“A well-wrought horror story is a potent thing, lingering in the mind long after the tale has ended,” says Michael Kelly, the editor of Shadows and Tall Trees, in his introductory note to Issue 3. The magazine strives to be one of “quiet, literate horror fiction,” and on the evidence this issue, it succeeds.
The first story in the magazine, “The Elephant Girl” by Nina Allan, is especially powerful. Brigid is a teacher in a primary school with a new student, Jeanie Henderson, who is an exceptionally unattractive child.
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