Born in Umuahia and raised in Aba, Nigeria, Akwaeke Emezi received a Morland Writing Scholarship and is a Kimbilio Fellow. Emezi’s writing has been published by The Cut, Buzzfeed, Granta Online, Vogue.com, and Commonwealth Writers, among others. Currently long-listed for the Center for Fiction’s First Novel Prize, their debut autobiographical novel FRESHWATER (Grove Press) is a New York Times Book Review Editors’ Choice and an Indies Introduce Title. FRESHWATER was also recognized on 2018 best/most anticipated books lists by Esquire, ELLE, Cosmopolitan, Buzzfeed, Huffington Post, Bustle, OZY, Electric Lit, and Book Riot, among others. Learn more about Akwaeke at Akwaeke.com or on Twitter at @azemezi.
“There shouldn’t be any monsters left in Lucille.” The city of Lucille is a utopia. A generation ago, a resistance toppled all the monsters — monsters in this case meaning people: unjust politicians, bigots, predators. The leaders of the revolution are now called “angels” and are revered as elders. Jam is a teenage girl growing up in Lucille, and she appreciates the better world the angels built; as a black trans girl, she knows the world that came before would not have been as welcoming to her. But she still has questions that her teachers are hesitant to answer.
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COMMENT Was I hinting that? I wasn't aware of it. But now that you mention it.... 🤔
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