The Allure of the Multiverse: Extra Dimensions, Other Worlds, and Parallel Universes by Paul Halpern
The Allure of the Multiverse by Paul Halpern delves into the scientific history of the theory that seems to have taken over pop culture. Admittedly difficult at time thanks to the relatively esoteric nature of some of the theories such as string theory or M-brane theory, and also perhaps a bit mistitled, it remains a mostly clear exploration of 20th and 21st century physics.
The book opens with what might come as a surprise to some readers who have steeped in the multiverse concept via film, TV, and books for some time now: the theory is far from universally accepted by scientists thanks to “the stark disadvantage of a lack of direct detectability.” Scientists prefer theories that can be tested, and so, as Halpern puts it, while “many theorists are willing to accept unobservable components … if it supports a promising way of explaining the basic facts of the reality we experience … there is a wide range of opinions and tastes about how seriously to take multiverse schemes.” Halpern’s own stance is to “remain cautiously open-minded about various multiverse schemes — rather than dismissing them outright,” pointing out how “what is fringe sometimes slips into vogue”, such as the concept of the fourth dimension which was once considered mystical nonsense and now is “standardly applied” in space-time calculations.
From there it’s a relatively deep dive into classical physics, particle physics and the weird world of quantum physics, with all the usual stop-offs at Newton, Einstein, Schrödinger’s Cat, the Standard Model, Bohr, Heisenberg’s Uncertainty Principle, the Big Bang, Hawking, String theory, black holes, the Higgs boson, and more. Halpern methodically lays out the questions all these are supposed to answer, then more importantly for the book’s subject, all the questions they don’t answer, which leads to the origination of Hugh Everett’s Many Worlds Interpretation, one of several multiverse theories.
One of the better elements of the book is in fact how Halpern makes clear there is more than one way to skin Schrödinger’s Cat and get to the multiverse: there’s Everett’s theory, the argument that in an infinite universe filled with finite material it’s inevitable to have multiple Earths, the theory of eternal inflation (meant to explain things like the uniformity of the observable universe), and even Nietzsche’s concept of a never-ending cycle of repeating lives and events. Another point I appreciated was how he made clear that the pop culture view of Everett’s theory doesn’t actually align with the actuality of the theory, which is far more prosaic than the idea that every decision creates another “you” out there somewhere. As Halpern notes, “the MWI would not produce dueling Kirks, bearded versus clean-shaven Spocks … battling Lokis … Rather it might distinguish between near-identical versions of a scientist witnessing one type of blip versus another type of blip.” Hardly “Avengers Assemble!”
For the most part Halpern does a good job of making this all understandable, employing the usual tools of popular science: analogy, metaphor, and of course clear, easy-to-follow language and syntax. That said, it does at times get a little hard to follow, as with this passage:
The Randall-Sundrum model attempts to resolve the cosmological constant problem by adding a large positive value to a slightly smaller negative value to produce a tiny positive value for the overall cosmological constant. The large positive value is the vacuum energy of our brane due to the baseline of quantum interactions in the Standard Model. The slightly smaller negative value is the negative cosmological constant of the higher dimensional anti-de Sitter space in which our brane resides.
The reality of course is these are abstruse concepts and lots of times writers will go too far in oversimplifying them. So this is less a criticism than simply an observation that readers may face some difficulties. That said, passages like this one are rare; for the most part the book simply requires some readerly attention.
A bit more of a criticism is the titling, which I’d say implies a more far-ranging, in-depth exploration of the multiverse in pop culture than what we get, which is mostly limited to a single chapter. So those coming for that book may be a bit disappointed. But as an exploration of modern-day physics, Halpern more than satisfies.
I wonder how much the Many Worlds Interpretation of quantum theory relates to the concept of “parallel worlds” in science fiction, which I remember first encountering in Flash comic books back in the early 1960s. Those were described as being universes “alongside our own” existing at different “vibrational states” which Flash, with his super-speed power could travel between by vibrating his whole body at the correct speed. Some other parallel worlds got described in terms of being alternate histories (for instance, Andre Norton’s Star Gate), but I’m not sure if there was any lineage of those concepts that predated MWI but included the influence of that after it was formulated. Travel to different “dimensions” was also described, although what a dimension meant in that context is not clear to me now. Seemingly they weren’t talking about traveling between length and depth, as in dimensions of a solid, or anything like that. Maybe a historian of science fiction could say what the first occurrence of this general idea was in the genre.
Multiple dimensions did appear before the multiverse concept in the idea of a mysterious “4th dimension” during the spiritualist movement. Then you had Einstein throwing time in there as a 4th dimension. I remember those Flash stories, as well as other comic ones like Marvel’s Null Zone and the Crossroads of Infinity as well as Superman’s Phantom Zone (actually have a section of an essay about my early exposure to the multiverse concept via comic books). This book gets a little into sci fi early concepts, including Flatland and alternate histories and others, but not as much as I’d hoped/expected. I’d love to see a more full exploration focused on the concept in sci fi
The Encyclopedia of Science Fiction mentions “Another World” by J.-H. Rosny aîné as a 19th century story that resembles a parallel worlds tale (this is under their “Parallel Worlds” entry). Also two H. G. Wells stories from the late 19th century. And it compares the idea to older folk tales about humans visiting (or getting kidnapped into) the realm of Faerie, an existing world that is only accessible to us at certain times and in certain places. So I guess MWI, when it came along, just provided another way of generating an otherworld (or multiplicity of otherworlds) for authors to use in their fantasies.
I’ll check out that Rosny story. Faerie is an interesting concept as a parallel world.
I think Dr. Sheldon Cooper might enjoy this book…. :)
😁