Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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The Return of Doctor X: Citizen Quesne

The Return of Doctor X directed by Vincent Sherman

As a result of his breakthrough role as Duke Mantee in the 1936 gem The Petrified Forest, Humphrey Bogart made no fewer than 25 films for Warner Brothers over the course of the next four years: five in 1936, seven (!) in 1937, six in 1938 and another whopping seven in 1939! Talk about paying your dues! For the most part, Bogart was second or even third billed — and even lower — in these films, typically playing gangsters but also some very unlikely roles,


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Return of the Fly: “The Thriller-Chiller That Will Really Bug You”…

Return of the Fly directed by Edward Bernds

Sometimes, it’s just NOT a good idea to continue on with your father’s business. Take Philippe Delambre, for instance, in the 1959 sequel to the previous year’s The Fly, the perhaps inevitably titled Return of the Fly. When we last saw Delambre, he was a little boy living near Montreal, aggrieved over his scientist father’s death, a man who had been turned into a humanoid with the head of a giant fly, AND a little insect with the head of a man!


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The Phantom From 10,000 Leagues: More dangerous than your average sea cucumber

The Phantom From 10,000 Leagues directed by Dan Milner

Although I really do try to keep an objective mind when it comes to my cinematic adventures, I must confess that The Phantom From 10,000 Leagues (1955) already had one strike against it, personally speaking, as I sat down to peruse it recently. I mean, how dare this picture rip off the title of one of my favorite films of all time, The Beast From 20,000 Fathoms (1953)? The fact that the esteemed Maltin’s Movie Guide gives Phantom its lowest BOMB rating did not bother me overmuch (the editors there are a notoriously grumpy bunch as regards genre fare),


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The Beast of Hollow Mountain: Bring the tequila

The Beast of Hollow Mountain directed by Edward Nassour & Ismael Rodriguez

King Kong creator Willis O’Brien had a great idea for a film in the mid-’50s: a hybrid Western and giant monster outing that would showcase the best of both genres. Working from O’Brien’s story line, the film was ultimately made, with a script by Robert Hill (who would go on to pen such wonders as She Gods of Shark Reef and Sex Kittens Go to College), a co-production between the U.S. and Mexico, and the result,


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Reptilicus: Blood and tundra

Reptilicus directed by Sidney Pink

I never got to see the 1961 monster outing Reptilicus when I was a child, and so have nothing in the way of nostalgic attachment as regards the film. Thus, when I watched the movie for the first time a few nights back, it was with the cold, hard objectivity of an aging baby-boomer adult. The result was an entertaining evening, but one that would have been infinitely more enjoyable had I been watching within the pleasant aura of a fondly remembered youth. Reptilicus is today perhaps best known as the only giant monster movie to have ever come out of Denmark,


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Sandy’s 2016 Film Year in Review

Anyone who knows me well could tell you that I don’t see a lot of new films. As a matter of fact, of the 143 films that I saw in 2016, only four were new, and 139 were old. Thus, my annual Top 10 Best and Worst lists are necessarily different than most. With me, any film that I saw for the first time in 2016 was eligible for either list. If the film made me laugh, or think, or tear up, or sit suspensefully on the edge of my seat, or amazed me with something that I had not seen before,


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Night Train Murders: Stunning horror, and the darkest Christmas movie ever made

Night Train Murders directed by Aldo Lado

Since watching Wes Craven’s The Last House on the Left (1972) more than 30 years ago, I have abided by my promise to never see this film again, it being truly one of the most repugnant that I’ve ever sat through. And yet, I didn’t as much mind Aldo Lado’s homage/remake/pastiche of three years later, Night Train Murders. As in the original, the film deals with the brutal rape and murder (inadvertent, in the Italian picture) of a pair of college girls by a trio of brutish thugs (in the latter film,


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Deep Red: Gulp down some deep-red Chianti and prepare to be stunned

Deep Red directed by Dario Argento

Following his so-called Animal Trilogy — 1970’s The Bird With the Crystal Plumage and 1971’s The Cat O’Nine Tails and Four Flies on Gray Velvet — and immediately before creating what turned out to be his most popular picture as of this date, 1977’s Suspiria, Italian director Dario Argento released, in March 1975, one of his most critically acclaimed films, Deep Red (or, as it is more sonorously known in Italian, Profondo Rosso). All these decades later,


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Horrors of Malformed Men: Butoh on the Noto

Horrors of Malformed Men directed by Teruo Ishii

Based on the 1926 novel The Strange Tale of Panorama Island by Edogawa Rampo — the so-called Edgar Allan Poe of Japan — as well as at least two Rampo short stories, “The Human Chair” (1925) and “The Walker in the Attic” (also 1925), and also conflating Rampo’s most famous detective character, Kogoro Akechi, the 1969 film Horrors of Malformed Men obviously has a lot of ground to cover. The picture was co-written by its director, genre favorite Teruo Ishii,


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The Skin I Live In: Holy Toledo!

The Skin I Live In directed by Pedro Almodovar

I am probably not the best person to comment on a film by the hugely popular Spanish director Pedro Almodovar. Of the man’s 20 or so films to date, I had only seen precisely one — his seventh, 1988’s Women on the Verge of a Nervous Breakdown, and that many years ago. But that film had struck me as being wildly funny and entertaining, I recall, so it was with great enthusiasm that I popped Almodovar’s 18th offering, The Skin I Live In,


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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