yant, Robyn Lupo, Rachel Swirsky

Last June, Hugo-winning Lightspeed Magazine, which is edited by John Joseph Adams, devoted an entire issue (Women Destroy Science Fiction!, June 2014, issue #49) to female science fiction writers and editors. Under Christie Yant’s and Robyn Lupo’s editorial leadership, they accepted 11 original short science fiction stories and 15 original pieces of SF flash fiction. Rachel Swirsky chose and reprinted 5 stories previously published elsewhere.


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The Best of Nancy Kress: A good storyteller who is fearless about wondering

The Best of Nancy Kress by Nancy Kress

Reading Nancy Kress’s work is a disconcerting experience for me. I love her ideas; there is no one quite like her when it comes to integrating a Big Idea into a believable world. On the other hand, I often don’t understand her characters’ motivations and frequently find them unengaging. Subterranean Press’s new story collection, The Best of Nancy Kress — edited by Kress herself — provides some insight into her ideas and her storytelling, and is an educational,


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Doomsday Book: Historically robust time travel with deeply satisfying characters

Doomsday Book by Connie Willis

Although it took a good two-thirds of the novel for me to decide, I’ve come to the conclusion that I really enjoyed this multiple award-winning book by Connie Willis. At its core, Doomsday Book is sci-fi time travel, but it’s got depth and intelligence, and leaves little wonder that it won both the Nebula and Hugo Awards for Best Novel (in 1992 and ’93, respectively), as well as the Locus Award for Best Science Fiction Novel in 1993,


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SHORTS: Brookside, Simmons, Card, Sheckley

The Last Days of Jericho by Thomas Brookside (2010)

The Last Days of Jericho is Thomas Brookside‘s follow up to his incredibly creative and well-executed novella De Bello Lemures, or The Roman War Against the Zombies of Armorica. Let’s make one thing clear: Thomas Brookside may be self-published, but his writing is as crisp and descriptive as that of any big house published author. Both stories take place in a very particular historical setting, and Brookside nails the narrator’s tone and delivers an extremely genuine-sounding account.


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Who Goes There?: An influential, entertaining novella

Who Goes There? by John W. Campbell, Jr.

Three mad, hate-filled eyes blazed up with a living fire, bright as fresh-spilled blood, from a face ringed with a writhing, loathsome nest of worms, blue, mobile worms that crawled where hair should grow…

John W. Campbell’s novella Who Goes There?, first published in 1938 in the magazine Astounding Science Fiction, formed the foundation for the thrice-made movie The Thing. John Carpenter directed the 1982 film starring Kurt Russell and it holds a significant place in my childhood memories as it was the first horror movie I was able to watch all they way through.


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Starship Troopers: A 250-page lecture on the ethics and morals of war, violence and race

Starship Troopers by Robert Heinlein

As part of my reading routine, I like to go to the way-back machine and catch up on genre classics. Within sci-fi, a few years ago I reread Frank Herbert’s Dune, which is as heavy and awesome as I’d remembered. I discovered and loved Walter M. Miller’s wonderful Canticle for Leibowitz.

Robert Heinlein, of course, is one of the heavyweights of the genre, but I’d never read anything of his and my only previous exposure to Starship Troopers (1959) was from the 1997 sci-fi film of the same title.


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The Left Hand of Darkness: An important thought experiment

The Left Hand of Darkness by Ursula Le Guin

The Left Hand of Darkness (1969), part of THE HAINISH CYCLE, won both the Hugo and Nebula Awards for Best SF Novel, and is well known as one of the first books in the genre to intelligently explore the nature of gender and identity. Ursula K. LeGuin is a highly respected writer known for her anthropological and humanistic approach to SF, and her presence has attracted many mainstream readers and forced literary critics to take the genre more seriously.


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Next SFF Author: Douglas Hulick
Previous SFF Author: Matthew Hughes

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