The theme for Issue 25 of Crossed Genres Magazine is “Indoctrinate,” but the theme is only loosely applicable to the first story, “Cabaret Obscura” by Julian Mortimer Smith. The first-person narrator, Truddla, once catered to the kinky sexuality (or, at least, sexual curiosity) of humans at the Rialto. Most of her audience left “titillated but embarrassed,” she tells us, but some send her marriage proposals, and the dangerous ones lie in wait for her after shows. She’s a hobgoblin. Whether that means she’s a creature from the fairy tale world or an alien to whom a handy word has been applied isn’t made clear — that’s the “crossing” of genres in this story,
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What a fascinating exploration of Edwige Fenech's contributions to the giallo genre! I love how the post highlights her unique…
Pretty challenging book. Cut by half, speed up the cadence. Trying to figure out the plot, the main point of…
Thanks for the kind words, Marion! Coming as they are from a professional writer, they are much appreciated!
Wonderful review, Sandy.
The "body count" bothered me a bit less because being dead seemed more like an inconvenience than anything else... unlike…