“The child is dead. There is nothing left to know.”
Thus opens Marlon James’ highly anticipated Black Leopard, Red Wolf (2019) in a frenetic, dizzying tale of Tracker, the hunter tasked with finding a child at the centre of this fantasy steeped in African mythology.
The story opens with Tracker being interrogated by the Inquisitor in a grimy prison cell. “Truth eats lies just as the crocodile eats the moon,” he says, and it soon becomes apparent that this will not be the kind of fantasy epic fans of the genre are used to.