Cast No Shadow: Good premise but weak execution

Cast No Shadow, written by Nick Tapalansky and illustrated by Anissa EspinosaCast No Shadow by Nick Tapalansky & Anissa Espinosa

Cast No Shadow, written by Nick Tapalansky and illustrated by Anissa EspinosaCast No Shadow, written by Nick Tapalansky and illustrated by Anissa Espinosa, is a mostly muddled graphic story that mixes the paranormal, teen romance/angst, and coming of age in a blend that never really coheres.

Greg Shepard is a boy born without a shadow in a small town whose mayor regularly tries to rejuvenate the town via a string of cheap tourist-trap draws (The World’s Biggest fill-in-the-blank). Being without a shadow is the least of his issues though:  his mother died when he was young, his father has a new girlfriend (Ruth) whom Greg refuses to engage with, he’s regularly annoyed by the mayor’s son, and adding insult to injury, his best friend Layla is dating said annoyance. When he and Layla visit the town’s abandoned and decrepit mansion, Greg meets Eleanor, the ghost of a former resident whom only Greg can see, and who is trapped in the house she haunts. As some of Greg’s life spirals into more misery and some is brightened by the budding romance with a dead girl, his missing shadow suddenly appears as a chaotic, destructive force acting out Greg’s darker feelings/impulses.

As I wrote the summary I realized that I was thinking this sounds pretty good. Unfortunately, it’s in the execution, not the premise, that things fall short. The lack of Greg’s shadow is important for its later arrival, but the absence is mostly oddly unremarked upon otherwise. I’m never a fan of insta-love, and that problem is exacerbated when half the love is dead. The shadow as unrestrained id is a nice idea, but it’s never clear why it appears now and it becomes far too cartoony too quickly. Other elements also happen too fast or with little explanation—Greg’s changing relationship with his stepmother, Layla’s with the stereotypical annoying jock, everyone sort of just nodding along with the “oh, a crazy giant dangerous shadow is wreaking havoc on all of us” concept, and more. There’s little development and little fluidity and too many characters are presented too flatly. An added narration and clunky start don’t help with regard to clarity or flow.

On the positive side, there is a strong sense of emotionality in places, such as Greg’s sense of loss with his mother’s death, but this subtle, poignant note is outweighed by the more cartoonish aspects. Another plus is the diversity of ethnicity and body type, conveyed clearly by Espinosa’s simple black and white art. Otherwise the art was hit and miss for me, at times I quite liked its soft edges and greyscale tone and other times my reaction was less positive, though I’d say art appreciation in graphics is more subjective than story/text, so I’ll leave readers to look at the images and decide for themselves.  Although Cast No Shadow has its positive elements as noted, they’re unfortunately outweighed by the negatives, making it a non-recommendation from me.

Published October 10, 2017. Greg has lived in Lancaster his whole life. The town’s always had its quirks, and being born without a shadow means he’s counted among them. When Greg discovers an old mansion in the woods just outside of town, he didn’t expect to meet a smart, beautiful, funny, and…very dead teenaged girl named Eleanor. Yeah. He’s in love with a ghost. And before he knows what’s happening, Greg finds himself at the wrong end of a history lesson when the town’s past, and his own, threaten to pull the two of them apart permanently! From acclaimed comics writer Nick Tapalansky and phenomenal newcomer artist Anissa Espinosa, Cast No Shadow is a teen romance with humor and heart.

FOLLOW:  Facebooktwitterrssmail  SHARE:  Facebooktwitterredditpinteresttumblrmail
If you plan to buy this book, you can support FanLit by clicking on the book cover above and buying it (and anything else) at Amazon. It costs you nothing extra, but Amazon pays us a small referral fee. Click any book cover or this link. We use this income to keep the site running. It pays for website hosting, postage for giveaways, and bookmarks and t-shirts. Thank you!
You can subscribe to our posts via email, email digest, browser notifications, Twitter, RSS, etc. You can filter by tag (e.g. Giveaway), keyword, author. We won't give your email address to anyone. Subscribe.

BILL CAPOSSERE, who's been with us since June 2007, lives in Rochester NY, where he is an English adjunct by day and a writer by night. His essays and stories have appeared in Colorado Review, Rosebud, Alaska Quarterly, and other literary journals, along with a few anthologies, and been recognized in the "Notable Essays" section of Best American Essays. His children's work has appeared in several magazines, while his plays have been given stage readings at GEVA Theatre and Bristol Valley Playhouse. When he's not writing, reading, reviewing, or teaching, he can usually be found with his wife and son on the frisbee golf course or the ultimate frisbee field.

View all posts by

3 comments

  1. It seems like a wannabe tourist trap would jump all over a local resident who doesn’t cast a shadow. “Home of the Shadowless Boy!” Right?

  2. I’ve had a couple of reviewer friends specifically mention the “great idea, subpar execution” problem. I’ve noticed it in particular right now because I’m rereading Neil Gaiman’s Neverwhere, which seems to me to have the opposite problem: the plot is not particularly memorable, but Gaiman’s writing is very witty and appealing.

Review this book and/or Leave a comment:

Your email address will not be published. Required fields are marked *