Series: Horror

The Giallo Films of Edwige Fenech

Born on Christmas Eve 1948 in the town that is now known as Annaba, in coastal Algeria, the daughter of a Maltese father and a Sicilian mother, Edwige Fenech is today regarded as something of a cinematic legend in Europe, although she is still hardly a household word here in the United States. But thanks to the advent of the VHS and DVD revolutions, her popularity and fame have managed to spread even to these American shores. Today, Fenech wears no fewer than two impressive crowns, being known not only as The Queen of the Italian Sex Comedy,

The Vampire directed by Paul Landres

Fairly recently, I had some words to say about the excellent Mexican horror film The Vampire (or, as it was known upon release, El Vampiro), which came out in 1957 and starred Spanish actor German Robles as the Count Lavud, a bloodsucker in the very traditional, uh, vein. This South-of-the-border neck nosher, thus, could turn into a bat, cast no reflection in a mirror, could hypnotize his victims from afar, suffered from crucifixaphobia, spent the day sleeping in a coffin, and could only be killed by a stake through the heart.

Gorgo directed by Eugene Lourie

Although the Russian-born French filmmaker Eugene Lourie has dozens and dozens of credits to his name as a production designer and art director, it is for the three “giant monster” films that he directed in the early ‘50s to early ‘60s that he is probably best remembered today. I have already written here about the first of that trio, The Beast From 20,000 Fathoms (1953), which, thanks largely to the incredible stop-motion special effects provided by Ray Harryhausen, remains to this day my favorite monster movie of all time,

Night Monster directed by Ford Beebe

1941 had been a very good year for the Universal horror film, during which time the studio released Man Made Monster, Horror Island and The Black Cat in the spring, and the eternal glory that is The Wolf Man in early December. And as America geared up for war at the beginning of 1942, the studio continued to crank out impeccably crafted horror films to entertain the masses.

Blood of Dracula directed by Herbert L. Strock

In the memorable cult horror film I Was a Teenage Werewolf, future Bonanza star Michael Landon plays the part of hotheaded adolescent Tony Rivers, who goes to Dr. Alfred Brandon (the ubiquitous Whit Bissell) for help with his temper problems and is turned by the doctor, via a mysterious serum, into the titular monstrosity. Released in July ’57 and written by its producer, Herman Cohen, along with Aben Kandel, the film was such a hit that it induced the team to come out with three more cinematic wonders in a similar vein;

The Nesting directed by Armand Weston

It sits on the crest of a hill overlooking the Hudson River to the west, a mere 18 miles north of NYC … the truly bizarre-looking structure known as the Armour-Stiner Octagon House. Built from 1859 – 1860 in Irvington, NY by financier Paul J. Armour, and expanded from 1872 – ’76 by tea importer Joseph Stiner, the structure is one of the few remaining octagonally shaped Victorian residences in the world; is now the site of a museum that is open for touring by the general public;

Some Horror Films by Ted V. Mikels directed or produced by Ted V. Mikels

It has long seemed to me that Poughkeepsie, NY-born director, producer, screenwriter and novelist Ed Wood has gotten a bum rap over the years. The one-of-a-kind filmmaker has, starting with his very first picture in the early ‘50s, garnered for himself a reputation of the very worst kind, even going so far as to be almost universally regarded as “The Worst Director of All Time.” And indeed, with such films as Glen or Glenda? (’53), Jail Bait (’54),

Nightmare directed by Freddie Francis

1964 was a very good year for Hammer Studios in the UK. On April 19th of that year, remarkably, the studio released two films, The Evil of Frankenstein (the third entry in an ongoing series) and the psychological horror thriller called Nightmare. The following month, the little-seen entry known as The Devil-Ship Pirates was released, and on October 18th, the cinema juggernaut would do it again, by releasing two films on the very same day: The Curse of the Mummy’s Tomb (the second Mummy movie in that series) and a picture that would go on to become a fan favorite,