Next SFF Author: Ben Aaronovitch

Order [book in series=yearoffirstbook.book# (eg 2014.01), stand-alone or one-author collection=3333.pubyear, multi-author anthology=5555.pubyear, SFM/MM=5000, interview=1111]: 1967


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King Kull: The Sword & Sorcery genre begins here

King Kull by Robert E. Howard & Lin Carter

There’s a reason why I never lend out books anymore, even to my closest friends; namely, the fact that when I used to loan them out, I never got them back in the same good condition, or, even worse, never got them back at all. Cases in point: three paperbacks from one of my old favorite writers, Texas-born Robert E. Howard. Back in the mid-‘60s, Lancer Books released all of Howard’s Conan the Barbarian stories in a now-classic series of 12 paperbacks,


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The Devil’s Bride: The only Jules de Grandin novel

The Devil’s Bride by Seabury Quinn

Pop Quiz: Which author was the most frequently published in the pages of the legendary pulp magazine Weird Tales? If your answer is the obvious one, H.P. Lovecraft, guess again. Robert E. Howard, C.L. Moore, Henry Kuttner, Edmond Hamilton, Robert Bloch? Still wrong. Surprisingly, the answer is Washington, D.C.-born Seabury Quinn, who, during the 279-issue run of Weird Tales,


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Riders of the Purple Wage: One of the most unique SF texts

Riders of the Purple Wage by Philip Jose Farmer

At the risk of being overly simplistic, Jacque Derrida’s concept of deconstruction/post-structuralism (whichever you want to call it) is at heart the perspective that any ideological paradigm can be picked apart, bone by bone, until the skeleton lies in shambles on the floor. The purpose is not nihilistic in nature; it is intended, rather, to cast a wrench of relativity into such lofty ideals as modernism, and the rigid mindset of structuralism that came in tow. In practice, I have yet to read a science fiction text that deconstructs the Silver Age better than Philip Jose Farmer’s 1967 Riders of the Purple Wage.


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The Cyberiad: The joy of reading

The Cyberiad by Stanislaw Lem

“Mighty King, here is a story, a nest of stories, with cabinets and cupboards, about Trurl the constructor and his wonderfully nonlinear adventures.”

I can think of no better introduction to Stanislaw Lem’s 1967 The Cyberiad (Cyberiada in the original Polish) than the line above taken from the text. Capturing the atmosphere of storytelling, the quirky, entirely singular imagination behind it, and the meta-human perspective suffusing every word, thought, and concept innate to the stories,


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The Coming of the Terrans: A wonderful collection from the “Queen of Space Opera”

The Coming of the Terrans by Leigh Brackett

Just recently, I reviewed The Best of Leigh Brackett, a big, 400+-page affair from Ballantine Books that was first released in 1977. But this collection was not the first to gather the older works of Leigh Brackett, the so-called “Queen of Space Opera” into a nice, compact collection. That honor, it seems, goes to the volume entitled The Coming of the Terrans, which was released by Ace in 1967.


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Why Call Them Back From Heaven?: Cold storage

Why Call Them Back From Heaven? by Clifford D. Simak

Although the concept of cryogenically preserving the bodies of the living had been a trope of Golden Age science fiction from the 1930s and onward, it wasn’t until New Jersey-born Robert Ettinger released his hardheaded book on the subject, 1962’s The Prospect of Immortality, that the idea began to be taken seriously. Ettinger would go on to found the Cryonics Institute in Michigan around 15 years later; over 1,300 folks have subscribed to this facility as of 2015,


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The Man in the Maze: Your attention, please, Mr. Cameron

The Man in the Maze by Robert Silverberg

In one of Robert Silverberg’s novels from 1967, Thorns, the future sci-fi Grand Master presented his readers with one of his most unfortunate characters, Minner Burris. An intrepid space explorer, Burris had been captured by the residents of the planet Manipool, surgically altered and then released. Upon his return to Earth, Burris was grotesque to behold, resulting in one very withdrawn, depressed, reclusive and psychologically warped individual indeed. And a year later, in the author’s even more masterful The Man in the Maze,


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To Open the Sky: Silverberg comes roaring back

To Open the Sky by Robert Silverberg

It shouldn’t come as too great a surprise that future Grand Master Robert Silverberg dedicated 1967’s To Open the Sky to writer/editor Frederik Pohl. It was Pohl, after all, who induced Silverberg to begin writing sci-fi again on a full-time basis, after the author’s “retirement” from the field in 1959. As then-editor of “Galaxy” magazine, Pohl (who helmed the publication from 1961-’69) promised Silverberg a greater freedom in his writing, with fewer of the literary shackles that had restrained the author till then (not that anyone would have ever realized it,


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The Time Hoppers: Headache-free time travel

The Time Hoppers by Robert Silverberg

This longtime sci-fi buff has a confession to make: Some time travel stories leave me with a throbbing headache. Not that I don’t enjoy them, mind you; it’s just that oftentimes, the mind-blowing paradoxes inherent in many of these tales set off what feels like a Mobius strip feedback loop in my brain that makes me want to grab a bottle of Excedrin. Thus, it was with a bit of decided trepidation that I ventured into Robert Silverberg’s The Time Hoppers,


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Those Who Watch: Compulsively readable and quite touching

Those Who Watch by Robert Silverberg

There is a certain aptness in the fact that I penned this review for Robert Silverberg’s Those Who Watch on January 15, 2015. That day, you see, happened to be Silverberg’s 80th birthday, so my most sincere wishes for many more happy and healthy birthdays must go out to the man who has become, over the years, my favorite sci-fi author.

These days, of course, Silverberg is one of the most honored and respected writers in his chosen genre;


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Next SFF Author: Ben Aaronovitch

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