Tigana by Guy Gavriel Kay
It is difficult to summarize the plot, for so much of the story unfolds organically — indeed, as a near-perfect tainflower — that one fears to spoil the pleasure of becoming swept up in the narrative. That said, the tale concerns the Palm, a mythic penninsula reminiscent of Italy, a land divided between two wizard-conquerors. One conqueror has utterly blighted the province of Lower Corte with an undreamt-of dark magic. (Take a fresh look at the map of the Palm mid-way through, and you will grasp the immensity of the spell!) A handful of refugees must undo the spell… yet if the one wizard falls, the other will irrevocably gain control of the Palm, leaving the deadly choice: the breaking of the spell, interminable conquest… or, perhaps, perhaps, the smallest gleam of freedom.
Guy Gavriel Kay’s writing flows well, as always, fresh and lyrical and soaked with human understanding. The first chapter is a work of genius for its perspective on the heroes’ way of building toward their goal, as is the surprising revelation in the climax, and — perhaps most of all — the heart-tingling last paragraph. (Wait!) The only flaw is Baerd’s strange, protracted battle with the Night-walkers (a touch cliched), and (just perhaps) a touch of gratuitous eroticism in Castle Borso. Even so, these flaws are minor and only faintly detract from the beauty of the whole.
“Tigana, may the memory of you be like a blade in my soul!” (And may GGK’s work receive its just recognition).
~Rob Rhodes
Nobody remembers Tigana — a land bright with beauty, culture, and wealth — nobody but those who lived there before the land was cursed by the conqueror Brandin of Ygrath after the prince of Tigana killed Brandin’s son in battle. When the now-oppressed Tiganese try to tell outsiders about Tigana, the name just slips out of the listener’s mind. Only those born in the land are able to keep its beautiful name in memory.
But the prince of Tigana’s son still lives and he and his companions plan to restore their land’s name. But, not only must they kill Brandin of Ygrath, but also Alberico of Barbadior, who rules the other half of their peninsula. Otherwise, they will merely be consumed by a different tyrant.
I was entranced by Tigana right from the first page. What I noticed immediately was the passion — this is a story lovingly wrought by an author who loves language, loves his characters, and loves the world he’s created. Guy Gavriel Kay’s prose is heavy (sometimes too heavy) with imagery and emotion yet it reads, for the most part, easily (except for the occasional unexpected shift in point-of-view).
Kay’s characters are distinct, well-developed, and likable. The prince’s companions are a diverse group, each with his/her own personality, strengths, and weaknesses. The actions and motives of the villains are completely understandable — in fact, I felt sympathetic toward them.
The story of the struggle to free Tigana was fascinating. There were some slightly unbelievable or contrived plot devices, but the rest of the story was excellent enough that I was perfectly happy to overlook them. The end was surprising and bittersweet.
I listened to most of Tigana on audio (and read some it in print). Simon Vance is the reader, and he is one of the very best. If you’re an audiobook listener, I’d definitely suggest that format for Tigana. But, either way, Tigana is a must-read.
~Kat Hooper
Kay is one of those authors who has been hovering in my peripherals for a few years now. I hear nothing but great things about him, but for some reason I’m still hesitant to give him a try. Maybe it’s because at my core I guess I’m still a heroic adventure type reader and just not sure I’ll get Kay.
Greg, Tigana could definitely qualify as heroic adventure!
Did a re-read for the first time in a long time on this one, and I still really really like it…but Dianora’s tale falls flat for me now. I know it’s supposed to be epically tragic and lend an additional Shakespearean air to to the whole proceedings and ensure that the triumphs are as shot through with sadness as possible, but it just doesn’t fit. You could leave out basically all of her story, just drop in the news of Ygrathians in faster, other ways and still get the job done.
Beyond that, a more modern perspective of things like PTSD and Stockholm Syndrome and abuse rips a lot of the romance that’s supposed to be found in her story. I wonder if Kay would have written it that way today.
Interesting question, Josh! It’s been so long since I read this. Time for a re-read.