Dr. Simon Morden, B.Sc. (Hons., Sheffield) Ph.D (Newcastle) is a bona fide rocket scientist, having degrees in geology and planetary geophysics. Unfortunately, that sort of thing doesn’t exactly prepare a person for the big wide world of work: he’s been a school caretaker, admin assistant, and PA to a financial advisor. He’s now employed as a part-time teaching assistant at a Gateshead primary school, which he combines with his duties as a house-husband, attempting to keep a crumbling pile of Edwardian masonry upright, wrangling his two children and providing warm places to sleep for the family cats. His not-so-secret identity as journeyman writer started when he sold the short story Bell, Book and Candle to an anthology, and a chaotic mix of science fiction, fantasy and horror followed. Heart came out to critical acclaim, and Another War was shortlisted for a World Fantasy Award, but with The Lost Art, things suddenly got serious. Contracts. Agents. Deadlines. Responsibility. Scary stuff. The Lost Art was subsequently a finalist for the Catalyst Award for best teen fiction. As well as a writer, he’s been the editor of the British Science Fiction Association’s writers’ magazine Focus, a judge for the Arthur C Clarke awards, and is a regular speaker at the Greenbelt Arts Festival on matters of faith and fiction. In 2009, he was in the winning team for the Rolls Royce Science Prize.
Equations of Life by Simon Morden
I picked up Equations of Life, the first novel in Simon Morden’s SAMUIL PETROVITCH series, after receiving a copy of his latest novel The Curve of the Earth for review. The new novel is the fourth one set in the series, but it came billed as a good point to get started if you missed the first three books, which form a trilogy of sorts. Still, being somewhat obsessive about these things, I decided to go back and read the first book rather than jump in at The Curve of the Earth.
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