Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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Penny Dreadful, Season 1: Everything you could want from Victorian Gothic Horror

Penny Dreadful: Season 1 by John Logan

If you had told me the premise of Penny Dreadful before I’d seen it, I would have probably rolled my eyes. A collection of famous characters from 19th century Gothic horror novels thrown together into an original plot? Yeah that worked SO well for Hollywood’s The League of Extraordinary Gentlemen and Van Helsing. (Not).

So the fact that Penny Dreadful manages to be compelling, thought-provoking, and genuinely interested in engaging the themes of the books that inspired it is a miracle in itself.


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The Walking Dead: Curtiz directs Karloff for the first and only time

The Walking Dead directed by Michael Curtiz

Offhand, I cannot think of another actor who gave us a more impressive run of films in the horror genre than Boris Karloff did in the 1930s. Starting with the sensation that was 1931’s Frankenstein, Boris continued to appear, year after year, in films for Universal, Columbia and (English studio) Gaumont that are now deemed eternal classics in the genre. In 1935 alone, the so-called “King of Horror” appeared in The Black Room, The Raven, and Bride of Frankenstein,


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Winter’s Tale: A strange experiment that never finds its feet

Winter’s Tale by Akiva Goldsman

I made a point of watching Akiva Goldsman’s Winter’s Tale AFTER reading the book upon which it’s based, knowing that stories are usually considered better on the page than as filmic adaptations. But having completed Mark Helprin‘s novel of the same name, I was left pretty bewildered as to how on earth the transition from book to screen would take place.

The trailers would have you believe that Winter’s Tale is a bittersweet time-travelling love story (perhaps a more fairytale-esque version of The Time Traveller’s Wife),


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The Eye Creatures: DVD can be used as a decorative cocktail coaster

The Eye Creatures directed by Larry Buchanan

Just recently, I wrote some comments on director Larry Buchanan’s abysmal sci-fi outing Zontar, The Thing From Venus (1966), a made-for-TV product that was a scene-for-scene remake of Roger Corman’s infinitely superior It Conquered the World (1956). But Zontar wasn’t the first time that Buchanan had turned a beloved piece of sci-fi shlock into televised dreck. In 1965, he had taken the tacky but enjoyable 1957 film Invasion of the Saucer Men and transformed it,


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Steven Universe: A Feel-Good Show with Well-Drawn Characters

Steven Universe by Rebecca Sugar

Steven Universe, an episodic 11-minute animated television show created by Rebecca Sugar, is one of my new not-guilty-at-all pleasures. It tells the story of young Steven Universe and his friends, the Crystal Gems, humanoid mineral-based aliens. Steven is half-human, half-gem. His dad, Greg Universe, is a car wash owner and aspiring musician. His mom, Rose Quartz, was one of the Crystal Gems until she gave up her physical form to have a child. Steven lives in Beach City with the three remaining Crystal Gems: Garnet, Amethyst,


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The Man in the High Castle: A complex dystopian television series

The Man in the High Castle: A complex dystopian television series

Who would have thought that Philip K. Dick’s 1962 Hugo Winner about the Axis powers winning WWII would be brought to film, and not just as a single movie, but as a big-budget multi-season drama series from Amazon and produced by Ridley Scott. Stranger than fiction, as they say.

I always have two questions for film adaptations: 1) How closely does it follow the book; 2) How good is it as a stand-alone work? In this case,


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Curse of the Faceless Man: Ready for a modern-day excavation

Curse of the Faceless Man directed by Edward L. Cahn

Curse of the Faceless Man was hardly the first film to deal with the eruption of Mt. Vesuvius in A.D. 79 and the subsequent destruction of the city of Pompeii. Indeed, following English author Edward Bulwer-Lytton‘s 1834 novel The Last Days of Pompeii (itself based on a painting by Russian artist Karl Briullov entitled “The Last Day of Pompeii”), no fewer than six versions of the book appeared on film (in 1900, 1908, 1913, 1926,


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A Scanner Darkly: The harsh and trippy 1970s California drug scene

A Scanner Darkly by Philip K. Dick

Whether unjustly or not, no other science fiction author has been as closely linked to the 1960s drug culture — at least in the public eye — as Philip K. Dick … and understandably so. From the San Francisco bar in The World Jones Made (1956) that dispensed pot and heroin, to the Bureau of Psychedelic Research in The Ganymede Takeover (1966); from the amphetamine and LSD use in Ubik (1969) to the afterlife description in A Maze of Death (1970) that Dick mentions was based on one of his own LSD trips;


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Zombie Strippers: A surprisingly fine zombie comedy

Zombie Strippers directed by Jay Lee

Indulge me for a moment, please, as I quote myself from a recent review: “It can be a tricky balancing act, coming up with the perfect film in the genre known as the horror comedy; a picture that is hilariously funny while at the same time being truly scary. And while there is no shortage of films with a decidedly uneven ratio of horror::comedy — such as 1960’s The Little Shop of Horrors, 1974’s Young Frankenstein and 1975’s The Rocky Horror Picture Show — such films usually come off as pure comedies,


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Zontar, The Thing From Venus: Skeet

Zontar, The Thing From Venus directed by Larry Buchanan

The memory of Roger Corman’s lovable shlock classic It Conquered the World (just one of four pictures that Corman came out with in 1956) is pretty fresh with me, since, just four months back, I happened to see this cult item on the big screen. It was playing at NYC’s wonderful Film Forum as part of a double feature, paired with 1957’s I Was a Teenage Werewolf. Filmed on the cheap and clocking in at a scant 68 minutes, It Conquered…,


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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