Mervyn Peake’s magnum opus began in Titus Groan, and continued in Gormenghast, two brilliant (though door-stopping) books that explored the lives of those that exist in a self-contained, self-sufficient edifice known as Gormenghast: a labyrinthine world of towers, mansions, slums, and the corridors that connect them all. It is ruled by ancient and meaningless ritual, something that the titular character of Titus, Seventy-Seventh Earl of Gormenghast, has rejected. In the final passages of Gormenghast,”
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Gentlemen, I concur! (Forgive me for jumping into your convo)
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