Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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The Four Skulls Of Jonathan Drake: Headshrinker

The Four Skulls Of Jonathan Drake directed by Edward L. Cahn

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Back in the early 1960s, The Four Skulls of Jonathan Drake (1959) used to be aired quite often on NYC television. But somehow, I managed to miss all those many showings, although my young mind couldn’t help feeling that the film boasted one of the coolest-sounding titles that I’d ever heard. And then, as happened with so many other cheaply made “B” films of the time, it seemed to disappear, and remained virtually impossible to see for many years to come.


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I Bury The Living: Excellent, until that finale

I Bury The Living directed by Albert Band

Featuring a story line worthy of inclusion in the soon-to-premiere Twilight Zone TV show on CBS, 1958’s I Bury the Living would seem to be a natural pick for “sleeper” status, and indeed, the reputation of this minor classic has only grown over the years. Deservedly so? Well, having just watched the film for the first time, I would have to say “yes” and “no.” The film is a surprisingly effective thriller for most of its 76-minute length, but unfortunately – for this viewer,


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Teenage Zombies: Mullet heads

Teenage Zombies directed by Jerry Warren

Despite the advent of Elvis Presley and the birth of rock and roll, the mid-1950s still proved to be a tough time for the American teenager… at least, on the big screen. From the juvenile delinquents in 1955’s The Blackboard Jungle and the angst-ridden James Dean in the same year’s Rebel Without a Cause, to the punks in Roger Corman’s Teenage Doll (1957) and the dopers in 1958’s High School Confidential!, theater goers in the middle of that decade were treated to a variety of troublesome predicaments befalling the nation’s youth.


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It!: Try It, you might like It!

It! directed by Herbert J. Leder

I have a feeling that I wasn’t the only baby-boomer boy to fall in love with the late British actress Jill Haworth after seeing her, over 50 years ago, in her very first film, 1960’s Exodus. Then only 15 years old, Jill – via her sweet portrayal of Karen, a tragically fated Jewish immigrant to the new Israeli state – was certainly an actress to move hearts and garner attention. Over the next few years, that attention was mainly centered on her budding romance with Exodus costar Sal Mineo,


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Isle of the Dead: “Vorvolaka! Vorvolaka!”

Isle of the Dead directed by Mark Robson

The history of the American horror film in the 1940s can practically be summarized with two words: “Universal” and “Lewton.” Throughout that decade, megastudio Universal pleased audiences with a steady stream of films dealing with Frankenstein, the Invisible Man, the Mummy and the Wolfman, culminating with the finest horror comedy ever made, 1948’s Abbott and Costello Meet Frankenstein. Meanwhile, over at RKO, producer Val Lewton was taking a wholly different tack, and between the years 1942 and ’46, brought to the screen no less than nine wonderful,


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The Crater Lake Monster: An amateur effort, but a very skilled one

The Crater Lake Monster directed by William R. Stromberg

My bad, and all that, but for some reason, I had long assumed The Crater Lake Monster was a product of the late 1950s – a black-and-white cousin of such other films dealing with thawed-out critters returning to harass modern man as The Monster That Challenged the World (1957) and The Monster of Piedras Blancas (1959). Of course, I was incorrect in that surmise, and the picture in question turns out to be from the year 1977,


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Film: Night of the Creeps

Night Of The Creeps directed by Fred Dekker

Though something of a highly regarded cult item today, Fred Dekker’s first film, Night of the Creeps, was an unqualified flop when first released in August 1986, only recouping a little more than 1/10 of its $5 million budget. A highly amusing yet genuinely jolting mixture of comedy and horror, the film combined any number of disparate genres – the zombie film, the alien invasion film, the depressed/suicidal cop-seeking-redemption film, the frat house comedy – into one highly satisfying stew, and yet, for some reason,


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The Blood Island Trilogy: Filipino horror cinema at its “best”

The Blood Island Trilogy directed by Eddie Romero

Surely one of the most beloved horror offerings in the history of Filipino cinema, Eddie Romero’s so-called Blood Island trilogy has been flabbergasting audiences for almost half a century now. Here, for your one-stop shopping pleasure, I offer three mini-reviews to help guide you through these remarkable sci-fi/horror outings:

BRIDES OF BLOOD
: Wow, does this flick make for one wild and woolly experience! Brides of Blood (1968), the first adventure in the Blood Island trilogy, must be deemed, along with 1959’s Terror Is a Man,


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The Undying Monster: Film vs. Book

The Undying Monster by Jessie Douglas Kerruish

It was around five years ago that I had the pleasure of watching the 1942 horror thriller The Undying Monster on DVD. I was moderately impressed with the film, enough to write the following:

“B material given A execution” is how film historian Drew Casper describes 20th Century Fox’s first horror movie, 1942’s The Undying Monster, in one of the DVD’s extras, and dang if the man hasn’t described this movie to a T. The film,


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Film Review: Dracula’s Daughter

Dracula’s Daughter directed by Lambert Hillyer

Released a full five years after the classic Universal horror film Dracula, the sequel, Dracula’s Daughter, yet picks up a few scant seconds after the original left off. When we last saw our favorite Transylvanian neck nosher, he was lying dead in his coffin in the crypts beneath Carfax Abbey, a stake impaled in his heart courtesy of the intrepid Prof. Van Helsing (Edward Van Sloan, the only actor who would go on to appear in the sequel). As the latter film commences,


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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