Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


testing

The Invisible Boy: “Boy, what a trip!”

The Invisible Boy directed by Herman Hoffman

If I were to ask a random group of people what their fondest memory is of MGM’s classic 1956 sci-fi film Forbidden Planet, I would, in all likelihood, receive many different responses. For some, it would be that incredible starship, the C-57D, the first faster-than-light craft to be portrayed on film. For others, it would be the ravening Id Monster, snarling and wailing as it comes in contact with a force field barrier. Some other folks would fondly recall the many underground wonders of the dead Krell race that Prof.


Read More




testing

Jessica Jones Season Two: A stuttering start but gets there in the end

Jessica Jones Season Two

Let’s face it, Jessica Jones’ season two was always going to suffer, at least from the outset, in comparison to season one for one simple reason: it was going to be pretty much impossible to come up with anything like the combination of Killgrave and David Tennant — an incredibly compelling villain played by an actor who so wonderfully (if one can use that word) and seductively inhabited that character. And there’s no doubt season two feels that lack of a compelling villain (one fully realizes how large a hole Tennant’s absence creates when he briefly returns in what I’d say was probably the best episode of the season).


Read More




testing

Sandy’s 2017 Film Year in Review

Anyone who knows me well could tell you that I don’t see a lot of new films. As a matter of fact, of the 116 films that I saw in 2017, only 7 were new, and 109 were old. Thus, my annual Top 10 Best and Worst lists are necessarily different than most. With me, any film that I saw for the first time in 2017 was eligible for either list. If the film made me laugh, or think, or tear up, or sit suspensefully on the edge of my seat, or amazed me with something that I had not seen before,


Read More




testing

Between Two Worlds: See it before your own ship sets sail

Between Two Worlds directed by Edward A. Blatt

Featuring a raft of experienced Warner Brothers lead and character actors as well as one up-and-coming future starlet, 1944’s Between Two Worlds reveals itself to be a pleasing supernatural fantasy, indeed, and one that should hold up very well for modern audiences, now almost 75 years since its release. The film was based on the 1923 play Outward Bound by British playwright Sutton Vane, which had been adapted to film once before, as an early-sound vehicle for Leslie Howard, under that original title,


Read More




testing

Stranger Things 2: The world is turning upside down

Stranger Things 2 created by the Duffer Brothers

After its unexpected success last year, Stranger Things became an instant classic and fans have been clamouring for the release of the second series ever since. With its perfect combination of nostalgia, comedy and suspense, the show’s creators, the Duffer Brothers, gave themselves a hell of a first series to follow up. So, did they manage to live up to the hype?

Sequels always present a conundrum: you want to give the fans more of what they want (and know), whilst simultaneously trying to create something new.


Read More




testing

Stranger Things: Scares and swoons, this show has it all

Stranger Things created by the Duffer Brothers

Like The Hunger Games and Star Wars before it, Stranger Things is that rare breed of entertainment which becomes a franchise almost instantly upon release. What’s more, it firmly established Netflix’s media strategy: The Binge. With the days of having to wait a week between episodes firmly over — and at a modest eight episodes long — some people managed to finish the first series in a day. So what winning formula managed to establish such a die-hard legion of fans?


Read More




testing

The Omen trilogy: Devilish good fun

The Omen trilogy directed by Richard Donner, Don Taylor, Graham Baker

This viewer was a tad late in coming to the whole Omen phenomenon … a good 30 years late, actually. But I have since eagerly made up for lost time and taken in the entire trilogy of films dealing with filmdom’s favorite little Antichrist, and here, in these three short reviews, offer up some comments as to how they struck me. Consider this your one-stop shopping resource for all things Damien! And HAPPY HALLOWEEN to one and all!

The Omen: By the time I finally got around to watching it,


Read More




testing

Devil’s Possessed: The Gilles man

Devil’s Possessed directed by Leon Klimovsky

The real-life historical figure Gilles de Rais apparently inspired Paul Naschy — the so-called “Boris Karloff of Spain” — to create two of his greatest characters. de Rais, a 15th century French knight who fought alongside Joan of Arc and later became an aspiring alchemist, Satanist and serial child killer, first prompted Naschy to come up with the necromancer/Satanist character Alaric de Marnac for his 1973 classic Horror Rises From the Tomb. Though beheaded in 1454, de Marnac (played by Naschy himself) returned to cause major-league mishegas 520 years later in the film,


Read More




testing

Satan’s Wife: Dirty demon daughter

Satan’s Wife directed by Pier Carpi

Those viewers who believe Patty McCormack’s Rhoda Penmark character, in the 1956 classic The Bad Seed, to be the nastiest, most diabolical little girl ever shown on film might change their mind after seeing the 1979 Italian offering Satan’s Wife. This latter picture was originally released under the title Un’ombra nell’ombra, or Ring of Darkness, but for once, I prefer the American appellation, as it is both more memorable and more suitably descriptive. An engrossing though hardly essential example of Eurohorror,


Read More




testing

Graveyard of Horror: Plenty of atmosphere and weirdness

Graveyard of Horror directed by Miguel Madrid

There is a world of difference in what Spanish filmmakers could get away with before the death of Generalissimo Francisco Franco in 1975, and what they could get away with after the subsequent introduction of the infamous “S” rating (denoting sex and violence) two years later. A pair of Spanish films that this viewer recently watched has served to demonstrate these differences very clearly. The 1977 film Satan’s Blood is replete with nudity (both topless and full frontal), orgies, rape sequences, beheadings and other gory carnage (as I have written elsewhere,


Read More




Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

We have reviewed 8493 fantasy, science fiction, and horror books, audiobooks, magazines, comics, and films.

Subscribe to all posts:

Support FanLit

Want to help us defray the cost of domains, hosting, software, and postage for giveaways? Donate here:


You can support FanLit (for free) by using these links when you shop at Amazon:

US          UK         CANADA

Or, in the US, simply click the book covers we show. We receive referral fees for all purchases (not just books). This has no impact on the price and we can't see what you buy. This is how we pay for hosting and postage for our GIVEAWAYS. Thank you for your support!
Try Audible for Free

Recent Discussion:

  1. If the state of the arts puzzles you, and you wonder why so many novels are "retellings" and formulaic rework,…

  2. Marion Deeds