Previous SFF Author: Sarah Micklem
(1972- )
China Miéville earned a PhD in international relations from the London School of Economics. His speculative fiction has won numerous awards including the Arthur C. Clarke Award, the British Fantasy Award, and the Locus Award for Best Fantasy Novel. Miéville says that three of his major influencers were Michael Moorcock, Mervyn Peake, and Gene Wolfe. He lives in London.
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An urban fantasy set in London, China Miéville’s debut novel King Rat tells the story of Saul Garamond, the Prince of Rats. Unfortunately for London’s rats, the Pied Piper of Hamelin has recently come to town.
Saul returns home from a camping trip to find his stepfather murdered. Before he knows what’s happening, Saul meets the King of Rats and is inducted into the seedy underbelly of London — an underbelly fit for a king of rats.
Ryan Skardal´s rating: 3 | China Mieville | Stand-Alone | SFF Reviews | no comments |
Perdido Street Station by China Miéville
China Miéville’s Perdido Street Station is the first of three novels set in the Miéville’s Bas-Lag universe. First released in 2000, Perdido Street Station and its sequels have made China Miéville one of the most acclaimed fantasy writers of the 21st century. Perdido Street Station is an outstanding urban fantasy full of unconventional plot twists and the most unlikely of heroes.
Yagharek is a “Garuda,” or a humanoid bird. However,
Ryan Skardal´s rating: 5 | China Mieville | SFF Reviews | 3 comments |
The Scar is the second of China Miéville’s critically acclaimed Bas-Lag novels, which are sometimes called “the anti trilogy” because the books follow different characters and conflicts. Ostensibly, each of the three novels bears some relationship to New Crobuzon, the greatest city in Bas-Lag. Miéville catapulted to fame amongst fantasy readers with his first Bas-Lag book, Perdido Street Station and has done something even more amazing in its sequel, The Scar.
Ryan Skardal´s rating: 4.5 | China Mieville | SFF Reviews | 2 comments |
Iron Council by China Mieville
Iron Council is Miéville’s third book set in his created world. While not really a trilogy as is normally thought of, since each book can stand independent of the others, it’s probably best to have at least read Perdido Street Station since that book gives the most full description of the world’s background — its various races, politics, technologies, magics, economics, etc. In this book, the city of Perdido Street Station is at war both with a vague outside enemy known as the Tesh and with itself,
Bill Capossere´s rating: 4 | China Mieville | SFF Reviews | no comments |
Looking for Jake by China Miéville
Looking for Jake is a collection of short stories by China Miéville, who has emerged as one of the most highly acclaimed fantasy authors of the 21st century. In Looking for Jake, Miéville freely explores whatever ideas take his fancy, without the burden of smoothing everything into a sensible narrative.
Not surprisingly, many of the stories in Looking for Jake therefore have a sort of experimental flavor. For example,
Ryan Skardal´s rating: 3 | China Mieville | Short Fiction | SFF Reviews | no comments |
China Miéville has become known for his genre-defying work, but to some extent many of his novels embrace a specific genre. As much as Iron Council is a western and The City & The City is a police procedural, Un Lun Dun is a young adult urban fantasy. Of course, with Miéville, these sorts of distinctions are usually just amusing starting points before readers revel in genre twists and unusual monsters.
Ryan Skardal and Ray McKenzie´s rating: 3, 3.5 | China Mieville | Stand-Alone, Young Adult | SFF Reviews | 1 comment |
The City & The City by China Miéville
It’s impossible to discuss China Miéville’s The City & The City without discussing its premise. I don’t consider this much of a spoiler, as the reader is pretty fully confronted with the premise about 20-30 pages in, but it is led into with hints here and there so before hitting the premise, I’ll offer a very short summation and recommendation in the next two paragraphs, followed by the full discussion which includes the premise.
Despite the title’s promise of more urban New Weird fantasy along the lines of Perdido Street Station,
Bill Capossere and Marion Deeds´s rating: 4, 5 | China Mieville | BSFA Award, Hugo Award, Stand-Alone, World Fantasy Award | SFF Reviews | no comments |
The City & The City (TV Adaptation)
The City & The City is one of my favorite China Miéville books. I love the conceit of the nested cities, Beszel and Ul Qoma, and I love the voice of our narrator, the smart, world-weary and not-always-so-honest Tyador Borlu.
Amazon Prime offers a four-part adaptation of the book. All four episodes are directed by Tom Shankland, with Tony Grisoni, who was also credited as a writer, as one of the producers.
Marion Deeds´s rating: 3 | China Mieville | Film / TV | SFF Reviews | 10 comments |
China Mieville’s Kraken is a rollicking head-spinning comic novel set in an alternate London where gods and cults and magic are so interwoven into the daily fabric that there is an entire squad in the London police to deal with those elements, and it is that squad which is called in to investigate when the eponymous Kraken is stolen from the Natural History Museum.
They’re not alone in their desire to find out what happened to the giant squid, however, which also happens to be considered a god by many.
