The Devil’s Henchmen by John Oldrey
Ever since the great H. Rider Haggard jump-started the popularity of the so-called lost-world/lost-race novel with his triple punch of King Solomon’s Mines (1885), She (1887) and Allan Quatermain (also 1887), readers have come to expect certain attributes to be present when starting such a book. The most basic prerequisite, naturally, is a previously undiscovered land or people occupying some remote corner of the world. Instrumentalities of superscience, a despotic yet lustful queen,
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Right, and we, as fantasy readers, would have appreciated the reference.... it certainly gives the impression that she didn't want…
Right? Especially since the character is allegedly a fantasy reader. It would have taken one sentence to have her think…
Wow, that is really disappointing.
The explanation of chord voicings was very clear. Do you have advice for transitioning smoothly between complex chords? freeonlinepiano.com
This piece has a lovely melody and your interpretation highlights its emotional depth. It's inspiring to hear such nuanced playing.