Forty pages into Vellum, I was dazzled. Hal Duncan‘s debut novel appeared to be every bit as phantasmagoric as the tidal wave of advance hype was claiming it was. A hundred pages in, my initial delight was morphing into skepticism. Yes, Duncan is a remarkably assured stylist, but is there any direction here? Is there ever going to emerge a cogent narrative to involve me beyond the author’s obvious gift for lovely and visually evocative prose? By about 175 pages,
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