Next SFF Author: Ben Aaronovitch

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Ink: Unique, gruesome premise

Ink by Alice Broadway

Ink (2018), by Alice Broadway, is the first book in a YA dystopian trilogy with a unique, if gruesome, premise. Everyone in the city of Saintstone has the events of their lives tattooed on their bodies. When a person dies, their skin is removed and made into a book, which is then judged at a ceremony that recalls the Weighing of the Heart in Egyptian mythology. If the person is determined to have lived a good life, the book (and by implication, the person’s soul) is returned to their family to be remembered forever among the ancestors.


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The Brink: Superficial and implausible SF horror

The Brink by James S. Murray & Darren Wearmouth

Human monsters take precedence over the creature type of monsters in The Brink (2019), the sequel to last year’s SF horror novel Awakened. (Some spoilers for the first book are in this review, but are also in the publisher’s blurb for this book, so they’re nearly impossible to avoid.) Awakened was pulpy fun if you like SF horror and mysterious, murderous threats lurking beneath the surface of the earth.


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The Everlasting Rose: A disappointing sequel

The Everlasting Rose by Dhonielle Clayton

The Everlasting Rose (2019) is the sequel to Dhonielle Clayton’s The Belles, a novel that is a finalist for the Hugo and Locus Awards for Best Young Adult novel this year. I enjoyed The Belles despite some problems with characterization such as a boring romance and a totally over-the-top villain. If you haven’t yet read The Belles, but intend to, it’d be best to skip this review since I can’t help but spoil some of its plot here.


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The War Within: Shows improvement, but it’s a pretty low bar

The War Within by Stephen R. Donaldson

I was sorely disappointed in Seventh Decimate, the first book in Stephen R. Donaldson‘s new series, THE GREAT GOD’S WAR. Luckily, the second book, The War Within (2019), shows improvement, but it’s a pretty low bar and so I can’t say it’s enough to convince me the series is worth starting (at least at this point).

(Here is your warning that this review will contain spoilers for book one).


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The Municipalists: Has its moments

The Municipalists by Seth Fried

I loved the opening chapter of Seth Fried’s debut The Municipalists, writing “nice” several times in the margins just in the first few pages, as when the narrator, recalling his parents’ death when he was young, notes how the old grocery “seems to have forgotten him. The flat, glass storefront stares straight ahead without so much as a glimmer of recognition.” Unfortunately, that was the high point for me and the book, while it had its moments, eventually devolved into a bit of a slog.


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The Oathbound: Features a female sword-and-sorcery duo

The Oathbound by Mercedes Lackey

The Oathbound (1987) is the first book in Mercedes Lackey’s VOWS AND HONOR series, a trilogy in her larger VALDEMAR saga. You don’t need to be familiar with VALDEMAR before picking up The Oathbound.

The story focuses on two heroines who suffered traumatic events, re-made themselves, and are on separate quests for revenge. Tarma is a clanswoman from a nomadic tribe that got wiped out by raiders.


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Fearless: Second verse, same as the first

Fearless by Sarah Tarkoff

Sarah Tarkoff follows up her debut YA novel Sinless with Fearless (2019), the second installment in the EYE OF THE BEHOLDER trilogy. I didn’t enjoy Sinless and this trilogy’s middle book didn’t get its hooks in me either, carrying over a lot of the issues I had with book one and creating some entirely new ones that don’t bode well for the trilogy as a whole.

Grace Luther remains preternaturally lucky,


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Kingdom of Exiles: Fae fantasy and sentimentality

Kingdom of Exiles by S.B. Nova

Here we have the tale of Serena Smith, blacksmith’s daughter exiled from her puritan-like settlement and then kidnapped by fairies and sold in the Kingdom of Aldar, which has much worse political problems than the oppressive community from which she’s taken. The difference is, she finds a way of making a difference — a thing she could not do in her human home.

I feel like this kind of fairy story is a bit at war with itself. Kingdom of Exiles (2017) bills as a feminist tale and means to make Serena fierce and self-actualizing,


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Next SFF Author: Ben Aaronovitch

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