For the first 22 pages of Samit Basu’s The City Inside (2022), I didn’t have a freakin’ clue what was going on. I followed Joey (Bijoyini) Roy around her parents’ house, as she interacted with her intrusive “wellness system”—think very needy FitBit on steroids—as she talked to her parents about the Years that Can’t Be Discussed, as she dodged her performative adolescent brother, who was constantly auditioning for a place in the Flow. I understood vaguely that social media was a big thing,
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