Next SFF Author: Anselm Audley
Previous SFF Author: Frank Aubrey

Series: Audio

Speculative fiction in audiobook format.




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Lord of Chaos: More of the same

Lord of Chaos by Robert Jordan (on audio)

I could almost copy and paste my review for Fires of Heaven right here and it would be mostly suitable because Lord of Chaos is more of the same. This is another metropolitan-city-phonebook-sized novel with a potentially interesting story that is bogged down by its excruciatingly slow pace, regular insertions of backstory, constant descriptions of the garb of every major and minor character (garb which keeps getting smoothed, straightened, or otherwise adjusted), and too many mentions of expanses of bosoms,


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The Fires of Heaven: Amazingly little happens

The Fires of Heaven by Robert Jordan

For being such a long book (nearly 1000 pages in my trade paperback copy), amazingly little happens in The Fires of Heaven, and this is why so many readers have abandoned this otherwise interesting story. Approximately the first third of the novel contains so much recap and repetition that, if I’d had “my hair in a proper braid,” I would have been yanking it as often as Nynaeve does.

The formula for the first 100 pages or so goes something like this:  One or two lines of dialogue,


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Master of Dragons: Half-baked

Master of Dragons by Margaret Weis

Master of Dragons, the final book in Margaret Weis’s Dragonvarld trilogy was a tasty but sloppy finale — like a cheesecake that didn’t quite set.

This last book wraps things up, as we knew it would, and everything is finally well in the world, as we knew it would be. There are some fine moments (Draconas showing tenderness to a female dragon, Ven finds a family, Marcus falls in love) and even some hilarious ones (Draconas darning socks,


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The Shadow Rising: Starts to slow down

The Shadow Rising by Robert Jordan

In The Shadow Rising, things start to slow down. In fact, it often feel like the reading of the story must take longer than it took for the events to actually occur.

Part of the problem is that Mr Jordan tells us nearly everything except when the characters make a bowel movement. Also, he regularly launches into pre-set spiels in which he re-describes something or someone who we’ve encountered numerous times before or re-explains something we’ve been told dozens of times (e.g.,


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Voices: Lots to think about

Voices by Ursula Le Guin

In this story of the Western Shore, we meet Memer, a 17 year old girl — a “siege-brat” — who lives in the occupied land of Ansul, a city of people who used to be peaceful, prosperous, and educated but who were overtaken 17 years ago by the illiterate Alds who consider all writing to be demonic. All of the Ansul literature, history, and other books were drowned… except for a small collection of books that has been saved and hidden in a secret room in the house of Galvamand and can only be accessed by the last two people in the Galva household — Sulter Galva (the Waylord) and Memer,


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The Dragon Reborn: One of the better books in the series

The Dragon Reborn by Robert Jordan (on audio)

In The Dragon Reborn, Rand finally starts to discover his new talents. Unfortunately, we don’t get to watch that happen. We only see a few glimpses of him learning to use his power. It makes me wonder if it was just easier for Jordan to show us the newly developed Rand rather than to explain how he got that way.

A couple of times here (and in later books) we’re told that Rand doesn’t really know how he wields the power — he just does.


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A Shadow in Summer: A book worth re-reading

A Shadow in Summer by Daniel Abraham

The Cities of the Khaiem shine like jewels in the East, and the brightest is the port of Saraykeht. The realm’s profitable cotton trade flows through the city, quickened by the artistry of the poet Heshai. For in the East, a poet’s art can become incarnate as a powerful spirit-slave (andat), and it is on the shoulders of Heshai, master of the andat Seedless, that the weight of Saraykeht’s continuing prosperity balances… a weight outsiders would gladly topple.

In these delicate times, first-time novelist Daniel Abraham chronicles the poignant choices of a handful of characters seldom seen in the “fantasy”


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The Great Hunt: Another fun installment

The Great Hunt by Robert Jordan

Here’s another really fun installment of The Wheel of Time. Like The Eye of the World, The Great Hunt kept me thoroughly entertained. Everything I said in the review above goes for this book, too. It’s fast-paced and full of plot. I think this is the best book in the series.

We get to meet some excellent secondary heroes and villains in The Great Hunt — Egeanin and the Seanchan from across the sea who use captured and chained women with power to fight for them,


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The Dragon’s Son: Doesn’t accomplish much

The Dragon’s Son by Margaret Weis

This typical middle novel concerns the twin sons born to Melisande: Marcus, the son of the King of Idlyswylde, and Ven (short for Vengeance), the son of the dragon who (in the body of the human Grald) raped her.

Most of the book focuses on the development of both boys from age 6 to 16. Neither of them know about the other. Ven is half dragon (his legs are dragon’s legs) and is being raised by Bellona (Melisande died at the end of Mistress of Dragons).


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The Mists of Avalon: Beautiful writing, but excruciatingly slow

The Mists of Avalon by Marion Zimmer Bradley

The Mists of Avalon, as you’ve likely guessed, is a retake on the King Arthur legends, but what makes it different is that it’s written from the women’s perspectives (Morgaine, Guinevere, etc.). The first one was written by Marion Zimmer Bradley in 1983 and this was the first time this feminist technique was used in fantasy literature and it was very successful (I learned that when I took a Modern Scholar course in fantasy literature).


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Next SFF Author: Anselm Audley
Previous SFF Author: Frank Aubrey

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