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Jonathan Barnes

Jonathan BarnesJonathan Barnes was born in 1979 and was educated in Norfolk and at Oxford University. His first novel, The Somnambulist, was published in 2007 and his second, The Domino Men, in 2008. Between them they have been translated into eight languages. He writes regularly for the Times Literary Supplement and the Literary Review. Since 2011, he has been writer-in-residence at Kingston University. He is also the author of several full-cast audio dramas from Big Finish Productions, featuring characters from Sherlock Holmes and Doctor Who.

The Somnambulist: A dilemma

The Somnambulist by Jonathan Barnes

To be honest, I’m thoroughly divided as to the sort of review I want to give The Somnambulist. On the one hand, despite some flaws, for most of the book, it was one of the most fun reads I’ve had in a while. On the other hand, the last 40 pages or so were just downright bad. I don’t mean simply disappointingly bad relative to the rest of the book, but off-the-rails, what-the-heck-happened, did- the-author-die-and-then-some-stranger-finish-the-book terrible kind of bad. Which leaves me with a dilemma. Do I recommend a book that closes out so disastrously? In the end, I’ll say yes, thinking that perhaps others won’t react quite so strongly to the ending as I did and also thinking, hey, they were warned. So hey, you were warned.

The positives of the book are many. It has an inventive plot and main character — Edward Moon, a Victorian London magician who solves ... Read More

Monstrous Little Voices: A strong collection

Monstrous Little Voices: New Tales from Shakespeare’s Fantasy World  edited by Jonathan Oliver & David Moore

In Monstrous Little Voices, editors Jonathan Oliver and David Moore have collected five novellas all set in a greatly enlarged version of Shakespeare, with a host of characters spilling out of the pages of his dramas and comedies to interact with each other in ways good and ill, many of them showing us sides of their characters we never saw in the plays or offering up “what happened next” versions of their ongoing stories. And so we meet, amongst others, Miranda some time after she left her father’s island (from The Tempest) to join that “brave new world” she never could have imagined; Orsino and Viola (Twelfth Night), well-suited in marriage long after all the disguises have been stripped away, and a darkly frightful Scot-Who-Shall-Not-Be-Named... Read More