Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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The Blood Island Trilogy: Filipino horror cinema at its “best”

The Blood Island Trilogy directed by Eddie Romero

Surely one of the most beloved horror offerings in the history of Filipino cinema, Eddie Romero’s so-called Blood Island trilogy has been flabbergasting audiences for almost half a century now. Here, for your one-stop shopping pleasure, I offer three mini-reviews to help guide you through these remarkable sci-fi/horror outings:

BRIDES OF BLOOD
: Wow, does this flick make for one wild and woolly experience! Brides of Blood (1968), the first adventure in the Blood Island trilogy, must be deemed, along with 1959’s Terror Is a Man,


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The Undying Monster: Film vs. Book

The Undying Monster by Jessie Douglas Kerruish

It was around five years ago that I had the pleasure of watching the 1942 horror thriller The Undying Monster on DVD. I was moderately impressed with the film, enough to write the following:

“B material given A execution” is how film historian Drew Casper describes 20th Century Fox’s first horror movie, 1942’s The Undying Monster, in one of the DVD’s extras, and dang if the man hasn’t described this movie to a T. The film,


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Film Review: Dracula’s Daughter

Dracula’s Daughter directed by Lambert Hillyer

Released a full five years after the classic Universal horror film Dracula, the sequel, Dracula’s Daughter, yet picks up a few scant seconds after the original left off. When we last saw our favorite Transylvanian neck nosher, he was lying dead in his coffin in the crypts beneath Carfax Abbey, a stake impaled in his heart courtesy of the intrepid Prof. Van Helsing (Edward Van Sloan, the only actor who would go on to appear in the sequel). As the latter film commences,


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2001: A Space Odyssey: The perfect collaboration between book and film

2001: A Space Odyssey by Arthur C. Clarke

Arthur C. Clarke actually collaborated with Stanley Kubrick to produce the novel version of 2001: A Space Odyssey (1968) in order to provide the basis for brilliant Stanley Kubrick film of the same name. So although the book can be considered the original work, the filmmaker also had a role in its creation, and Clarke also rewrote parts of the book to fit the screenplay as that took shape.

Readers and viewers will forever enjoy debating whether a film or novel version is better,


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Do Androids Dream of Electric Sheep?: Book vs. film

Do Androids Dream of Electric Sheep? by Philip K. Dick

Ridley Scott’s 1982 film Blade Runner was arguably the most brilliant, though-provoking, and intelligent SF film ever made, with a uniquely dark vision of a deteriorated future Earth society and a morally ambiguous tale of a bounty hunter Rick Deckard hunting down and ‘retiring’ a series of very intelligent Nexus-6 type replicants (androids) that want very much to live. The movie changed the way moviegoers looked at SF films, and brought great credibility to its director and the genre for a much wider audience,


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The Invisible Man Returns: A must-see

The Invisible Man Returns directed by Joe May

Following the release of Dracula’s Daughter in May 1936, horror fans would have to wait almost three years before getting another fright picture from Universal Studios. With the opening of Son of Frankenstein in January 1939, however, the floodgates were opened for the second great wave of Universal horror. And in January 1940, still another sequel was released by the studio, The Invisible Man Returns. A fairly ingenious follow-up to The Invisible Man feature of 1933, which was itself based on H.G.


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Konga: A somnolent stroll around Big Ben

Konga directed by John Lemont

Released in 1961, the U.S./U.K. co-production of Konga marked the first time that theater goers were shown a giant ape going bonkers in the heart of a major city since King Kong itself, 28 years earlier. Of course, fans had been given the 1933 sequel Son of Kong, but in that one, Kong, Jr. is more of a good-natured, oversized pet, and one who never makes it off Skull Island and into civilization, as had the old man. And in Mighty Joe Young (1949),


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Film: Zotz!

Zotz! directed by William Castle

Today, the name “Tom Poston” might not resonate with anyone who happens to be younger than those in the baby boom generation. Boomers and their parents will surely remember Poston, however, from his numerous appearances on 1960s game shows such as To Tell the Truth and What’s My Line?, not to mention any number of sitcoms, including The Bob Newhart Show and Newhart. His film appearances, however, were scarce and infrequent, making his comedic turn in producer/director William Castle’s 1962 offering,


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Film: The War of the Gargantuas

The War of the Gargantuas: Battle of the Gargantuas Versions

Up until recently, I was probably the only baby-boomer fan of Japanese monster movies (“kaiju-eiga,” I believe they’re called) who had never seen the 1966 Ishiro Honda cult favorite The War of the Gargantuas. Though the film had been lauded by numerous friends and coworkers, and though I have read many good things about it over the years, it has taken me all these many decades to catch up with it. And now that I HAVE finally seen it,


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Film: The Leech Woman

The Leech Woman: A fun Sci-Fi/Horror outing with a surprising feminist subtext

Coleen Gray, who passed away this week at the age of 92, was an actress best known for her work in the film noir genre, but did dabble on occasion in the sci-fi and horror fields. Here is a review of one of her more sci-fi/horror-oriented projects, the cult item known as The Leech Woman (1960).

On a recent TCM special presentation entitled Cruel Beauty, four great actresses of the film noir genre — Marie Windsor,


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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