John Everson is the Bram Stoker Award-winning author of several horror novels and horror/dark fantasy short story collections. In 2006, he founded Dark Arts Books (www.darkartsbooks.com) to produce trade paperback collections spotlighting the cutting edge work of some of the best authors working in short dark fantasy fiction today. He is also a digital artist and musician. John shares a deep purple den in Naperville, Illinois with a cockatoo and cockatiel, a disparate collection of fake skulls, twisted skeletal fairies, Alan Clark illustrations and a large stuffed Eeyore. There’s also a mounted Chinese fowling spider named Stoker, an ever-growing shelf of custom mix CDs and an acoustic guitar that he can’t really play but that his son likes to hear him beat on anyway. Sometimes his wife is surprised to find him shuffling through more public areas of the house, but it’s usually only to brew another cup of coffee. In order to avoid the onerous task of writing, he occasionally records pop-rock songs in a hidden home studio, experiments with the insatiable culinary joys of the jalapeno, designs book covers for a variety of small presses, loses hours in expanding an array of gardens and chases frequent excursions into the bizarre visual headspace of ’70s euro-horror DVDs with a shot of Makers Mark and a tall glass of Newcastle.
It’s been decades since horror was really hot, with whole sections of bookstores devoted to novels with black and red covers. But the genre never really died, and not just because of Stephen King’s ongoing popularity. Horror went underground, in a sense; small presses picked up where the standard publishers left off, and a great deal of fiction was published in extremely small press runs, often in gorgeous editions with full illustrations. Novellas and novelettes were (and are) published as chapbooks, demanding the same price that complete novels do in other genres.
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Do it! One of the best things I've read in recent years.
This reminds me. I want to read Addie LaRue.
We’re in total agreement David!
I felt just the same. The prose and character work was excellent. The larger story was unsatisfying, especially compared to…
Hmmm. I think I'll pass.