Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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Innocent Blood: Add Marie to the Pantheon!

Innocent Blood directed by John Landis

It strikes me that your garden-variety vampires, as depicted on the big screen, usually have very few scruples as regards their diet of necessity, and the victims that they utilize to assuage those nutritional needs. Typically, vampires are shown sucking on the necks of any likely victim to come along … especially when that victim might be an especially lovely and, um, toothsome female. Ethical considerations and qualms of remorse hardly ever figure with these conscienceless creatures of the night. Thus, offhand, I cannot recall another vampire in cinema history who has chosen his or her prospective victims utilizing such clearly defined moral guidelines,


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The Thing: One of the few remakes that I prefer over the original

The Thing directed by John Carpenter

It is a debate that my buddy Jack and I have been having for decades now: Which is the better version of The Thing? The original classic from 1951, actually entitled The Thing From Another World and directed by Christian Nyby (and, it is conjectured, Howard Hawks), OR the 1982 remake directed by John Carpenter? People who know me, and of my love for all things pertaining to 1950s sci-fi, as well as my dislike of unnecessary remakes, will perhaps be surprised to learn that I have always been the champion of the latter film.


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The Amityville Horror: An ubercreepy mixed bag

It’s Shocktober! As is our custom, Sandy will be providing a horror review every weekday morning.

The Amityville Horror directed by Stuart Rosenberg

I pass through it every time I take the Long Island Railroad to visit friends in Lindenhurst … the town of Amityville, which lies between the stops for Massapequa Park and Copiague, 66 minutes from Manhattan’s Penn Station. It is a charming little suburban town of some 10,000 people, with beautiful private homes and much greenery. But ever since 1974, the word “Amityville” has also been synonymous with one thing: horror.


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Lucifer: The Series

Giveaway:  One commenter with a USA mailing address will get a copy of The Twisted Ones by T. Kingfisher.

Lucifer the series currently runs on Netflix, with the 5th season starting up in August. The show began its life on Fox in 2016, with a dark-haired Welsh actor named Tom Ellis in the title role. (“Dark-haired? But that’s not canon!” say the comic book readers. Trust me. Go with it.)

Readers of  Neil Gaiman’s Sandman met Lucifer when Dream journeyed to Hell to retrieve one of his three totems.


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The City & The City: Dumbing down & Fridging hamper this adaptation

The City & The City (TV Adaptation)

The City & The City is one of my favorite China Miéville books. I love the conceit of the nested cities, Beszel and Ul Qoma, and I love the voice of our narrator, the smart, world-weary and not-always-so-honest Tyador Borlu.

Amazon Prime offers a four-part adaptation of the book. All four episodes are directed by Tom Shankland, with Tony Grisoni, who was also credited as a writer, as one of the producers.


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Goke, Body Snatcher From Hell: How do you say “fun stuff” in Japanese?

Goke, Body Snatcher From Hell directed by Hajime Sato

On the first day of August 1968, Toho Studios in Japan released a film that would go on to be embraced by generations of monster-movie lovers around the world. That film was Destroy All Monsters, and was of particular interest to “kaiju-eiga” fans around the world by dint of the fact that it featured no fewer than 11 famous creatures in one mad monster mash-up, including Godzilla, Mothra, Rodan and King Ghidorah. Destroy All Monsters has today been accorded the Criterion DVD treatment,


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The Uninvited: Book vs. film

The Uninvited by Dorothy Macardle

Although 1944’s The Uninvited has long been one of this viewer’s favorite spooky movies of that great filmmaking decade, it wasn’t until fairly recently that I learned of the special place it holds in cinema history. The film, apparently, was the very first Hollywood product to treat ghosts seriously. Here, at last, the specters on display were not hoaxes, not fakes, and not played for laughs. Rather, they were completely legit; supernatural survivors with unfinished business here on the material plane. Featuring first-rate acting by a cast of pros,


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Evil on CBS

I didn’t think I was going to watch Evil until I saw that it starred not only Mike Colter (Luke Cage, The Defenders) but Michael Emerson (Person of Interest, Lost). That casting made me think I’d give it a try. It’s not my favorite kind of story, and it’s on a network that tends to produce mainstream programming that is predictably black-and-white, with a lot of protagonist-centered morality (if our heroes want to do it, then it must be okay). Blue Bloods and all the iterations of NCIS come immediately to mind.


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Snow Girl and the Dark Crystal: A flawed but fun wuxia-fantasy…

Snow Girl and the Dark Crystal directed by Peter Pau

I always enjoy a good wuxia-fantasy, and Snow Girl and the Dark Crystal ticks the expected boxes of the genre: noble warriors, beautiful maidens, impressive stunt-work, a twisty-turny plot — but despite its length, it doesn’t quite have the emotional heft it should have.

The city of Hun is ruled by the lesser god Zhang Diaoxian, who protects its people from the demons of Hell by turning a simple scholar called Zhong Kui into a mighty demon-slayer. The two of them have kept Hell’s demons at bay for many years,


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The Monster and the Girl: A flabbergasting mix of film genres

Happy Halloween!

The Monster and the Girl directed by Stuart Heisler

I suppose that I owe director John Landis a huge debt of thanks, as he was the one who first introduced me to the movie in question, The Monster and the Girl … a film that I may very well have never heard of, without his knowledgeable guidance. As the TCM guest programmer one evening recently, Landis — himself the director of one of the truly great modern-day horror films, An American Werewolf in London — told host Ben Mankiewicz that he had selected the 1941 film because he found it to be totally unique,


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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