Next SFF Author: Anne Kelleher Bush
Previous SFF Author: Jenna Burtenshaw

SFF Author: Jessie Burton

Jessie Burton studied at Oxford University and the Central School of Speech and Drama, where she appeared in productions of The House of Bernarda Alba, Othello, Play and Macbeth. In April 2013 her first novel, The Miniaturist, was sold at an 11-publisher auction at the London Book Fair, and went on to sell in 29 other countries around the world. It was published by Picador in the UK and Holland in July 2014, and the USA in August 2014, with other translations to follow. Radio 4 commissioned it as their Book at Bedtime in July 2014.
CLICK HERE FOR MORE NOVELS BY JESSIE BURTON.



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The Miniaturist: Compelling and mysterious, but ultimately unsatisfying

The Miniaturist by Jessie Burton

Jessie Burton’s debut novel, The Miniaturist, was undoubtedly a hit. I bought it because I was in an airport rush and it was winking at me from its bestseller, front row spot on the shelves. The Miniaturist’s popularity does not surprise me. It is an enjoyable read, packed with intertwining mysteries that tease throughout. I imagine a lot of people have fond memories of doll’s houses and were enticed by this aspect of the story,


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The Muse: A dual timeline mystery

The Muse by Jessie Burton

In her follow-up to her acclaimed novel The Miniaturist, Jessie Burton adopts a dual timeline structure, following the lives of two creatively gifted women separated by time and place, but linked by a luminous, long-hidden painting that bodes well to take the art world by storm, and a decades-old mystery about the artist. The Muse (2016) lacks the subtle element of magical realism that lent a mysterious aura to the dollhouse and the titular miniaturist who furnished it in her debut novel,


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The Confession: As magical as The Miniaturist

The Confession by Jessie Burton

After the phenomenal success of The Miniaturist (and The Muse after it), the buzz surrounding Jessie Burton‘s latest release should come as no surprise. Whilst The Confession (2019) might seem like a very different kind of book (gone are the elements of the fantastical and the uncanny), Burton’s signature tension, suspense and an intricately characterised female cast remain.

In the winter of 1980, Elise Morceau meets Constance Holden on Hampstead Heath by chance.


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The Restless Girls: A light and fun retelling of The Twelve Dancing Princesses

The Restless Girls by Jessie Burton & Angela Barrett (illustrator)

I loved the story of The Twelve Dancing Princesses when I was a little girl, but was also terribly disappointed with it. Twelve sisters sneak out of a secret door in their bedroom every evening to dance the night away in a magical fairyland, with only their worn-out shoes left as evidence of their rule-breaking.

And then their father comes along to spoil all the fun, setting potential suitors outside their door in order to find out what’s going on,


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Medusa: A powerful retelling

Medusa by Jessie Burton 

If I told you that I’d killed a man with a glance, would you wait to hear the rest?

This question opens Jessie Burton‘s latest novel, Medusa (2021), a feminist retelling of the famous Greek myth. Told through the eyes of the snake-headed Medusa herself, the story reframes her tale as Burton uses myth to examine our own culture of victim-blaming, slut-shaming and toxic masculinity, provoking the question: Is Medusa truly a monster?


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Next SFF Author: Anne Kelleher Bush
Previous SFF Author: Jenna Burtenshaw

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