Next SFF Author: A.M. Stanley

Previous SFF Author: Michael A. Stackpole

Series: Stand-Alone

These are stand alone novels (not part of a series).

Doctors Wear Scarlet: Hated the movie, loved the book

Doctors Wear Scarlet by Simon Raven

The British film Bloodsuckers, from 1970, was easily one of the worst cinematic experiences I’ve sat through in recent memory; a confused and confusing mess of a movie, made even more disappointing for me by dint of the fact that the two lead actors whose participation induced me to watch the film in the first place – namely, Peter Cushing and Patrick Macnee – don’t even appear on screen together once! And yet, I thought, the central premise of the film,

Ghost Drum: A dark and haunting Slavic fairy tale

Ghost Drum by Susan Price

Susan Price is a gifted author, though like Anne Pilling, I suspect her work is just a tad too dark and uncanny to draw in a devoted child fanbase. Truly, she pulls no punches with what she writes for her young audience – here for example, the protagonist is killed when she’s deliberately impaled with a large stake. Though she finds a way to reanimate her body, it’s not before hungry wolves chew off one of her arms. You know,

Facial Justice: Jael Bait

Facial Justice by L.P. Hartley

It was Anthony Burgess, writing in his 1984 overview volume 99 Novels: The Best in English Since 1939, who first made me aware of L.P. Hartley’s truly remarkable creation Facial Justice. In his essay in that volume, Burgess tells us that Hartley’s novel is “a brilliant projection of tendencies already apparent in the post-war British welfare state.” It is one of the very few sci-fi novels that the Clockwork Orange author chose to spotlight in his book,

The Feast of Bacchus: It’s Greek to me

The Feast of Bacchus by Ernest G. Henham

Tenebrae (1898), by the London-born writer Ernest G. Henham, had turned out to be one of my favorite reading experiences of 2023, and I had been wanting to read another book from this same author ever since. A Gothically inflected tale dealing with fratricide, madness, and a 20-foot-long spider monstrosity, Tenebrae was a deliciously morbid treat; one that had been rescued from over a century’s worth of oblivion by the fine folks at Valancourt Books.

Thistlefoot: I can’t wait to read it again

Thistlefoot by GennaRose Nethercott

2023’s Thistlefoot, by GennaRose Nethercott, is one of my favorite reads of 2024. This literary fantasy draws from Jewish and Eastern European folktales, with a concretely modern setting, a gloss of mythic American West (hobos and tumbleweeds), and sentences that sing with poetry.

Isaac Yaga is a street performer and a con artist. He can impersonate almost anyone, and he is always on the run, either from the people whose pockets he’s picked, or from his own guilty memories, accompanied only by a small black cat named Hubcap.

The Glorious Pool: Bottoms up!

The Glorious Pool by Thorne Smith

In Ron Howard’s 1985 film Cocoon, a group of seniors becomes rejuvenated as a result of taking a dip in a swimming pool whose waters had been infused with “life force” by some extraterrestrial visitors. But as it turns out, this was not the first time that some aged adults had discovered a Fountain of Youth of sorts in such a place. Thus, over half a century earlier, we find a similar setup – although with a completely different explanation – in Thorne Smith’s remarkably madcap fantasy The Glorious Pool.

Darkwater Hall: A compelling and thought-provoking story

Darkwater Hall by Catherine Fisher

I must have read this book for the first time over twenty years ago, and though I had forgotten the title, author and much of the story, a few little details stuck with me: the evocative atmosphere it conjured, the central premise that concerned a young girl striking a deal with the devil, and something about a stairwell that ran up and down time.

Then, one day while perusing the library catalogue in search of another book entirely, the cover art for Darkwater Hall (2011) stirred something in my memory.

Weyward: Three women, magic, and a tale elegantly told

Weyward by Emilia Hart

Weyward, by Emilia Hart, (2023), is women’s fiction with magic. The stories of three different women in three different eras wrestling not only with their connection to nature, but with the restrictions and exploitations of society, are captivating, and it’s all delivered with beautiful descriptions and flowing language.

I’m going to go down a rabbit hole here. I recently had to make a long drive (2 ½ hours each way) and used most of that time to chew over why I categorize this as “women’s fiction with magic” rather than “fantasy.” Here’s what I’ve decided;

A Sorceress Comes to Call: A charming love story interrupted with sorcery and murder

A Sorceress Comes to Call by T. Kingfisher

A Sorceress Comes to Call, T. Kingfisher’s most recent 2024 novel, is a magical regency-style romance, with lengthy interruptions by the machinations of a cruel, selfish sorceress, attacks by her demonic familiar, and the occasional murder.

I don’t think I’ve read anything by Kingfisher that I didn’t love, and this book is no different, although the questions I had with this one surfaced while I was reading and not afterward. To focus on what worked best,

One Hundred Shadows: A haunting novella told in simple, spare prose

One Hundred Shadows by Hwang Jungeun (translated by Jung Yewon)

One Hundred Shadows (2024) by Hwan Jungeun (translated by Jung Yewon) is a haunting novella told in simple, spare prose. But don’t let that simplicity, and the surface gentleness of the style, fool you. This is a story that is sharp in its criticism of Korean society (really, capitalist society in general) even as it is tender toward its characters, one that is thoughtful and moving even as it is spartan in its dialogue and language. It’s the kind of book that passes quickly in terms of reading experience but lingers in the mind for some time after you’ve turned the last page.

Next SFF Author: A.M. Stanley

Previous SFF Author: Michael A. Stackpole

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