Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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Black Widow: Enjoyable, but not the best entry in the MCU

Black Widow directed by Cate Shortland

Black Widow is an almost always entertaining and often exciting film, though it has its issues. And while they’re the kind of problems that you have to think about a little, making it easy to glide by them amidst the witty banter and multiple explosions, they do lead to a sense that the movie missed some opportunities and thus prevent it from staking its place in the top tier of Marvel films (some minor spoilers to come).

The movie opens two decades ago with an absolutely great first scene that shifts from classic suburban domestic bliss to violence and terror,


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The Tomorrow War: Fails at nearly every level

The Tomorrow War directed by Chris McKay

There’s really no way to sugarcoat this. The Tomorrow War is one of the worst movies I have seen in years, in or out of genre. Outside of some likable performances, the film fails at nearly every level: premise, look, pace, plot, and dialogue (so of course, a sequel is already on tap). I’d say it was a waste of two-plus hours, save that it was so bad that we ended up fast-forwarding through whole chunks once we realized we somehow had over an hour left,


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The Twilight Zone: One of the finest anthology series of all time

The Twilight Zone created by Rod Serling

Viewers who tuned in to CBS at 10 PM on October 2, 1959, a Friday, to try out the brand-new show with the unusual title The Twilight Zone could have had little idea that the program they were about to watch would soon develop into one of the legendary glories of 1960s television. Today, of course, The Twilight Zone needs no introduction. For most of us — at least, for those of us younger than 65 years old — it is a show that has always been with us,


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The Fugitive: One of the finest dramas of all time

The Fugitive

Viewers who tuned in to ABC at 10 PM on Sept. 17, 1963, a Tuesday, to try out the brand-new show entitled The Fugitive could have no idea that the program they were about to watch would soon develop into one of the true glories of 1960s television. Today, of course, The Fugitive needs no introduction, and you hardly need me to tell you of what a quality and timeless entertainment it remains to this day. Its story line has since become something of a classic,


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Lovecraft Country: Book and TV show

One commenter with a USA mailing address will get a trade paperback edition of Lovecraft Country.

I watched Season One of HBO’s adaptation of Lovecraft Country before I read Matt Ruff’s original novel-in-stories. I liked each of them, for different reasons. I will be comparing and contrasting here.

Ruff’s book came out in 2016. It embraces and honors the pulp era of speculative fiction, especially short fiction, especially the weird (the title is a clue). Ruff wanted one important difference from the weird fiction and comic books of the 1950s—he wanted Black main characters.


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Benighted: Book vs. film

Benighted by J.B. Priestley

While growing up in the 1960s, I used to love whenever one of the local TV channels would show one of British director James Whale’s Big 3 horror movies, all from Universal Studios: Frankenstein (1931), The Invisible Man (1933) and, perhaps best of all, the eternal glory that is Bride of Frankenstein (1935). What I was unaware of back then was the fact that there was a fourth Universal horror film directed by Whale, and that bit of youthful ignorance was not entirely my fault.


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Abel Salazar Triple Feature: Three doozies from south of the border

Abel Salazar Triple Feature directed by Chano Urueta and Rafael Baledon

Are you ready to settle in with an absolutely dynamite and horrifying triple feature one weekend this autumnal season? Well, then, have I got a doozie for you! These three terror treats from south of the border, all made in the early 1960s, may come as a stunning surprise for the jaded horror viewer who thinks he/she has seen it all. The Mexican filmmakers in the late ‘50s and early ‘60s were enjoying a kind of Golden Age, certainly as regards as the horror film,


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The Devil’s Hand: The Hole shebang

The Devil’s Hand directed by William J. Hole, Jr.

In the 1943 film The Seventh Victim, just one of nine brilliant horror films produced by Val Lewton for RKO that decade, a character played by Kim Hunter comes to NYC to look for her missing sister, and discovers that that sister has joined a secretive, devil-worshipping cult in the heart of Greenwich Village. It is a superior horror outing, as are all the other Lewton horror outings, featuring wonderful acting, a sharp and compact script, and – typical for these Lewton affairs – a deliciously eerie atmosphere throughout.


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The Robot vs. The Aztec Mummy: Diez perfecto on the fun scale

The Robot vs. The Aztec Mummy directed by Rafael Portillo

It was at NYC’s legendary Thalia Theater on W. 95th St. in Manhattan where I first saw the Mexican wonder known as The Wrestling Women vs. the Aztec Mummy (1964), paired with the Ed Wood-scripted The Bride and the Beast (1958) to make for one truly mind-boggling double feature. Ah, what a great theater that was! OK, time for Tales From My Misspent Youth, chapter 135: The Thalia, back when (I’m talking about the late ‘70s/very early ‘80s here), was a wonderful place to see a double feature of this sort,


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Wolfen: There goes the neighborhood…

Wolfen directed by Michael Wadleigh

I well remember loving Whitley Strieber’s 1978 novel The Wolfen, back when it was first released. The book was atmospheric as could be and managed to do something that all good horror novels of its ilk should do: make the reader believe in the possibility of the supernatural. The book was most assuredly unsettling, and one that this reader has not forgotten, even 40+ years after experiencing it. But despite my love of that book, somehow, I never got around to seeing the film that was made from it,


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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