The Affirmation by Christopher Priest
I’ve heard Christopher Priest’s 1981 novel The Affirmation described as regressive, an ouroboros eating its own tail, a Moeibus strip. While there is undoubtedly an M.C. Escher quality to the book — a blurring of reality — the beginning and end are simply too different to form a contiguous whole reverting back on itself. They’re opposite ends of a spectrum in fact, and the appeal of the novel is immersing one’s self in the subjective reality Priest slowly unwraps and getting lost in the world of memories as a result.
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Thanks for the kind words, Marion! Coming as they are from a professional writer, they are much appreciated!
Wonderful review, Sandy.
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