Bill Capossere and Marion Deeds´s rating: 4.5 | China Mieville | Stand-Alone | SFF Reviews | 2 comments |
Embassytown by China Miéville
Embassytown, China Miéville’s latest, is a sharply honed science fiction tale of linguistics. Yes, linguistics. And skeptical as one may be, it more than works. Despite its science fiction trappings, I would place Embassytown very close to The City & The City rather than Perdido Street Station and its sequels or Kraken in terms of style. I say that because while the strange alien race,
Bill Capossere, Ryan Skardal and Marion Deeds´s rating: 4, 4.5, 5 | China Mieville | Stand-Alone | SFF Reviews | 8 comments |
You just know there are lots of reasons people might give a pass to China Miéville’s newest novel, Railsea. Some will see the YA or sci-fi/fantasy labels hanging on it and dismiss it out of hand. Others will hear it features a captain obsessed with hunting a giant white moldywarpe that cost her an arm and think “I hate parody/allusion” or “I really hated Moby Dick” or “Boy, I hate books with words like ‘moldywarpe” (or all three).
Bill Capossere and Marion Deeds´s rating: 4.5 | China Mieville | Young Adult | SFF Reviews | 5 comments |
Three Moments of an Explosion by China Miéville
I am, like many, a huge Miéville fan (I’ve lost track of how many of his books I’ve placed on my best-of-year lists). I’m also more of a fan of the long-form rather than the short form, especially in the genre, greatly preferring novels and novellas to short stories. So how, I wondered, would I respond to Three Moments of an Explosion? Would Miéville’s style and deep ideas win out, or would the short story form constrain him, robbing him of some of his tools?
Bill Capossere´s rating: 3.5 | China Mieville | Short Fiction | SFF Reviews | 4 comments |
This Census Taker by China Miéville
This Census Taker is a short novel by China Miéville. It’s almost a novella. The story could be psychological horror, but it’s stranger than that. I just finished rereading some Gene Wolfe, so I may be forgiven for interpreting This Census Taker as “China Miéville does Gene Wolfe.” Even the front flap describes the book as a “poignant and riveting exploration of memory and identity.” Buckle up, people, and keep your head and arms inside the vehicle at all times.
Marion Deeds and Ryan Skardal´s rating: 4 | China Mieville | Horror, Stand-Alone | SFF Reviews | 5 comments |
The Last Days of New Paris by China Miéville
Putting it simply, China Miéville’s The Last Days of New Paris (2016) is a “China Miéville” story. For many readers, that’s sufficient information to begin reading.
But here are some additional details, just in case. The Last Days of New Paris is a novella length alternate history in which the Nazis and the resistance fight to control Paris. Something weird is going on in this timeline: surreal creatures called “manifs” wander the streets of Paris after an S-Blast took the surreal creatures out of the artworks and into the world.
Ryan Skardal and Marion Deeds´s rating: 3.5 | China Mieville | Stand-Alone | SFF Reviews | no comments |
The New Weird by Ann and Jeff VanderMeer
It’s easy to imagine two different readers reacting in opposite ways to The New Weird. One might find it delightfully odd; the other might find it as terrifying as Kafka on LSD. And a third might find it delightfully odd because it’s as terrifying as Kafka on LSD. Certainly, no one is likely to find it boring.
The New Weird is a well-organized anthology, with a short, useful introduction; a section entitled “Stimuli,” containing older selections (though not very old;
Sympathy for the Devil edited by Tim Pratt
Please allow me to introduce Sympathy for the Devil, a fine new anthology filled entirely with short stories about the devil… who is, as we all know, a man of style and taste. However, you won’t just find the smooth-talking stealer of souls here. In addition to that famous version of His Grand Infernal Majesty, you’ll also find funny devils, monstrous devils, abstract devils and strangely realistic ones. Devils scary and not-so-scary, devils who are after children’s souls and others going after old men.
The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff VanderMeer
I haven’t actually read every page of The Weird: A Compendium of Strange and Dark Stories, yet I’m giving it my highest recommendation. Edited by Ann and Jeff VanderMeer, Master and Mistress of Weird, The Weird is 1126 pages long and should really be considered a textbook of weird fiction. It contains 110 carefully chosen stories spanning more than 100 years of weird fiction.
Kat Hooper´s rating: 5 | Abraham Merritt, Caitlín R. Kiernan, China Mieville, Clark Ashton Smith, Clive Barker, Daniel Abraham, Elizabeth Hand, Fritz Leiber, George R.R. Martin, H.P. Lovecraft, Harlan Ellison, Haruki Murakami, Jeff VanderMeer, K.J. Bishop, Kelly Link, Laird Barron, Lisa Tuttle, Liz Williams, Lord Dunsany, Lucius Shepard, M. John Harrison, Margo Lanagan, Mervyn Peake, Michael Chabon, Neil Gaiman, Ray Bradbury, Robert Bloch, Stephen King, Tanith Lee | Short Fiction | SFF Reviews | 1 comment |
The International Conference on the Fantastic in the Arts is an unusual conference. It is largely academic in nature, with scholarly papers offered on the literature, language, and theories of the fantastic (science fiction, fantasy, horror) in all media (television, movies, books, poetry, paintings, games, and just about anything else you can thing of). The papers have titles like “Dialectical Progression in Roman Polanski’s Apartment Trilogy” and “The Inflicted ‘Self’ in Robin McKinley’s Deerskin: Implanted Memories, Fragmented Bodies, and Re-envisioned Identities,” which might make you think that you wandered into a meeting of the Modern Language Association.
Previous SFF Author: Sarah Micklem
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