Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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The Red Turtle: Like nothing you’ve seen before

The Red Turtle by Michael Dudok De Wit

Have you ever felt completely hypnotised by a movie? That was how I felt watching The Red Turtle, a story of — quite simply — survival and love. From the moment it started from until the second the credits rolled, I was fixated on the images unfolding in front of me: a man that washes up on a deserted island, his explorations of the beach and interior, his miraculous meeting with a mysterious woman, and the life they lead together, utterly cut off from all civilization (if you’re wondering where a red turtle fits into all this,


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Happy Death Day: Unexpectedly fun

Happy Death Day by Christopher Landon

Since Groundhog Day came out in 1993, the premise of a single person being forced to live the same day over and over again has been adapted for the science fiction (Edge of Tomorrow), thriller (Run Lola Run), and psychological horror (Salvage) genres, with even television episodes from Charmed, The X-Files and Xena: Warrior Princess getting in on the act.

Happy Death Day passes the idea over the slasher genre,


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Coco: Another visual feast from Pixar

Coco by Lee Unkrich & Adrian Molina

When you settle down to watch a Pixar movie, you know you’re in for a treat. But as it happens, I finished Coco with rather mixed feelings. It ticked all the boxes of what we’ve come to expect from Pixar: a fascinating and inventive original premise, loveable characters, plenty of humour, at least one surprising plot-twist, and visuals that seem to glow with colour (especially in this film!) And yet Coco treads a lot of familiar ground when it’s compared not only to other the rest of the Pixar repertoire,


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Star Wars Rebels: Season 1: A new chapter in the STAR WARS saga

Star Wars Rebels: Season 1 by Dave Filoni, Simon Kinberg & Greg Weisman

This show has been on my radar for a while, and I’m glad I finally found the time to settle down and binge the first fifteen episodes of the first season. As a follow-up to The Clone Wars (2008 – 2014) and a bridge between the prequel and original trilogies, Star Wars Rebels also holds the distinction of being the first STAR WARS project to be released after Disney’s procurement of the franchise.

Would it match the maturity and relative darkness of the preceding animated series?


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Sandy’s 2018 Film Year in Review

Anyone who knows me well could tell you that I don’t see a lot of new films. As a matter of fact, of the 80 films that I saw in 2018 (a paltry total for me … maybe I’ve been reading too much?), only eight were new, and 72 were old. Thus, my annual Top 10 Best and 5 Worst lists are necessarily different than most. With me, any film that I saw for the first time in 2018 was eligible for either list. If the film made me laugh, or think, or tear up, or sit suspensefully on the edge of my seat,


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Nightflyers: Mystery and horror aboard a haunted spaceship

Reposting to include Marion’s review of the new SYFY channel adaptation of Nightflyers. You can find it below our reviews of the novella.

Nightflyers by George R.R. Martin

Nightflyers was first published in 1980, won the Locus Award for best novella, and was nominated for a Hugo Award. It was made into an unsuccessful film in 1987. It’s recently been on people’s radars due to the upcoming SYFY series based on the novella. You can purchase it in several new (2018) formats including an illustrated edition,


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Some Must Watch: Book vs. film

Some Must Watch by Ethel Lina White

There is a word that film buffs like to use to describe a type of motion picture that, because of its tautness and high suspense quotient, almost seems as if it had been directed by the so-called “Master of Suspense” himself, Alfred Hitchcock. The word, naturally enough, is “Hitchcockian,” a term that might be fairly applied to such wonderful entertainments as Gaslight (both the 1940 and ’44 versions), Charade, The Prize and Arabesque. But of all the pictures that have been honored with the adjective “Hitchcockian” over the years,


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Psycho: The modern horror era begins

Psycho directed by Alfred Hitchcock

It is not every filmmaker who can manage the difficult trick of coming up with four consecutive masterpieces, but that is just what British director Alfred Hitchcock was able to do as the late 1950s segued into the ’60s. His 1958 offering, Vertigo, took time to find its audience but today is recognized by the British Film Institute’s Sight and Sound magazine as the single greatest motion picture ever made; 1959’s North by Northwest is surely one of the all-time great entertainments;


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Henry: Portrait of a Serial Killer: Pretty potent stuff

Henry: Portrait of a Serial Killer directed by John McNaughton

Loosely based on the real-life exploits of serial killer Henry Lee Lucas, who confessed to the slayings of over 600 people but who was ultimately convicted in the homicide of a “mere” 11, Henry: Portrait of a Serial Killer changes some of the established facts around, yet remains a very strong experience for the viewer. As revealed on a certain Wiki site, the film was shot in just four weeks in 1986, at a cost of around $110,000, but was not released until four years later.


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The Happening: Respectful awe

The Happening directed by M. Night Shyamalan

Following the inanity of the borderline train wreck that was 2006’s Lady in the Water, writer/producer/director M. Night Shyamalan rebounded in a very big way with his next film, 2008’s The Happening. His contribution to the type of eco-horror film that was all the rage in the 1960s and ’70s — I’m thinking of such films as 1963’s The Birds, 1972’s Frogs, 1977’s Kingdom of the Spiders and 1978’s The Swarm


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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